18th century
Don Giovanni, Glyndebourne review - stunning, exuberant production reveals human nature in all its complexitySaturday, 20 May 2023
Why stage Don Giovanni in a post #MeToo world? That’s the question most frequently being asked about Mariame Clément’s new production for Glyndebourne and on its opening night she delivered a response that was as conceptually subtle as it was... Read more... |
The Meaning of Zong, Barbican review - didactic tale based on the 1781 massacre of 132 slavesSaturday, 22 April 2023
There’s a moment in the opening stretch of Giles Terera’s The Meaning of Zong where you think the former Hamilton star has written a piece about slavery that’s in much the same idiom as the hit musical. Music will indeed be a strong presence in... Read more... |
St John Passion, Polyphony, OAE, Layton, St John's Smith Square review - defiant performance reveals Bach masterpiece anewSaturday, 08 April 2023
The turbulence and agitation of betrayal could be felt from the word go in this galvanising performance of the St John Passion, which administered a jolting urgency to Bach’s radical portrayal of the Easter story. The work will be 300 years old next... Read more... |
Messiah, Irish Baroque Orchestra, Whelan, Wigmore Hall review - wonderful, easy, light and dark in perfect poiseTuesday, 04 April 2023
This Palm Sunday served up an epiphany. Previous encounters with Handel's Messiah, in whatever version, and whether listening or performing, turned out to have been through a glass darkly. And here we were face to face with undiluted genius, served... Read more... |
Williams, Dunedin Consort, Truscott, Wigmore Hall review - star soprano, total teamworkFriday, 31 March 2023
When your special guest is a young soprano with all the world before her, the total artist already, your programme might seem to run itself. Yet the Dunedin Consort’s sequence seen and heard in Glasgow, Edinburgh and (last night) London followed a... Read more... |
Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - spirit of the 1780sMonday, 27 March 2023
It was very much the formula as before, as Jean-Efflam Bavouzet and Gábor Takács-Nagy moved their edition of the Mozart piano concertos a step closer to completion with Nos. 11, 12 and 13.That formula has served them well in the past: it’s not “... Read more... |
In The Realms of Sorrow, London Handel Festival, Stone Nest review - disappointed love has all the best tunesSaturday, 04 March 2023
Raw, muscular, visceral, haunting – this was Handel as you’ve never experienced him before. In this striking entry for the London Handel Festival, an uncompromising production by Adele Thomas with conductor Laurence Cummings took four of the... Read more... |
First Person: conductor Harry Bicket on filming the complete Handel for The English Concert's big new projectTuesday, 28 February 2023
Of the many questions we asked ourselves during lockdown, I suspect that many of us looked at our lives and professions and asked, “Why?”.Perhaps a period of forced introspection is a positive thing if it helps clarify what is truly important and... Read more... |
Jean-Efflam Bavouzet, Wigmore Hall review - virtuoso brilliance and thoughtfulness reveal Haydn's rangeTuesday, 21 February 2023
In a recent interview with the New York Times, Jean-Efflam Bavouzet mischievously described interpreting Haydn’s piano sonatas as “putting clothes on a rather naked skeleton… You have this joy of bringing it to life with all the tools you can... Read more... |
Hewitt, BBC Philharmonic, Davis, Bridgewater Hall, Manchester review - the classical styleMonday, 13 February 2023
Two intriguing themes and two great guest artists were offered by the BBC Philharmonic to their Saturday night audience in the Bridgewater Hall: the themes were what “classicism” really is, and the variety of music inspired by (or written for) dance... Read more... |
Lowe, The Mozartists, Page, Wigmore Hall - an education, not quite a triumphWednesday, 18 January 2023
Ian Page’s “journey of a lifetime” with his Mozartists, taking the greatest genius year by year, lands us in 1773 with the adolescent Mozart's first durable crowdpleaser, the pretty-brilliant motet for soprano and orchestra Exsultate, jubilate (last... Read more... |
Bach Christmas Oratorio, Monteverdi Choir, EBS, Gardiner, St Martin-in-the-Fields review - soul-piercing song and danceFriday, 16 December 2022
Across three and a half decades, John Eliot Gardiner’s 1987 recording of Bach’s Christmas Oratorio with his Monteverdi Choir and English Baroque Soloists spoiled one for live performances. Not that many of those weren’t equally fine and alive in... Read more... |
