fri 08/08/2025

Comedy

Miles Jupp, Cambridge Arts Theatre review - life's vicissitudes turned into laughs

It takes a talented comic to turn a horrible life experience into comedy, but Miles Jupp is nothing if not talented. Add in a bit of self-depreciation, a smidgen of philosophical musing and a dollop of ruderies about bodily functions and you have On...

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Andy Parsons, Touring review - reasons to be cheerful...

In the middle of another age of austerity, a climate crisis and seemingly intractable international conflicts, it's cheering that a comic should tour with a show called Bafflingly Optimistic. Even more so when that comedian is Andy Parsons, whose...

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Bill Bailey: Thoughtifier, Brighton Centre review - offbeat adventures with a whirling, erudite mind

I first saw Bill Bailey at least 30 years ago in the cabaret tent at Glastonbury Festival, the audience lying on hessian matting, a fug of hash smoke in the air. He seemed one of us, a bug-eyed, Tolkien-prog hippy with a stoned sense of humour and...

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Paul Foot, Soho Theatre review - how to discover the meaning of life

It's probably fair to say that Paul Foot is an acquired taste for some; his absurdist, poetic comedy isn't for everyone but he has built a strong and loyal following without the help of television exposure. And now in Dissolve, which debuted at the...

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Jessica Fostekew, Soho Theatre review - age is just a number

Jessica Fostekew is ageing fast. Actually, she's not, but having recently reached 40 she says that's how she feels. And for an hour she describes to us the signs, from despising litterbugs to gaining a political viewpoint that may not chime with her...

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Fascinating Aida, London Palladium review - celebrating 40 glorious years of filth and defiance

You don’t expect a couple of septuagenarian contraltos, aided by a spring chicken of a soprano in her fifties, to sing naughty ditties about jacksies and titties. Then again, if you are a Fascinating Aida fan, you do. Thousands of fans turned...

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Frank Skinner: 30 Years of Dirt, Gielgud Theatre review - a mature master of class-A smut

As the man himself says, he was awarded an MBE last year, despite the dirt, for services to comedy – though which services weren’t specified… On paper that isn’t a remotely risqué remark, but Skinner can milk innuendo from anything that comes out of...

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Tatty Macleod, Soho Theatre review - cross-Channel relations

Tatty Macleod, whose debut show is about the differences between the French and the English, has a confession to make: she's not French. She not even half English/half French, despite having lived her life between the two countries. But she's...

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Best of 2023: Comedy

From Covid-delayed dates (yes, that's still a thing) to emotional comebacks and assured debuts, 2023 had much to offer.Of the big TV names rediscovering the joys of live comedy were Dick and Dom on their Covid-delayed 20th-anniversary tour and shiny...

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Reuben Kaye, Purcell Room review - Australian gives powerhouse performance

As the panto season is in full swing, theatregoers will be expecting to hear some smut. For those who don't like the traditional artform but still like a bit of filth – with songs – then Reuben Kaye's The Butch Is Back will do nicely.It's a...

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Trevor Noah: Off the Record, O2 review - welcome return to standup for the polyglot motormouth

The O2 has to be the K2 of comedy peaks: a vast ovoid drum of a place where those right at the back have to be content with watching magnified images on screens. And for a standup, there are no electric instruments to drown out the echoing acoustics...

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Lucy Beaumont, Touring review - Hull’s finest goes on the road

Lucy Beaumont tells some tall stories – many ridiculous and some of them true, one assumes.  But such is Beaumont’s wide-eyed delivery that you believe her, particularly if you have seen her on the current series of Taskmaster, where her...

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