Reviews
Veronica Lee
Any romcom that begins with a woman saying the line “I was born with a penis” is OK by me. And that's how Boy Meets Girl, a superb new comedy created by Elliott Kerrigan, begins a six-part series.Kerrigan and co-writer Simon Carlyle have neatly made broad comedy without causing offence, and thankfully the tone, in what is the first UK television show starring a transgender actress, is never preachy or worthy. Rather the trans storyline – which has been in shows such as Orange Is the New Black on Netflix and Channel 4's Cucumber/Banana – is part of a much broader story about two people, Read more ...
Marina Vaizey
William Dalrymple has discovered a fascinating true romance from history in this story of the relationship of Indian-born British diplomat James Achilles Kirkpatrick and the Muslim princess Khair-un-Nissa in Hyderabad at the turn of the 19th century. His remarkable programme not only captivated in itself but threw a fascinating light on layers of cultural differences, adaptations and understanding. Individual tolerance and even delight in varying views was threatened then, as now, by societal pressures and fear of the unfamiliar.Dalrymple uncovered the profound involvement of Europeans with Read more ...
Barney Harsent
Turning autobiography into comedy gold is an alchemy that has often been tried. Among them Caitlin Moran’s Raised by Wolves, Kathy Burke’s superb Walking and Talking, and the mooted but, as yet uncommissioned story of Jeremy Clarkson’s childhood, provisionally titled For Whom the Bellend Trolls.When dealing with real-life reminisces, the balance between believability and comedy is a very difficult thing to get right. Slight situations can provide big laughs in a living, breathing reality, and the temptation is to supersize them for telly to make sure that everyone is in on the joke. The Read more ...
Tom Birchenough
Any consideration of Iranian director Jafar Panahi’s Closed Curtain will inevitably be through the prism of how it was made, and the director’s current position in his native country. It’s his second work, after This Is Not a Film from 2011, to be made despite the 2010 prohibition from the Iranian authorities that (along with a range of other curtailments of his freedom) the director should not engage in cinema for a period of 20 years.It’s rather more ambitious – though not in terms of its setting, the interiors of a single house on the shore of the Caspian – than the relatively simple Read more ...
aleks.sierz
We all know what the word “addict” means, but what does it feel like to be one? Thirtysomething Emma – a minor actress played with immense conviction and quirky charm by Denise Gough – knows exactly. At one point in Duncan Macmillan’s engrossing new play, she says, “People who aren’t addicted to anything are really missing out, you know?” For the addict lives a life of glory: they feel complete, and loved and satisfied. Yes, that’s it. They love their addiction – and their addiction loves them back. Well, Emma should know: she has bottles stashed all around her flat, and a Read more ...
David Nice
A concert of Brahms chamber music I could understand, especially given a balance between early and late. An evening of orchestral Brahms, with or without voices, needs much more special pleading. It didn’t get nearly enough last night. An expanded Orchestra of the Age of Enlightenment, including nine very vigorous double basses – where did the extra players come from? – failing to bite into the wide spaces as smaller ensembles like the Chamber Orchestra of Europe have so splendidly done before it, and a conductor without the right sense of breathing in melody or forward momentum both weighed Read more ...
Tom Birchenough
Cartel Land opens with a group of crystal meth cooks at work somewhere in the dead-of-night Mexican wilderness. They boast about the quality of their goods: they have the best production equipment, and were even taught their expertise by a visiting American father-and-son team. They know the harm their drugs do, but what, they ask, are they going to do? They come from poverty. If life had gone another way, “We would be like you.”Matthew Heineman’s powerful documentary challenges our assumptions of loyalty – like you, like us? – as well as of good and evil. What happens when people rebel Read more ...
Russ Coffey
Some consider Heartless Bastards to be the best band you’ve probably never heard of – albeit blighted by an awful name. Others say the Texas-based four-piece are merely a jumped-up garage band. Wherever you stand, though, one thing is beyond dispute – the awesome power of Erika Wennerstrom’s voice. For much of last night she sounded like the love child of Robert Plant and Janis Joplin. And when the band hit its stride you could almost smell the oil and sweat of their Midwestern blue-collar origins. Particularly the sweat. The subterranean Borderline club was about 35 degrees, Read more ...
Demetrios Matheou
The television series Downton Abbey and Upstairs, Downstairs, along with Robert Atman’s film Gosford Park, notably illustrate the public’s continued fascination with the relation between masters, mistresses and their servants. Yet none of them, not even the Altman, charted that relation with quite as much complexity and ferocity as Strindberg’s Miss Julie, in which no-one emerges well from the class struggle.Written in 1888, the play represented Strindberg’s attempt to bring a new degree of naturalism to theatre. Its style and psychological acuity lend itself well to cinema; though being a Read more ...
geoff brown
One astonishing creature was missing from the cavalcade of meerkats and whatnot featured in Sunday afternoon’s Life Story Prom introduced by Sir David Attenborough. I mean, of course, the species known as henricuscowelliensis. Or otherwise, plain Henry Cowell – the American composer-pianist and modernist famous for banging the keyboards with forearms and elbows, slithering around in the most brazen dissonances, and generally creating a ruckus that briefly made him a central figure among 20th century musical mavericks.Instead, he crashed into the evening Prom with his 1928 Piano Concerto, Read more ...
Tom Birchenough
“Breezy” isn't a word we associate with Ray Winstone. We’re more used to something like “big slab o’ bastard”, the epithet he got (they were biased Glaswegians, admittedly) most recently for his appearance in Robert Carlyle’s The Legend of Barney Thomson.So to see him jauntily singing along to Sinatra at the beginning of Alan Whiting’s three-parter The Trials of Jimmy Rose looked different. Admittedly he was walking away from 12 years at Her Majesty’s Pleasure (not his first stretch, either), and being met in a Bentley suggested that probation wasn’t exactly going to be a hardship stint. The Read more ...
David Kettle
It felt a bit like we were seeing things. At the fag-end of Edinburgh’s 2015 August of festival mayhem, with extreme exhaustion and input overload mixing to brain-addling effect in the heads of most festival-goers and participants, a hallucinatory, day-glo farce of a show that obsessively repeats just a single word seemed pretty fitting.Murmel Murmel was the Edinburgh International Festival’s last major show to be unveiled. Flown in from Berlin’s Volksbühne theatre, it’s a crazy creation of maverick director and designer Herbert Fritsch based on Swiss Fluxus-influenced artist Dieter Roth’s Read more ...