CDs/DVDs
graham.rickson
“Everything bad that has happened to me has happened because I’m black,” laments teacher Joseph Pascale (David Oyelowo) in Shoot the Messenger, directed by Ngozi Onwurah in 2006 from a script by the late Sharon Foster. Handsomely produced and visually stylish, it was originally broadcast by the BBC.They presumably kyboshed Foster’s original title, Fuck Black People! Not that there’s any suggestion of Foster’s message being toned down: Shoot the Messenger’s anger and energy are infectious, and leavened with judicious splashes of sly wit.We first meet Joe as an over-confident young teacher Read more ...
Kieron Tyler
Although Moon Rally has unambiguous musical roots, pinning down where it’s from is trickier. The album’s title nods to Air’s Moon Safari, as does a fair degree of the rhythmic chug and shimmering atmospherics. Sweden’s Radio Department come to mind. So do Belgium’s Antena and Estonia’s Maria Minerva.Continental European then. And with a sense of a lineage too. But although most of the album is sung in English, two of its last three tracks are in Russian. The last, “Вчерашний день” ("Yesterday"), twins an echoey vocal and acoustic guitar with a keyboard wash: it’s different to what has come Read more ...
Thomas H. Green
Despite a five-year career and no breakout hits, Australian outfit Confidence Man has grabbed the attention of some heavyweights.Signed to Heavenly Records, a label which knows their Roscoff onions from the common-or-garden variety, their 2017 single “Bubblegum” was remixed to bouncing brilliance by the late, great Andrew Weatherall, and there they are, squeezed between Clairo and Courtney Barnett on Glastonbury 2022’s banner poster. Their second album fulfils such faith. It’s a primary-coloured, sexy, cheeky dancefloor explosion.It's pop, but with a 1990s feel, as in doused in beat-bustin’ Read more ...
Nick Hasted
Anthony Kiedis’s autobiography Scar Tissue, an extreme example of wisdom through sometimes squalid excess, explains a great deal about the Chili Peppers’ mix of priapic lust and wistful romance. The return of guitarist John Frusciante and producer Rick Rubin, ever-presents on all their good albums, signals the band’s retrenchment after an inconsequential decade, Rubin’s usual back to basics MO ensuring that Unlimited Love sounds comfortingly familiar, naturally following on from peaks such as Blood Sugar Sex Magik (1991), Californication (1999) and Stadium Arcadium (2006).Opener “Black Read more ...
Liz Thomson
What an exquisite album! Beautiful voices that harmonise to perfection, superlative instrumental work, and songs both new and old yet all somehow familiar and timeless. Ink of the Rosy Morning: A Sampling of Folk Songs from Britain and North America is a lockdown album that captures the spontaneity that few of us felt during that dark time.Emerging in 2016 with Before the Sun, Hannah Sanders and Ben Savage – self-described “children of the folk clubs” – met in a Cambridge folk club doing floor spots, she having returned from America, he from a tour with The Willows. The chance encounter Read more ...
joe.muggs
The three Canadians Richie Hawtin (Plastikman), Jason Beck (Chilly Gonzales) and Tiga Sontag (aka just Tiga, who exec produced this album) are each so laden with image and persona it is easy to forget they are musicians sometimes. Hawtin has since the early Nineties not only brought techno to mass audiences, but adorned it with all kinds of conceptual and design spectacle in arenas and galleries as much as in nighclubs. Sontag too, has turned dance music into theatre to huge success, albeit in a much more knowing, camp sense ever since the turn of the millennium electroclash era. And the Read more ...
graham.rickson
Ealing Studios’ output encompassed much more than comedy, though a viewing of 1952’s The Gentle Gunman suggests that political drama wasn't one of their strengths.Based on a play by Alexander McKendrick’s cousin Roger MacDougall, and directed by Ealing stalwart Basil Dearden, The Gentle Gunman’s problems start with its casting. Dirk Bogarde and John Mills rarely convince as brothers serving in the IRA during the early years of World War II, both actors struggling to maintain convincing Irish accents for more than a few seconds.There’s a fascinating film to be made about Ireland’s shady Read more ...
Thomas H. Green
The fourth Ibibio Sound Machine album is produced by Hot Chip (who also contribute musically). However, fans will not hear a drastic step away from their last album, 2019’s Doko Mien. Instead, it has the feel of a logical progression, albeit with just that bit more techno-pop heft in places, and a subtle flavour of the Eighties. Business-as-usual, then? Maybe, but Ibibio Sound Machine’s Afro-inventive business-as-usual stands out brightly from the competition.The London-based band, fronted by Eno Williams, who sings in both English and Ibibio, a southern Nigerian language, open proceedings Read more ...
Nick Hasted
Karim Aïnouz’s Cannes Palme d’Or winner and Brazilian Oscar entry is advertised as “a tropical melodrama”, and its Rio seems barely to have left the jungle. We first meet sisters Eurídice (Carol Duarte) and Guida (Julia Stockler, pictured below) becoming separated in lush foliage’s deep greens and humid shadows, and they will go on to live tragically parallel lives, crushed by patriarchal crimes while retaining rebel sparks.Eurídice is 18, Guida 20 as the Fifties begin. The sisters have hungry eyes and mouths, and quick, incredulous laughs at society’s absurd demands, as enforced by baker dad Read more ...
Graham Fuller
As a title, Coach to Vienna suggests an opulent Boule de Suif-like drama directed by Max Ophüls and starring the likes of Danielle Darrieux and Michel Simon. But Karel Kachyňa’s film is no Viennese waltz. It’s a bleak end-of-World War II drama in which a semi-conscious German soldier, Günther (Luděk Munzar), mutters about a woman, or women, he slept with – abused – in the “hellhole” of Ukraine. This long-buried 1966 Czechoslovakian New Wave gem is horribly relevant to 2022.Günther has been shot and is lying in the back of a two-horse hay wagon driven by its owner, a Czechoslovakian Read more ...
Kieron Tyler
At first, Bortenfor comes across as an all-instrumental extended mood piece. A breathy saxophone and trumpet mesh over a gently see-sawing double bass. Clusters of piano notes occasionally intersperse themselves into the undulating textures. A pedal steel evokes shimmering water.After nine tracks the album ends with “I havn,” a hymnal composition with wordless vocals and a series of crescendos. Once it’s all over, the lingering feeling is of having leafed through old photo albums, the sense that frozen pasts are trying to assert their presence in the present; that Bortenfor – the title Read more ...
Thomas H. Green
Wrexham band MWWB were known until recently as Mammoth Weed Wizard Bastard. Perhaps they changed their name because its freak-friendly quality could be mistaken for spliffed Half Man Half Biscuit-style silliness. MWWB are no bong-head novelty act. THC-friendly they may be, but their stew of pummelling slug-riffage, Cocteau Twins-ish vocals, electronic ear-tickling, outright psychedelia, and sudden bursts of tunefulness is unique. Their latest album may be their best; it maintains their space-rock trajectory but pushes further towards wider accessibility.The Harvest was supposed to be released Read more ...