fri 19/04/2024

20th century

Hewitt, Basel Chamber Orchestra, Bard, Bridgewater Hall, Manchester review - 22 extraordinary musicians

The Basel Chamber Orchestra’s 21 string players on tour are an extraordinary set of musicians. Not only did they begin their programme in Manchester with Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, requiring at times one-to-a-part...

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Close-Up: The Twiggy Musical, Menier Chocolate Factory review - a tourist's view of a Sixties icon

The Biba dresses are way too colourful, the shop’s interior about 10 times too bright… and did anybody really say ”happening threads” in 1965?Taking Ben Elton to task for his portrayal of the Sixties, which feature in the first half of Close-Up, his...

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Rebecca, Charing Cross Theatre review - troubled show about a troubled house nonetheless diverts

There are times when it’s best to know as little as possible before taking one’s seat for a show – this new production of Rebecca would be a perfect such example.It was once talked up as the new Phantom, the next smash hit musical that would do on...

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Lutz Seiler: Pitch & Glint review - real verse power

Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: searing is a regular participant, as is honest, and urgent...

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My Name Is Alfred Hitchcock review - a sly primer

Mark Cousins pulled off a coup for his latest film history documentary, My Name Is Alfred Hitchcock, by getting the great director to narrate it. In his catarrhal East London drawl, Hitchcock parses dozens of the brilliant visual techniques he used...

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Osborne, BBC Philharmonic, Glassberg, Bridgewater Hall, Manchester review - energy and virtuosity

The BBC Philharmonic ended its 2022-23 season in Manchester with a programme that might have been chosen as a showpiece for virtuosity.There was orchestral virtuosity in the form of Rachmaninov’s Symphonic Dances, pianistic virtuosity in the shape...

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42nd Street, Sadler's Wells review - musical extravaganza will knock your socks off

There are better musicals in town, but can you find me a more spectacular show in a more comfortable theatre? I doubt it. Not that Jonathan Church's new production at Sadler's Wells is flawless. It's a 90-year-old blockbuster so, for all its...

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Elgar Oratorios, Hallé, Elder, Bridgewater Hall, Manchester review - a landmark in music making

Sir Mark Elder has a special affection for the music of Elgar. They share a birthday, on 2 June, and his time with the Hallé has included more than one celebration of the composer at this time of year.Now that his departure as music director is in...

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Brokeback Mountain, @sohoplace review - emotionally inert take on acclaimed tale of queer love

For a masterclass in expansive adaptation, one could do worse than turn to Ang Lee’s Oscar-winning Brokeback Mountain, based on American author Annie Proulx’s 1997 short story of the same title. Proulx’s restrained but searing tale of the queer...

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The Good Person of Szechwan, Lyric Hammersmith review - wild ride in hyperreality slides by

As the UK undergoes yet another political convulsion, this time concerning the threshold for ministers being shitty to fellow workers, it is apt that Bertolt Brecht’s parable about the challenges of being good in a dysfunctional society hits London...

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Betty Blue Eyes, Union Theatre review - musical revival pigs out on nostalgia

People can’t find the food they want in the shops. Nobody has enough money. Public services are under pressure. And there’s a big Royal occasion to take our minds off things.England 2023? Nah, England 1947, as rationing applies to meat and fruit...

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Chiejina, BBC Philharmonic, Collon, Bridgewater Hall, Manchester review - something scenic, and something else

An evening of “scenic orchestral works”, according to the programme booklet, was on offer from the BBC Philharmonic on Saturday. Scenic was certainly true of the Seven Early Songs of Alban Berg and Richard Strauss’s Alpine Symphony. But Tom Coult’s...

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