Theatre
Helen Hawkins
Kwame Owusu’s 55-minute one-hander does just what it says on the tin: it features a young student who dreams he is drowning. But its brevity is no bar to its being a dense and intense experience, worthy winner of last year’s Mustapha Matura Award.Nineteen-year-old gay Malachi (Tienne Simon) has gained a place at university in Bristol to study English Literature. He adores reading, especially books by Black authors and, above all, sci-fi and fantasy. But his arrival at uni is blighted by a recurring dream that intensifies with each iteration: his room is at the bottom of the ocean, and a Read more ...
Helen Hawkins
A sun deck with seven pale-green padded loungers is the latest setting for the latest National Theatre premiere from American playwright Annie Baker to people in her inimitable way. In her hands this banal space is as dramatically charged as any windowless Beckett cell. The set is lit to depict different stages of the day, from bright golden sunlight to crepuscular gloom. Time elapsing is announced by one of the characters: “22 minutes”, “25 hours”, and so on. Over five days, the chairs will be occupied by groupings of five women and a solitary man, the women in an assortment of Read more ...
Gary Naylor
It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for everyone else scrabbling a living in Bradford – or anywhere north of Watford – and we know what those left-behind places did when presented with a ballot box in 2016 and 2019.Not that such weighty matters concern our two girls, out for a banging (in more senses than one) £1 Thursday night out, living for the sex and booze and rock’n’roll that get them from one week to the next. (Writer, Kat Rose-Martin, wisely keeps other temptations out of arm’s reach, one of many Read more ...
aleks.sierz
It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But if grumpy old Scrouge is an instantly recognizable literary icon then so is the super sleuth Sherlock Holmes. Bringing them both together has been the inspired idea of actor, director and playwright Mark Shanahan, whose A Sherlock Carol, which first opened at this venue and on Off-Broadway last year, now returns to Marylebone Theatre, which is located just around the corner from Baker Street, where number 221B has been the residence of Arthur Conan Doyle’s Read more ...
Gary Naylor
Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of potential for Liverpool’s nascent film industry. Nearly a century ago, the long, white, towered construction in which the next "Spend! Spend! Spend!" millionaires were plucked from the old terraces and new housing estates of post-war Britain, spoke to the confidence that still suffused a great city in the 1930s. The drab utility of today's metal monoliths speaks to the accountants and administrators whose funding bids must squeeze every penny out of Read more ...
Helen Hawkins
Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy the scenery without maiming themselves.More crucially, they have to pull off the Janus-faced trick of playing the amateur actors of the Cornley Polytechnic Drama Society, indicated below in quotation marks, while getting the audience to applaud their brilliance. Mostly they succeed.Peter Pan Goes Wrong, their second show, was a West End hit in 2014, followed by transfers to Broadway and Los Angeles with guest stars on board` (Neil Patrick Harris joined the Read more ...
Demetrios Matheou
Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at the Almeida; she ends it with another startlingly vigorous adaptation, again of a play in which women are abused by men both physically and psychologically. Meanwhile, Cabaret, her West End revival of which is now entering its third year and is also headed for Broadway, is set in Nazi Germany. Frecknall is becoming a supreme exponent of dazzling darkness. Ultimately, her National Theatre debut with The House of Bernarda Alba doesn’t hit the solar plexus in the same way Read more ...
David Nice
This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and greeted with joyful groans. To say it’s no epic is a compliment: Charles Court Opera’s boutique pantos rely upon perfect focus in small spaces, and this is a tight little craft, with five brilliant women firing up director/writer John Savournin’s script and David Eaton’s musical arrangements.The gods aren’t happy with stagnation in Ithaca and Odysseus so far from home. The delivery service from Tamoy Phipps’ easily dispirited Hermes/Mercury has a Read more ...
Matt Wolf
Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing all available bells - those and a lost love called Belle being crucial to the show. Matthew Warchus's staging at this point seems a seasonal imperative, and in a wild-haired Christopher Eccleston, Jack Thorne's adaptation of Dickens's 1843 call to empathic arms has its most emotionally piercing and resonant leading man yet. I've seen all the various Scrooges, from Rhys Ifans in 2017 onwards, including a memorable Covid-era turn from Andrew Lincoln Read more ...
Matt Wolf
The National Theatre these days seems to be going from hit-to-hit, with transfers aplenty and full houses at home. And there's every reason to expect that this fizzy adaptation of Roald Dahl's 1983 creep-out, The Witches, has the West End and further in its sights.The first major musical drawn from the singular mind of Dahl since the runaway success that was (and is) Matilda in 2010, the show couples musical theatre newbies (the Olivier winning director-writer team of Lyndsey Turner and Lucy Kirkwood) with dab hands in the field like composer and co-lyricist Dave Malloy and the veteran Read more ...
Gary Naylor
In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP."That might be the only point on which he and Joan Littlewood, a fellow poet, might agree, because she caught the zeitgeist and was doing iconoclastic work of her own in Stratford (emphatically not "upon Avon") with her revolutionary musical Oh What A Lovely War. Though it feels now to be something of an artefact in theatre’s archaeology, it has not lost its sting nor its Read more ...
Demetrios Matheou
Henrik Ibsen may well have wanted to shake things up, to rile against the social mores of his time. But his visionary critiques didn’t usually come with anything as radical as, say, optimism. And there’s no more of a downer than Ghosts.Directing his own adaptation, Joe Hill-Gibbins offers an intense night of the soul, which feels horribly contemporary in its depiction of characters suffocating in the fear of gossip, tarnished reputation and shame. Lest that appears too depressing, he’s aided by an excellent cast in nimbly navigating between despair and the kind of amusement that flows Read more ...