Reviews
Veronica Lee
Tom Allen, The Stand ★★★★Tom Allen tells us Both Worlds is about being gay, watching daytime TV, doing the gardening and his "crushing sense of wasting his life". But this is no misery comedy, far from it, as Allen gives us an hour of sparkling wit, much of it aimed at himself, while slinging a few piercing arrows at deserving targets.He addresses his neuroses, recounting the time as a child he stood on the edge of the swimming pool but didn't dare dive in – a good metaphor for a life lived as an observer rather than participant. He didn't fit in at his south London school, he Read more ...
David Nice
A second night of Sibelius symphonies at the Proms, packed to the rafters just like its predecessor. Exit Thomas Dausgaard, the tuba needed for the first two symphonies but not for the Third or – surprising given its pervasive darkness – the Fourth, and the air that had billowed around supremely supple performances. Enter Ilan Volkov to bring too much dark earth and inorganic point-making at first, though the BBC Scottish Symphony Orchestra, its strings sounding tougher if less inward from a different point in the hall, was still on world-class form.The programme was identical to the second Read more ...
David Kettle
Incoming director Fergus Linehan has assembled some of the most respected names in their fields for his first Edinburgh International Festival. For classical music, that means Anne-Sophie Mutter, Valery Gergiev and Michael Tilson Thomas (among many others); for dance it means Sylvie Guillem; and for theatre it means Simon McBurney’s Complicite and Robert Lepage.It’s a risky strategy – not to mention an expensive one – and an approach that could threaten to sideline more experimental, less starry artists whose names aren’t quite so well known. But on the strength of Lepage and his company Ex Read more ...
Kieron Tyler
Don’t be fooled by the header picture. Despite the relaxed poses, Iceland’s Pink Street Boys are amongst the angriest, loudest, most unhinged bands on the planet right now. Hits #1, their debut vinyl album – which follows distorted-sounding, lower-than-lo-fi cassette and digital-only releases – is so impolite and wild that once the rest of the world gets the message the story of what constitutes the current-day music of their home country will have to be rewritten.They are not an anomaly. Iceland is currently witnessing a groundswell of loosely punk–inspired bands drawing from the edgy spirit Read more ...
Veronica Lee
Katherine Ryan, The Stand ★★★★ "TV's Katherine Ryan," she introduces herself with heavy irony; the Canadian has gone from Fringe performer to never off the telly in just a few years and knows that the sobriquet can be both a compliment and a drawback. Yet when her waspish humour is such good value it's easy to see why producers love her.But she's even better live, and in Kathbum (her mother's childhood nickname for her), Ryan describes how she is soon to make a speech at her sister's wedding, the starting point of some very good comedy about her childhood. She was always an outsider in Read more ...
David Nice
From Sakari Oramo’s riveting Nielsen symphonies at the Barbican to Thomas Dausgaard kicking off the Proms’ Sibelius cycle, the two Nordic immortals are well served in their 150th birthday year. The BBC Scottish Symphony Orchestra, whose reins Dausgaard takes over from the great Donald Runnicles in 2016, may not have the sheer heft of the Berlin Philharmonic strings we heard earlier this year in Rattle’s Sibelius. But the Glasgow-based players get much deeper under the skin, and prove so much lighter on their feet when the Danish conductor takes flight. Sibelius’s hard-to-handle treasury of Read more ...
Kieron Tyler
Various Artists: Ian Levine’s Stax Soul SensationsTaking 41 years to follow up a successful compilation is perhaps not sound in commercial terms. No matter. Ian Levine’s Stax Soul Sensations is not about marketability, but instead about celebrating the music heard. This new collection of tracks drawn from the Memphis operation and its related imprints comes not-so-hot on the heels of 1974’s Solid Soul Sensations, another Levine-compiled set, which was dedicated to the associated Scepter and Wand labels.Beyond his fascination with Doctor Who, Levine has dedicated his life to soul music. Read more ...
David Nice
You don’t know Homer’s Iliad until you’ve heard it read aloud, all 24 books – not quite every line, but almost – and 16 hours of it. Yesterday's marathon was surely something like the events in which the Athenians kept the oral tradition going during their great Dionysiac festivals - in most things, at least, except the original feats of memory.For “you don’t” above, read “I didn’t”, since despite having studied several of the later books for ancient Greek A-level, then the first 12 over one university year, it wasn’t until Simon Russell Beale started invoking the muse in the Read more ...
David Kettle
On paper it looked like it would be very much a concert of two halves. James MacMillan’s energetic, glittering Second Percussion Concerto was unveiled last year and received its first UK performance in London last December, and it was getting its premiere in the composer’s homeland at this Edinburgh International Festival concert from its dedicatee, percussionist Colin Currie, and the Royal Scottish National Orchestra. And in the second half, something entirely different: Sibelius’s rarely performed, hugely expansive choral symphony Kullervo.What brought the two contrasting works together – Read more ...
Adam Sweeting
The TV series on which Guy Ritchie has based his new spy-buddies movie first appeared on the small screen (in black and white) in 1964, when Napoleon Solo and Illya Kuryakin welcomed us into their secret lair in New York and introduced themselves as "enforcement agents" for U.N.C.L.E., apparently a sort of UN/CIA hybrid. The grandfatherly Mr Alexander Waverly, resembling a retired bank manager in venerable tweed, announced himself as their boss.The TV show was facetious, frivolous, and crammed with seductive women and outlandish villains. Saving the world was never more than a smooth Read more ...
Hanna Weibye
St Petersburg Ballet Theatre is a phenomenon of the new Russia: not anchored in centuries of history or state patronage like its neighbours the Mariinsky and the Mikhailovsky, but founded as a commercial venture in 1994 by Konstantin Tachkin, a wannabe impresario with no balletic training. It tours widely, and evidently has no difficulty selling out foreign theatres – including the Coliseum for Swan Lake last night – with a combination of recognisable productions and "Russian ballet" cachet.The centre of the company's hard sell is their prima ballerina, Irina Kolesnikova, who on this London Read more ...
Bernard Hughes
Pairing Messiaen’s Turangalîla Symphony with John Foulds’ Three Mantras was a smart piece of programming: established modern classic and obscure novelty sharing an inspiration from Indian music and philosophy, and both perfectly designed for showing off a very fine orchestra to its best advantage.Before this concert I knew little of John Foulds (1880-1939) other than as a composer of light music in a blandly appealing style. The Three Mantras proved him to be a far more interesting and arresting composer. Originally preludes to the acts of a Sanskrit opera Avatara, which the composer later Read more ...