actors
Nick Hasted
Powell and Pressburger’s least remembered Forties film is shrouded in Blitz darkness, deepening in the warped flat where alcoholic weapons expert Sammy (David Farrar) stares at a whisky bottle as if it’s a bomb. Following the vivid English fantasias of A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948), The Small Back Room turned to haunted psychological and social realism, veined with tension, humour and bleak beauty.Based on Nigel Balchin’s wartime bestseller, it is set during spring 1943’s mini-Blitz, as a new sort of booby-trapped bomb needs defusing. Sammy Read more ...
Nick Hasted
Benjamin Brewer’s post-apocalyptic, Nic Cage-starring creature feature finds a sombre interest in fatherhood and growing up in screenwriter Michael Nilon’s bleak scenario, after Paul (Cage) gathers up two abandoned babies with black smoke blooming, and a city falling into catastrophe.Fifteen years later, adopted siblings Joseph (It’s lead kid Jaeden Martell) and Thomas (Maxwell Jenkins) live in a farmhouse under Paul’s sternly loving tutelage, foraging by day, and cowering when night brings monsters scratching at their door, much like A Quiet Place or a vampire flick. Arcadian was filmed Read more ...
Nick Hasted
Viggo Mortensen has parlayed film stardom into the life of a hard-working, bohemian-minded gentleman scholar. His Lord of the Rings fees financed Perceval Press, which publishes books of poetry, photography and anthropology by himself and others, and Mortensen’s extensive discography as a musician.The company is named after a favourite knight in the legend of King Arthur, and there is something honourably chivalric in Mortensen’s life and work, filtered through socially open-minded acceptance of the modern world. His hard-riding, brooding Aragorn in the Lord of the Rings trilogy (2001-03) Read more ...
Adam Sweeting
Maybe California-born Matthew Modine caught the movie bug courtesy of his father Mark, who used to manage drive-in theatres, but after bagging his first film role in John Sayles’s Baby It’s You (1983) he never looked back. Blessed with a gift of employability that must make many of his fellow-actors green with envy, Modine has been clocking up a stream of memorable performances for 40 years on both the small and big screens.The title role in Alan Parker’s Birdy (1984), where he played opposite a fledgling Nicolas Cage, signalled the shape of things to come. His performance as Private “Joker” Read more ...
Adam Sweeting
He’s not the kind of actor who has paparazzi following him around Beverly Hills or staking out his yacht in St Barts, but Eddie Marsan, born into a working class family in Stepney in 1968, has amassed a list of acting credits that your average superstar will never be able to match.On the big screen he has appeared in such diverse productions as Michael Mann’s Miami Vice, V for Vendetta, Me and Orson Welles, Warhorse, Atomic Blonde, Hancock and Entebbe, and he plays Amy Winehouse’s father Mitch in the new biopic Back to Black.He’s also part of Guy Ritchie’s regular stable, having appeared in Read more ...
Sarah Kent
Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s Hunger. It’s gripping from the first frame to the last; the tension rarely lets up as we watch the main character lying and cheating his way through life as he struggles with addiction and is fleeced by card and loan sharks. In a heart-wrenching scene, his brother Paul (expertly played by Cam Riley) begs him to seek help.The film opens with Stephen (Stephen Giddings) watching The Arrest of Thomas Goudie, a film shot in 1901 about a real life bank clerk who Read more ...
Gary Naylor
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (is it even Gen Z, or were they last year, Daddio?) can leave one baffled or wondering whose gripe is it anyway. Sometimes the new blood feels like an exotic Type AB negative, when we’re boring old O positive and the transfusion is rejected.But, occasionally, we bus pass holders can be made to feel old in a nice, slippers and no pipe any more (doctor’s orders), way, the subjects familiar, the atmosphere warm, the themes washing over the fourth wall and not fired into Read more ...
Gary Naylor
There are genres of theatre that demand buy-in from the audience – musicals, opera and the daddy of them all, pantomime. The usual entry price to the house, the suspension of disbelief, requires supplementing with an active desire to meet the production halfway. So it is with comedy. Crudely put, we could all sit there like Mount Rushmore if we wanted to, but what good would that do?April De Angelis’s new play makes that demand and rolls in another: that we civilians take an interest in the in-jokes and squabbling of actors (yes, the dread word "luvvie" hove into sight on a couple of Read more ...
Nick Hasted
This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-Hollywood conviction.Alice (Chastain) and Céline (Hathaway) are friends and neighbours, bonding over their eight-year-old sons Theo (Eamon Patrick O’Connell, pictured bottom with Hathaway) and Max (Baylen D. Bielitz). They team up, too, over Alice’s desire to return to work in journalism, inevitably dismissed by respective husbands Simon (Anders Read more ...
Nick Hasted
Faith and damnation frequently collide in Abel Ferrara’s films, drawing fiery performances from often starry casts. The New York master who made The Driller Killer and Bad Lieutenant now lives in Rome and, like his Pasolini, Padre Pio is a political period film set in his adopted land.With some chronological sleight of hand, Ferrara splices the life of the titular Franciscan priest, a mystic visionary eventually beatified for receiving the stigmata in 1918, and the October 14 1920 massacre of San Giovanni Rotondo, where 14 villagers protesting landowners’ overturning of their first free Read more ...
Matt Wolf
Oppenheimer as expected dominated the 96th Academy Awards, winning seven trophies whilst runner-up Poor Things took four prizes, including Emma Stone in the hotly contested category of best actress.There was a pro forma feeling to the roll call of winners under host Jimmy Kimmel's eye that saw, across nearly 3.5 hours, Christopher Nolan, Cillian Murphy, and Robert Downey Jr win as best director, actor, and supporting actor, respectively – all prizes they had been expected to take.The same was true of Da'Vine Joy Randolph's supporting actress nod as Mary Lamb, the grieving cafeteria manager in Read more ...
Gary Naylor
In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP."That might be the only point on which he and Joan Littlewood, a fellow poet, might agree, because she caught the zeitgeist and was doing iconoclastic work of her own in Stratford (emphatically not "upon Avon") with her revolutionary musical Oh What A Lovely War. Though it feels now to be something of an artefact in theatre’s archaeology, it has not lost its sting nor its Read more ...