Paris
anne.billson
I've been having rather a surreal autumn here in Paris. First, I was lucky enough to catch the last day of Une semaine de bonté at the Musée d'Orsay, where the original collages were on display in five colour-coded chambers. For those not in the know, Max Ernst's graphic novel avant le fait is a series of 182 collages made out of printed images cut from old books, and was first published in 1934, in a series of five pamphlets. The title means, "A Week of Kindness", but the contents are anything but kind.In fact, these images are downright sinister and disquieting. In one, a giant sphinx peers Read more ...
Adam Sweeting
Though our French cousins like to boast of their superiority to the Anglo-Saxons in every sphere of endeavour, the Paris-based police dama Spiral, returning after a three-year absence, suggests that the Cartesian paradise across the Channel is under siege. Already, it’s clear that the ghoulish murder that opened this first episode of series two has triggered an examination of the interplay of police, politicians and judiciary which threatens to uncover hideous secrets in the loftiest eyries of the French establishment.You could say that Spiral’'s subject matter makes it a kind of Gallic Law Read more ...
Ismene Brown
The phenomenal French ballerina Sylvie Guillem (b. 1965) has always been a modern woman, for all her classical ballerina dress. She joined the Royal Ballet in 1989 from Nureyev's Paris Opera Ballet, on terms of strictest independence, hardly saying a word to the press, while her image as a brilliant but truculent "Mademoiselle Non" grew and grew. The image belies the person, though - once you meet her, what’s striking is her lack of side, unblinkered intelligence and polite but firm candour.This first of four interviews dates from December 1995 when the world’s most imitated classical Read more ...
Ismene Brown
With five first-magnitude stars in it you're expecting at least a five-star show from Eonnagata, the collaboration between ballerina Sylvie Guillem, theatre director Robert Lepage, choreographer Russell Maliphant, designer Alexander McQueen and lighting genius Michael Hulls - possibly even the Milky Way. But I can't divvy up more than two stars for the result. There is too much courteous mutual admiration going on to allow light to shine as theatre, with the exception of some of the last minutes of the 90, which are blindingly good and left me gnashing my teeth at what could have been Read more ...
Ismene Brown
SHE was the most chic Sixties doll that ever walked the streets, and all Britain enumerated her qualities when Peter Sarstedt's haunting pop-song hit the charts in 1969. "You talk like Marlene Dietrich, And you dance like Zizi Jeanmaire. Your clothes are all made by Balmain, And there's diamonds and pearls in your hair. But where do you go to, my lovely?..."In such a song, Margot Fonteyn would not have been a groovy reference. Zizi Jeanmaire was another matter. Not for her the pale suffering virgin; she was a ballerina the liberated chick could go for. Wearing a corset as black and short as Read more ...