CDs/DVDs
Mark Kidel
Criss Cross is a superbly taut film noir, a 1949 drama that unfolds with the inevitable downward spiral of ancient tragedy. Its doomed characters are prisoners of a hopeless struggle for freedom, caught in the web of their transgressive desires.Steve, whose tortured soul and desperado’s ambitions are beautifully rendered by Burt Lancaster, works for an armoured truck company. In a plan that feels doomed from the start, and in order to free Anna, the woman he loves passionately, from the clutches of the coolly ruthless gangster Slim Dundee (Dan Duryea), Steve offers himself as the inside man Read more ...
Mark Kidel
One of the songs on Paul Weller’s excellent new album – only similar to his previous one True Meanings (2018) in that once again he's gently treading new ground – is called “Equanimity”. The title sums up the quietly joyful and relaxed tone of the material he's crafted once again with such discernment, musicality and soul.The Modfather has settled into a mature groove: one of his new release’s strongest and most appealing qualities is an impeccable attention to production, in tandem with Jan Stan Kybert. Although the sophisticated sounds are steeped in a rich heritage of pop, soul and jazz, Read more ...
graham.rickson
Laughter in Paradise (1951) and The Green Man (1955) have plenty of incidental pleasures, even if neither film is quite the classic you hope it will be. Both have starring roles for Alastair Sim and his protégé George Cole – Sim’s lugubrious appearance and deadpan delivery being the best reasons for investigating this pair of Studio Canal reissues.Mario Zampi’s Laughter in Paradise casts Sim as one of the beneficiaries named in the will of practical joker Henry Russell (Hugh Griffith), the catch being that each of the four relatives has to undertake a task at odds with their character. Read more ...
Nick Hasted
Apparently a freaky, brilliant novelty in 1974, Sparks have proved eternally invincible: the synthpop duo template, glam and disco avatars, chasing the pop grail across the globe as their latest mode hit the local chart mark. Lightly worn resilience and diligent application underpin their endurance (Russell Mael told me 20 years ago that he felt a professional responsibility to remain a good-looking singer). This 24th album follows the Top 10 UK success of Hippopotamus, and precedes a French film musical of Sparks songs sung by Adam Driver and Marion Cotillard. Though Ron Mael’s lyrics Read more ...
Lisa-Marie Ferla
If the title of their third album alludes to the lazy assumption of female-fronted as a musical genre, HAIM’s revenge is to try a little bit of everything, while never sounding anything less than themselves. Women in Music Pt. III elevates the sister trio’s signature harmonies, infectious rhythms and Sunshine Coast melodies with muted saxophones, warped vocal samples, techno beats, good ol’-fashioned soft-rock guitar riffs - and a whole lotta honesty.The band take turns at being giddy, flirtatious and introspective, letting rip equally at 3am booty calls, depressive illness and patronising Read more ...
Kathryn Reilly
Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When talking to friends who also considered themselves “non-achievers”, she realised something was very wrong. And that nothing much has changed in what used to be termed “the battle of the sexes” (hence the Abigail’s Party style artwork). Having covered the refugee crisis, suicide and the state of the nation, now sexual inequality comes under her Read more ...
Barney Harsent
There’s a moment halfway through Khruangbin’s latest album that succinctly sums up the melting-pot model this band have made their own. It’s “Pelota”, a Spanish-influenced song, based on a Japanese film, played by a Texan three-piece with a Thai name. It’s also very, very good indeed.If Khruangbin is a name new to you, then you’ll need to know that, on their previous three albums (including Hasta el Cielo, 2019’s dub reworking of their second, Con Todo El Mundo), they have dabbled in dub reggae, Middle Eastern psychedelia, 1960s Thai music, funk and soul. For a band who seem to be happy Read more ...
Mark Kidel
Portrait of a Lady on Fire, a story of impossible love between two young women, takes place in the 18th century, on a wind-swept, wave-battered island off the coast of Brittany. The writer and director Céline Sciamma, who established herself as a unique voice and very capable filmmaker with films like Waterlilies (2008) and Tomboy (2011), explores once again the world of female passion.Marianne (Noémie Merlant) has been commissioned to paint the portrait of Héloïse (Adèle Haenel), who has just been released from convent life and is destined to be married. She is impetuous, introverted and Read more ...
Guy Oddy
Dream Wife started life as an art school project, and while their self-titled debut album was an exhilarating ride that resurrected the ghosts of The Slits, X-Ray Spex and a host of lively riot grrrls, So When You Gonna… is a bit of a disappointment. In fact, with the exception of recent single “Sports!” and the album’s title track, it’s a disc that sees them morph from sparky barbarians into boring conformists.It's the punk-funk opener “Sports!”, with it’s “Fuck sorry / Fuck please” introduction, which sets expectations high with its lively groove, Rakel Mjöll’s squealing vocals and its more Read more ...
Saskia Baron
In the year when we should be reflecting on seventy years of peace in Europe but are too occupied with present day viruses, Brexit, and racism to remember our past, it’s timely that a film about the Allied victors occupying Berlin in 1947 should be given a rerelease. A Foreign Affair missed out on the Oscar for Best Black-and-White Cinematography to The Naked City, but Charles Lang’s aerial shots of a great city turned into a cross-hatched landscape of ruins provide a masterful opening to this neglected Billy Wilder black comedy. Looking down from the plane circling the Read more ...
Nick Hasted
Personal grace and crafted precision underpin John Legend’s neo-soul style, leaving pushing boundaries to others, to stake out the romantic ground we still share. Like Smokey Robinson, he has tireless interest and infinite metaphors for love. “Wild” sees him buy a new car just to drop the top to see the stars, while “Slow Cooker” teases out a simmer’s erotic possibilities, as he lets his groan languidly stretch, rolling words around till his creamy falsetto crests, its vocal takeoff typically effortless. Most Smokey-like in artistic mentality is “Actions”, where the very act of writing love Read more ...
Thomas H. Green
The debut album from one woman outfit [MONRHEA] shows off the seriously impolite electronica that’s blossoming in East Africa. Electronic sounds from Africa are over-represented in Europe by jolly pop and elegantly faceless house music, but there’s a whole lot more going on. Via uber-producer and Killing Joker Martin “Youth” Glover’s Youth Sounds label, this album gives an exciting taste of the wild gumbo of dancefloor-friendly experimentation that’s on the bubble there.[MONRHEA] – and I’m going to lose the square brackets and caps from hereon – hails from Athi River, a town outside Nairobi Read more ...