CDs/DVDs
Veronica Lee
'The Illusionist': Sylvain Chomet's beautifully evocative animation is an homage to Jacques Tati
Sylvain Chomet’s hand-drawn animation of a previously unproduced Jacques Tati story is a delight in every way, in which the French film-maker pays homage to the great man by making him the illusionist of the title. He is unmistakably Tati - all elbows and angles, and, of course, distinctive bottom and nose.Seeing his work drying up as the incipient youth culture is taking over theatres and music halls, the illusionist leaves France (Chomet’s change to the original story) and accepts a gig in a tiny Scottish town, where he meets a star-struck young girl who follows the magician to Edinburgh, Read more ...
joe.muggs
The geometric mystification of 'Paranormale Aktivitat'
The Detroit electro-techno duo of James Stinson and Gerald Donald aka Drexciya never gave away their secrets easily. Almost completely anonymous and never photographed during their 10-year existence – which ended with Stinson's 2002 death after a long illness – they surrounded their music with a complex mythos and mischievous wit comprehensible only to a small, obsessive cult audience. Only now are they getting wider appreciation, with a new generation of electronic musicians like Rustie hugely influenced by their sparse electronic funk, and the art world being introduced to their Read more ...
Jasper Rees
When it was broadcast over Christmas the jury was split on Upstairs Downstairs. Some were spitting with rage at the temerity inherent in the idea of revisiting 165 Eaton Place (though the street exteriors, it's revealed on the DVD documentary, were actually shot in Leamington Spa). Never mind that Jean Marsh and Eileen Atkins owned the rights and could do as they pleased with their property. Others seemed to forgive them their trespasses.Its appearance while the nation was still recovering from a massive fix of genuflection porn in Downton Abbey gave Heidi Thomas’s fresh cast of characters – Read more ...
joe.muggs
It's quite funny to hear a rock band with a reputation for sounding like the inside of an aeroplane engine making something that's just gorgeous. But, even with its grimly jokey title, and silly offhand track titles like “You're Lionel Richie”, that's exactly what this album is. Mogwai's uncompromising reputation is not entirely undeserved: they've certainly had their moments of creating music which delivered its pleasures only after something of an endurance test, and the Glaswegians remain a spikily independent, politically committed force within the music world.However, even at their Read more ...
Kieron Tyler
The not-so-lovely cover of Toro Y Moi's 'Underneath the Pine'
A lot of hum and crackle about hypnagogic pop has passed through the ether in the last 18 months, much of it concerned with Toro Y Moi. Coined for a small raft of mainly American musicians that recast half-remembered pop from their youths, the hypnagogic aura is misty, midway between awake and asleep, and draws from soul like Curtis Mayfield or even Hall and Oates, as well as shiny Eighties cocaine-blasted pop. In America, chillwave covers it too. A lo-fi refit of Don Henley's “Boys of Summer” filtered through sacks of sand and then underpinned with some funk would fit the bill.In other eras Read more ...
james.woodall
Katalin Varga was one of the finest films at the 2009 Berlinale. Directed by British auteur Peter Strickland, it was filmed, beautifully, in Romania: a heartbreaking story about rape, it was all, and really only, about the catastrophically unresolved - in Romanian official culture inadmissible - evils of the Ceauşescu past.Corneliu Porumboiu’s Police, Adjective is about the same thing. After his 2006 Cannes winner 12:08 East of Bucharest, nailing some of the so-called romance of the 1989 uprising against the then soon-to-be executed dictator, this low-key 2009 movie about a detective in Read more ...
Peter Culshaw
This is one of the most eagerly awaited albums of the year, at least in world music circles. And for impeccable reasons. It is brilliantly produced and joyously sung; it swings with a rare soulfulness and conveys a sense of the Garifuna community. When Andy Palacio died tragically young at the age of 48 in 2008, he’d managed to put the Garifuna on the cultural map with one of the great albums of the last decade, Watina, and seemed destined for great things – when he was called “the new Bob Marley”, it didn’t sound completely ridiculous.The Garifuna are a marginalised community descended Read more ...
Jasper Rees
The timely arrival on DVD of Winter’s Bone as it heads for the Oscars ceremony gives a fresh chance to dwell on the film’s unshowy riches. Jennifer Lawrence plays 17-year-old Ree whose father has disappeared, leaving her to care for an invalid mother and a much younger brother and sister. If she can’t find him, a bail bondsman will repossess the family house in the Missouri backwoods.Her search takes her fearlessly into terrain patrolled by vengeful crystal meth dealers who trade in natural justice. Lawrence deserves every plaudit for a performance which mixes heartstopping vulnerability Read more ...
Adam Sweeting
The Town narrowly missed out on an Oscar nomination for Best Picture, and revisiting it on DVD I reckon it was hard done-by. True, it's possible to pigeonhole it under Heist Thriller, but it's a particularly fine one, and it's much more besides. Displaying multi-hatted expertise as star, director and screenwriter, Ben Affleck (deriving the story from Chuck Hogan's novel Prince of Thieves) has rooted his panicky shoot-outs and scorching car chases in a meticulously realised Boston milieu. Specifically, the story centres on the Charlestown district, notorious for its multi-generational Read more ...
Adam Sweeting
Fifth time around, Teddy Thompson feels right at home
It seems amazing that this is Thompson Junior's fifth album, and it's evidence that perseverance pays. Earlier in his career, Thompson radiated a sort of flaccid indecisiveness, but that has been replaced here by a quiet confidence, perhaps because he's coming to understand where his real strengths lie.Maybe hanging around with his clever mates the Wainwrights filled his head with too many wacky chord progressions, but the fact is that Ted is no musical revolutionary. What he can boast is a classic folk-country pedigree, and the best songs here blend well-seasoned musical structures with Read more ...
Thomas H. Green
James Blake, a blur of carefully crafted understatement
James Blake's "Limit to Your Love" was a bolt out of the blue at the end of last year, perhaps even a quantum leap in soul'n'bass culture in the same way that Massive Attack or Roni Size once were. This fact was swiftly acknowledged in various New Face of 2011 polls which Blake started cropping up in.The 22-year-old from Enfield had quietly built a respectable reputation with some of dubstep's deepest heads (such as Ramadanman and Mount Kimbie) but his way with a keyboard on "Limit to Your Love" had a Spartan Classicism that was strikingly stark, different and effective, particularly Read more ...
Kieron Tyler
Bleu Venise might be recorded in LA with figures familiar from Joni Mitchell, Madeleine Peyroux and Melody Gardot albums, but this French music takes from the Anglophone world without sacrificing its identity. Daphné’s Bleu Venise is modern, literate, chanson-based pop.Daphné’s break came in 2003 after she met Benjamin Biolay, France’s all-purpose and ubiquitous musical mover and shaker. He also kick-started the career of Keren Ann. But Biolay casts no shadows; his collaborators and protégés move on and flourish without him. Unlike Keren Ann and despite previous collaborations with The Divine Read more ...