2000s
Thomas H. Green
During the first decade of this century Conor Oberst was critically anointed as a successor to the likes of Bob Dylan, Neil Young and Leonard Cohen. It didn’t seem to make him very happy. His project Bright Eyes, with musical prodigies Nate Walcott and Mike Moggis, twisted and turned through varying musical styles, as if purposefully evading easy definition, while Oberst’s lyrics became increasingly bleak and opaque. Bright Eyes now return, after nine years of absence. Oberst is no happier, but his cryptic, committed, broken-voiced melancholy is a good fit for these times.Bright Eyes' last Read more ...
Thomas H. Green
The music of monstrously successful emo-pop sorts Paramore is globally massive but is far from everyone’s cup of angst-lite. There is something polished and squeaky clean about them, Teflon fluoro-goth with an off-putting whiff of decent boy/girl-next-door niceness. This writer, then, comes to the debut album of lead singer Hayley Williams with Everest-sized prejudices. Unbelievably, these must be cast aside, for Petals For Armor, despite its stinky title (had to get one dig in!), is a vibrantly funky, imaginative and more-ish album.From the writing credits, Williams appears to have put it Read more ...
Jill Chuah Masters
Watching Dark Waters, the latest film from director Todd Haynes (Carol, Far from Heaven), I kept thinking — what’s the opposite of a love letter? The film is based on the work of Rob Bilott, a real-life lawyer who uncovered a corruption scandal so toxic that it was literally poisoning us. Dark Waters stars Mark Ruffalo as Bilott, and it functions as a dignified takedown of DuPont: the chemical giant responsible for the poison.This is a legal procedural that reads like a horror story. It’s Frankenstein-ish in its terrors. It opens with Bilott — partner at a corporate law firm — lured to his Read more ...
Thomas H. Green
10 years ago, a wave of exciting femme-pop was cresting, women taking the reins with singular visions; the results were shiny, personally honest, inventive and ebullient, from Gaga to Adele and beyond. A leading light was La Roux, a duo fronted by the androgynous Elly Jackson. She looked different, a bit Bowie, and the music was a fantastically catchy reimagining of Eighties synth-pop. They had monster hits with “In for the Kill’ and “Bulletproof” but Jackson’s career since has swerved about somewhat. Her return is much-anticipated. Unfortunately her third album, while bubbling with bounce, Read more ...
Robert Beale
Finding one piece for marimba soloist and string orchestra would tax the powers of many concert planners, never mind coming up with two, so the Northern Chamber Orchestra is to be congratulated on its first Manchester performance of 2020 – especially since they found two concerto-style works from almost the same point in recent time: 2009 and 2010. Qualify that by adding that one has a second soloist, a clarinet, but impressive nonetheless.Colin Currie was the star marimba soloist for both Stephen Barlow’s Nocturne for clarinet, marimba and strings and Kurt Schwertsik’s marimba concerto Read more ...
Thomas H. Green
18 years ago, Electric Soft Parade, centred around brothers Alex and Thomas White, were the latest hyped hope of indie kids and NME-type media. However, their might-have-been moment imploded when they moved too fast for their fans, rocketing off in wildly creative flourishes rather than sticking to a predictable formula. They – and associated break-away bands – have since produced a fascinating array of musical activity, often boasting an inventive yet old-fashioned feel for orchestration.Their latest album, their fifth, is a change of direction. Written and sung by Alex, recorded and Read more ...
Jill Chuah Masters
Heston Blumenthal, of triple-cooked chips fame, is a mad food scientist. Well, that’s how we’re introduced to him in Heston’s Marvellous Menu. Tonight’s BBC Two programme had a rather theatrical premise: a chef recreating the complete dining experience (menu, team, decor, diners) from a pivotal year in their restaurant’s history. What’s unclear is if this show was intended as a one-off documentary or the first episode of a series. What’s certain? It was a wacky time capsule.The programme opened with Blumenthal and Giles Coren, The Times’ restaurant critic, choosing a year to recreate. The Read more ...
Kieron Tyler
In the liner notes to the new reissue of 2001’s All is Dream, Mercury Rev’s Jonathan Donahue says it is “a weird astral album musically, and yes the symbolism lyrically runs many layers down and deep – different coloured layers of rock, soil and ash on an archaeology dig.”More straightforwardly, Mercury Rev’s other mainstay Grasshopper explains “All is Dream was a continuation of ideas we hatched during recording [previous album] Deserter’s Songs – and [its predecessor] See You on the Other Side – but we were bolstered by the excitement that Deserter’s Songs generated.”All is Dream was Read more ...
Graham Fuller
Putting a radical spin on a fish-out-of-water story, The Last Tree explores troubling aspects of the African diaspora experience in an England riddled with xenophobia and black-on-black racism. Shola Amoo’s semi-autobiographical second feature is distanced from Brexit by its early 2000s time frame, but its young protagonist’s identity issues speak to the current moment.The film begins with a sunlit idyll in the Lincolnshire countryside. An 11-year-old British Nigerian, Femi (Tai Golding) runs around outdoors and gets “all over mud” with his three schoolmates – but for the colour of his skin Read more ...
Markie Robson-Scott
Based on Savannah Knoop’s memoir Girl Boy Girl: How I became JT LeRoy, Justin Kelly’s film skims the surface of the sensational literary hoax of the early 2000s, that far-off time before avatars, gender fluidity and fake online identity were part of everyday life.Kristen Stewart, with her own queer identity as a background hum, is a fine, understated match for the role of the androgynous Knoop, who was roped in by her sister-in-law, 40-year-old author Laura Albert (a harsh, one-note Laura Dern) to play LeRoy at literary events and parties. This is Knoop's side of the story, set in San Read more ...
Matt Wolf
An apocalyptic title proves somewhat of a red herring for a slight if intriguing play that returns the dream team behind Harry Potter and the Cursed Child to their erstwhile stomping ground at the Royal Court. Set across 20 years in the Newbury kitchen of a socialist family most of whom on this evidence cannot cook, Jack Thorne's play traces a familial and political bequest that takes us from the arrival of Tony Blair as PM through to the spring of 2017 and a lone reference in passing to "Brexit Britain". But quite what the author and his longtime director, John Tiffany, want us to make of a Read more ...
Chloe Allen
“I want to be just like P!nk,” a little girl screams as the lights begin to dim and the introductory music grows louder. It’s no wonder this leg of the Beautiful Trauma World Tour sold out in under 15 minutes. The whole stadium is packed full of adoring fans, in a sea of varying shades of pink, visiting from all over the UK and some further afield. A man takes to the stage offering an out-of-tune version of the 20th Century Fox intro sequence, gesturing towards a popular viral video shown onscreen.The pink satin curtain at the stagefront falls, the lights go up. P!nk is already onstage Read more ...