sat 05/07/2025

2010s

CD: Hawkwind - Road to Utopia

Implausible times call for implausible music, and it doesn't come much more unlikely than this. Hawkwind, the die-hard troupers of gnarly cosmic squatter drug-rock, have re-recorded highlights from their catalogue, arranged and produced by Mike Batt...

Read more...

CD: Iggy Azalea - Survive the Summer

In basic creative terms of the ingredients that make it up, this is not a bad record. Hip hop production is in extraordinary period right now, and the six tracks on this EP have the best production that money can buy: woozy, narcotic, digitally...

Read more...

CD: Laurel Halo - Raw Silk Uncut Wood

So the ambient revival continues apace, getting deeper and wider with each passing year. From the interstices between the classical concert hall, abstract art installations, the backroom of more insalubrious little raves and festivals, the small...

Read more...

Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interview

Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases. Indeed his most recent projects, following his return to public life after treatment for throat cancer...

Read more...

Syria: The World's War, BBC Two review - anatomy of a conflict, brilliantly told

This was not a film that left you with much respect for the wisdom of politicians, but perhaps its truest line came from John Kerry, when he called the ongoing – seven years, and counting – Syrian conflict “an insult to the humanity of this planet...

Read more...

CD: Sonido Gallo Negro - Mambo Cósmico

How many albums today feature a sorceress on the harp, an instrument more often played by winged angels? "La Bruja de Texcoco", a practising witch and healer, is one of several Mexican musicians who join Sonido Gallo Negro in their latest and very...

Read more...

Beginning, Ambassadors Theatre review - funny and richly moving comedy about loneliness

Awkwardness is a challenging effect in drama, and one so rewarding when it works. When the movement isn’t easy, when the dialogue doesn't flow; when, with emotional revelations broken and coming with difficulty, the pauses speak more powerfully than...

Read more...

Insyriated review - claustrophobic terror in a Damascus war zone

It doesn’t take long, I think, to work out the associations of the title of Insyriated: we are surely being presented with a variation of “incarceration”, one tinged by the very specific context of the conflict that has ravaged Syria for six years...

Read more...

The Gabriels, Brighton Festival review - hilarious drama in the shadow of Trump

The subtitle of Richard Nelson’s new trilogy suggests an anti-Trump polemic. Instead, its miraculous, almost invisible craft fulfils the President’s most hollow promise. It restores full humanity to a family of lower-middle class Americans who often...

Read more...

Pink Floyd: Their Mortal Remains, V&A review – from innocence to experience and beyond

The title of this exhibition is typical of Pink Floyd’s mordant view of the world, not to mention their sepulchral sense of humour. Needless to say, the band that took stage and studio perfectionism to unprecedented lengths have pushed the boat out...

Read more...

Love, National Theatre

For a play that ends with 15 minutes of breath-stopping, jaw-dropping theatre that is surely as powerful as anything the departing year has brought us, Alexander Zeldin’s Love has a challenging relationship to the concept of drama itself. For the...

Read more...

Icebreaker and BJ Cole, Milton Court

Call it re-analogification, de-digitisation or perhaps just plain reverse-engineering, Icebreaker’s set at Milton Court was all about reclaiming the electronic for hoary-handed instrumentalists. Their skills are well-honed: from Anna Meredith to...

Read more...
Subscribe to 2010s