Classical music
graham.rickson
Riccardo Chailly's 'Gershwin': Fun music that can take a bit of stretching
Today we’ve Easter-themed music from Haydn and a rare chance to hear some delectable Grieg played by an old master. A kitsch Russian classic is given a new slant, and two Italians have serious fun with Gershwin.Gershwin: Rhapsody in Blue, Concerto in F, Catfish Row, Gewandhausorchester/Riccardo Chailly, with Stefan Bollani, piano (Decca) No performance of the jazz-band version of Gershwin’s Rhapsody in Blue is likely to surpass that issued last year by Lincoln Mayorga, but there’s plenty to enjoy here. Several moments have had other critics fuming, notably when pianist Stefan Bollani Read more ...
mark.kidel
John Cage, patron saint of silence and noise
John Cage, the focus of an adventurous three-day mini-festival in Bristol, is possibly one of the most influential figures in 20th-century culture. As much a practical philosopher as a composer of note, he made artists, writers and musicians think about the nature of chance, our place in nature and the role of the subject in the creative process.Cage has often been dismissed as a latter-day Dadaist, intent on taking the piss out of the establishment. There are links with Dada – not least a friendship with Marcel Duchamp, who shares with Cage the reputation for being a conceptual radical Read more ...
David Nice
In 2010, the prospectus didn't excite but the concerts turned out better than ever. "Let's hope it's not the other way round this year," commented Proms Director and Radio 3 Controller Roger Wright on Thursday afternoon as we milled around with our tea and biscuits under the eaves of the Royal College following a very jolly press briefing.  For what's on offer looks, this time, very promising indeed, to me at any rate. (See theartsdesk's full listings.}And there's no sign of the cuts kicking in yet, because they haven't. Wright quipped that a certain arts presenter asked him precisely Read more ...
graham.rickson
'Music of Tribute: Alban Berg': 'Serious, rewarding music for serious times'
This weekend's classical highlights comprise an eloquent tribute to a 20th-century master, entertaining cabaret songs from Weimar-era Berlin and some sublime Bruckner choral music recorded by an Edinburgh choir.Music of Tribute: Alban Berg Ieva Jokubaviciute (piano) plays works by Berg, Scelsi, Apostle, Ali-Zadeh, Finney and Gilboa (Labor Records) Having already focused on composers as diverse as Villa-Lobos and Scarlatti, the next disc in this series from Labor Records mixes two seminal early works by Berg with pieces composed in tribute. Alban Berg’s fusion of Modernism and fin-de-siècle Read more ...
igor.toronyilalic
The most interesting thing about Louis Andriessen's musical snapshot of the famous eroticist Anaïs Nin - being given its UK premiere at the Queen Elizabeth Hall last night - was that the scene on the chaise longue in which Nin (Cristina Zavalloni) simulates riding her father was nowhere near the most unsettling episode. As ever, De Staat, the Dutch composer's seminal 1970s orchestral work of superabundant rhetorical fury took first prize in knocking the stuffing out of us.The orchestral palette alone was something to behold: three electric guitars and two fat brass bands at its core Read more ...
David Nice
Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s Foyle Future Firsts scheme presenting two varied sets and Karadaglić headlining. And now I’ll just revert to old habits and declare the meat to be a slice of Classicism chromatically spiced (Mozart) and a 20th-century maverick pushing Neo-Baroque into near-atonality (Stravinsky), our top guitarist serenading by way of late-night coda. All this to Read more ...
David Nice
Gergiev's Prokofiev 'Romeo and Juliet': 'The 20th century's greatest ballet score, captured live at the Barbican for the LSO's own label'
It's just been crowned the BBC Music Magazine Awards' CD of the Year. But is Valery Gergiev's second complete recording of the 20th century's greatest ballet score, captured live at the Barbican for the LSO's own label, right at the top? In my Building a Library survey for BBC Radio 3, condensed in print for the BBCMM, I suggested it might be the best in state-of-the-art sound - but not the finest overall version of Prokofiev's Romeo and Juliet. That palm went to Rozhdestvensky's much more impeccably paced old Melodiya version, in mono and dating from 1959.There's enough ravishingly beautiful Read more ...
philip radcliffe
However, to begin at the beginning – the First Symphony in D major, first performed in 1889 in Budapest, with the composer conducting. There’s a lot to be said for giving Manchester its scoop (naturally, we don’t regard it as a dress rehearsal for the Royal Festival Hall performance tonight). In any case, Manchester had its big Mahler feast last year, when the Halle and the BBC Philharmonic joined forces to celebrate the 150th anniversary of his birth. Birth, death, any excuse for more Mahler. Yet Manchester audiences are clearly not satiated, judging by the turn out last night and the Read more ...
igor.toronyilalic
Some of the most exciting Western classical music being composed today comes from the Far East. Composers from Japan and South Korea - possibly because they find themselves in a different intellectual cycle to us in the West - seem to be able to do things we can't. The BBC Symphony Orchestra dedicated one of their Total Immersion series to Korean Unsuk Chin, an unconventional Modernist whose relationship to melody and storytelling is refreshingly unashamed, but who, on the evidence of the rows of empty seats at the Barbican Hall (there were quite literally more people on stage than in the Read more ...
alexandra.coghlan
James Gilchrist: Wishing the speediest of recoveries to this Godfather of English vocal lyricism
As Handel’s Messiah is to Christmas so the music of Bach is to Lent. Every Passiontide churches and concert halls are flooded with performances that include everything from dainty consort renderings of the St John Passion to choral societies delivering all but symphonic St Matthew Passions. Mightiest of all, however, is The Bach Choir’s annual concert. Performed on Palm Sunday to a reliably sold-out Royal Festival Hall, it’s a fixture of over 80 years' standing and a rare opportunity to hear the work sung in English. Love or hate the vernacular approach, it’s hard to argue with the sheer Read more ...
David Nice
Tadaaki Otaka - conducting for earthquake relief
The Sapporo Symphony Orchestra had already scheduled a London appearance as part of its 50th-anniversary tour when the Japanese earthquake and tsunami struck. Now all proceeds from the Royal Festival Hall concert on 23 May will go directly to the Japanese Red Cross Society and the Japan Society Tohoku Earthquake Relief Fund.Sapporo’s long-serving principal conductor Tadaaki Otaka, whom audiences here will know from his fine concerts and recordings with the BBC National Orchestra of Wales, said: "It was an unforeseen and terrible disaster, from which all Japanese people are working extremely Read more ...
igor.toronyilalic
It had all the hallmarks of being an almighty car crash of an event. Barenboim? Chopin? Turbine Hall? You might as well have dumped the piano at the bottom of the Pacific Ocean. Actually, acoustically, it wasn't quite that bad. It sounded as if Barenboim was playing next door. Next door in France, that is. Or Germany. Which was where he and five members of the Berlin Staatskapelle had flown in from. Perhaps it was worth another go. Classical music recitals have never been properly tried in the Turbine Hall before (though similar things have and have failed). Certainly Barenboim wasn't to Read more ...