CDs/DVDs
Kieron Tyler
Any film about a series of real-life unsolved murders is ready to be tagged as exploitation. With The Town That Dreaded Sundown, the waters are muddied as it draws on a 1976 proto-slasher film of the same name which luridly retold the true story of killings which took place in the Arkansas-Texas border-straddling town of Texarkana in 1946. It features a murderer recreating the Seventies film in the present day while also revisiting the 1940's crimes.A meta-take on exploitation, The Town That Dreaded Sundown is not only a sequel but also includes sequences from its inspiration and seeks to Read more ...
Matthew Wright
Nyanza is the province of western Kenya where this intriguing Anglo-Kenyan, inter-generational five-piece recorded their third album, exploring the region in which the Luo people created their music. The Kenyan contingent, nyatiti (a plucked lyre) master Joseph Nyamungu and Luo percussionist Charles Owoko are both from that tribe, with Londoners Tom Skinner (drums), Jesse Hackett (vox/keys) and Louis Hackett (bass) making up the remainder. There’s a narrative arc of sorts, as the music traces the band’s journey from opening track “Nairobi (Too Hot)” into Nyanza, with a centerpiece, “Nyanza Read more ...
Guy Oddy
In a way that is reminiscent of fellow Swedes and label mates Goat, Hills play a primal psychedelia that draws from a far broader spectrum of sounds than the usual garage rock and motorik grooves of their British and American fellow travellers. On Frid, their third album, vocals are largely put aside in favour of spaced-out instrumentals or chanting that suggests medieval plainsong fed into an effects box. While the guitar sounds and grooves of Tinariwen and Songhoy Blues rub up against the chemical drone of Spacemen 3 to make some serious pagan ritual music that both moves hips and flips Read more ...
graham.rickson
Orson Welles was commissioned by ITV in 1955 to make a 26-part series of travelogues. Always in search of money to fund his independent projects, he was initially enthused by the plan - though predictably he didn’t see it through. Only six episodes were broadcast – none of which stray out of Welles’ favourite European destinations.They’re full of artifice; sequences are repeated, and stock footage is used liberally. Welles is frequently seen posing with his handheld camera, though it’s obviously not his film that we’re watching. Some of the interview sequences seem stilted – largely because Read more ...
Kieron Tyler
Though beautiful, Depression Cherry is hard to love. The fifth album from Beach House – Victoria Legrand and Alex Scally – has the fragile exquisiteness of fine lace but is, as ever with the duo, so hazy it proves impossible to surrender to its drifting course. Just when its form seems within reach through an enervated fog, it’s suddenly gone – like vapour absorbed into air.The customary shadows cast by Cocteau Twins, Slowdive and "Surf's Up" Beach Boys are present and correct, but Depression Cherry still sounds more like Beach House than the musical well they have drawn from since 2006’s Read more ...
Kieron Tyler
Julian Cope: World Shut Your Mouth, FriedIt’s a fair assumption Julian Cope’s record label Phonogram was committed to the idea that he could be a solo commercial and critical success. Teardrop Explodes, the band he had fronted, had charted and his face regularly featured in the new crop of glossy pop magazines. The announcement of the band’s split had come in November 1982, but it took another year for “Sunshine Playroom”, the first solo single, to emerge.The record label’s faith was demonstrated by approving a £20,000 spend for the single’s promo video – it was the first that photographer Read more ...
Barney Harsent
Now, I don’t know about you, but if someone holding some tiny cymbals invited me into a room on the promise of hearing some devotional chanting to an oud-led raga accompanied by tablas, I’d probably also expect to find shaved heads, free dahl, and an awful lot of orange.In fact, far from the world of the Hare Krishna percussive parade, Trappist Afterland hail from Melbourne and tread the same musical topography as The Incredible String Band, Sandy Bull and, more recently, Six Organs of Admittance. On this, their latest album, they have found a home on small independent Sunstone, whose output Read more ...
Guy Oddy
When Lemmy famously declared himself unimpressed with the “live fast, die young” philosophy, preferring to “live fast, keep going”, he was clearly talking as much about his music as anything else, because 22 albums into a 40-year career, Bad Magic suggests that Motörhead will not be turning into purveyors of soft, tasteful rock any time soon.Opening track, “Victory Or Die” sets out Motörhead’s stall with a hefty dose of punk-flavoured biker rock. Mikkey Dee’s pounding drums and Phil Campbell’s gnarly, rock’n’roll guitar riffs back Lemmy’s rumbling bass and gruff vocals and there really is no Read more ...
Kieron Tyler
A now-canonical film like Eyes Without a Face has the potential to become over familiar. What was once shocking could now seem quotidian. Freshness is a quality which can be blunted. Yet seeing Georges Franju’s 1960 film anew reveals it as still heady, and still unlike any other film.Eyes Without a Face (Les yeux sans visage) may have given cinema one of its most enduring images with Edith Scob’s mask and lent its title to the Billy Idol song, but it remains potent. The story of Dr Génessier (Pierre Brasseur) seeking to give his disfigured daughter Christiane (Scob) a new face with the help Read more ...
David Nice
A heartbreaking, inexorable tragedy served by one stupendous visual composition after another, Abderrahmane Sissako’s Timbuktu is a masterpiece. The Mauritanian locations are a plausible stand-in for Malian Timbuktu and the desert around it – yes, I went there before it became a no-go zone - with luminous cinematography by Sofian El Fani, but the human interest is never secondary.Sissako gets magnetic performances from the actors playing the beautiful Bedouin family at the heart of the film (pictured below), but he also manages to make the men of Ansar Dine, the jihadist extremist Read more ...
peter.quinn
Playing that exudes a real joie de vivre, compositions that unfailingly get the synapses firing, fearless soloing, and a textural density and rhythmic punch that deliver a powerful emotional jolt. It's rare to hear music-making of this calibre, which is why this final piece of the magisterial Loose Tubes triptych – following Dancing on Frith Street (2010) and Säd Afrika (2012) from the same valedictory residency at Ronnie Scott's in September 1990 – is to be given the warmest of welcomes.The skip-proof collection opens with the circling riffs of “Armchair March”, one of four tunes penned Read more ...
Mark Kidel
Queen and Country is a sequel to John Boorman’s Second World War autobiographical Hope and Glory and takes up the story of his alter ego Billy Rowan as he is packed off to National Service at the time of the Korean War.The enemy here are not so much the Communists but the hidebound hierarchy of the regular army, as the conscripts find ways of "skyving’" and undermining their tight-arsed superiors.David Thewlis shines as the shell-shocked sergeant-majorBoorman is a fine craftsman but his films have been uneven. While Hope and Glory evoked the chaos of suburban London during the Blitz with a Read more ...