It’s weird, right? We’ve somehow stumbled into a world where, for all we’re told that algorithms homogenise music, actually more people than ever are exposed to very, very odd and abstract soundmaking.

Witch Fever are a rising four-piece, originally formed in Manchester. Their debut album, 2022’s Congregation, was a raw, sludge-punk howl that represented singer Amy Walpole’s livid rejection of the stridently patriarchal Charismatic Church of her upbringing.

Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness, classical composition, private education, master’s degrees in music? No? Might as well stop reading then. That’s where they’re from. Let's have a valid debate somewhere else about the arts shutting out those with less money.

VINYL OF THE MONTH

Black Lips Season of the Peach (Fire)

There is such nonchalance with Sabrina Teitelbaum that even her appeals to the crowd appeared laid-back. At points during her set the Los Angeles singer would slowly raise an arm, in the time-honoured tradition of a musician demanding noise, but in a way that suggested she wasn’t bothered if the call was actually heeded. Then again, perhaps it was just a sign that she knew the gesture would have the desired effect, given her evident popularity here.

Running as part of the South Facing Festival in Crystal Palace Bowl, Thursday’s headliners, Mogwai, and their friends across the water, Lankum, were an excellent pairing, both atmospheric, wonderful musicians whose instrumental (and vocal, in the case of Lankum) virtuosity, were a real joy to listen to.

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have noticed a gothic bisexual Baptist trans woman achieving great enough success to be championed by Barack Obama, but no – until streaming algorithms put me on to her record Perverts, released earlier this year. 

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let alone that it would be from groovy young Brit jazz players. But so it goes. Last week I interviewed the Wakefield-via-London trumpeter / singer / composer Emma-Jean Thackray and she revealed a youthful penchant for Dream Theater, Liquid Tension Experiment, King Crimson and even Marillion.

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile away.”

War, pestilence, famine, death. I don’t know about you, but I’ve had my fill of them all. So what better time to visit the genuinely sunny uplands – the long-anticipated second album from Wet Leg.

My, those seemingly demure, Amish-styled girls have grown (see the demonic cover, replete with scary talons and an unhinged-looking Rhian Teasdale). They’ve officially supplemented the line-up with the three very hairy boys who’ve been playing with them on live shows and everybody’s been involved in the writing. And everything’s turned out very well indeed.