Reviews
Matt Wolf
A Broadway show as melodically haunting and sophisticated as it is niche, The Light in the Piazza has taken its own bittersweet time getting to London. A separate European premiere in 2009 at Leicester's Curve Theatre whetted the local appetite for a show that won six Tony Awards in 2005 but is far from standard musical fare. And here it finally is in the capital, albeit for 20 performances only in a full production, directed by Daniel Evans within the unexpected confines of the Royal Festival Hall. The concert setting grants pole position to Adam Guettel's score and to the distinguished, if Read more ...
Adam Sweeting
As Russell T Davies’s doomsday odyssey reached its endgame on BBC One, feisty grandma Muriel (played by indestructible Anne Reid) got to deliver the moral of the story. With the Lyons clan gathered round that now-familiar dining table, she spelt it out for them. “It’s all your fault,” she scolded, reminding them how they’d all twiddled their thumbs and done nothing while everyone was ripped off by the banks, let themselves be seduced by dirt-cheap globalised manufacturing, and let the evil Vivienne Rook become Prime Minister. “This is the world we built,” she jeered. “Congratulations!”This Read more ...
peter.quinn
Camden’s Jazz Cafe reverberated to the sounds of a 50-year-old spiritual jazz classic last night, as saxist and MC Soweto Kinch and his quintet paid fulsome homage to NEA Jazz Master Pharoah Sanders’ consciousness-expanding album, Karma.Recorded in New York City over two days in February 1969, the album line-up was one of Sanders' finest, including vocalist and lyricist Leon Thomas, pianist Lonnie Liston Smith and bassist Richard Davis, who had performed on a similarly genre-defying masterpiece, Astral Weeks, the year before. The seismic collision of jazz and world music heard in Karma is Read more ...
Katherine Waters
Under a turbulent sky racked with jagged clouds suggesting bolts of lightning, pale figures hurl themselves into a spitting expanse of water. Swathed in white towels, other figures mingle with the pink bodies, seeming to process along the pier as if towards a baptism. Swimmers’ vigorous arms overtop their submerged heads; on land, no individual face is distinguished. As if exuberance could tip at any time into anarchy, a sense of threat pervades the depiction of communal leisure. By the time the Second World War broke out, the invincible boys depicted in Claude Flight’s linocut, Boys Bathing Read more ...
aleks.sierz
Irish playwright Dylan Coburn Gray's new play won the Verity Bargate Award in 2017, and his reward is a fine production of this beautifully written account of one Dublin family over several decades. It is a light-touch epic which is partly a humorous account of ordinary people's daily lives, partly a meditation on time and partly a social history of changing attitudes to family, and to sex, over the years in Ireland. Coming to the Soho Theatre after opening at the Abbey in Dublin last month, it is a short poetic tribute to the nitty-gritty of quotidian living.Opening with a taxi driver, and a Read more ...
Sebastian Scotney
Milton Nascimento is 76. Physically, he is quite frail; he had to be helped carefully onto the stage and then up into a high stool for this London concert by a couple of band members. But that arrival and rather ungainly progress were, as one might expect, given a welcome befitting this hero of the Brazilian musical world. The completely full Barbican Hall was willing him on.This was one of those nights where the non-Brazilian listener is definitely missing out. One can feel the palpable sense of connection, the sheer warmth and adulation from the besotted audience. People are joining in more Read more ...
Adam Sweeting
In the Yorkshire town of Ackley Bridge, education is like war conducted by other means. As series three of the drama begins on Channel 4, we see that everything has changed at Ackley Bridge school since Valley Trust took it over. Most of the staff have been sacked, leaving head teacher Mandy Carter (Jo Joyner) stuck with a last-chance-saloon bunch of under-motivated replacements.With the exception of Deputy Head Mr Evershed, played by Downton’s Robert James-Collier suddenly looking a bit cool and groovy, the staff aren’t interested in engaging with the countless multicultural issues that come Read more ...
Thatcher: A Very British Revolution, Finale, BBC Two review - a heartbreaking account of her decline
Marina Vaizey
The surprisingly touching conclusion to BBC Two’s five-part chronicle of the Thatcher years was a masterpiece of contemporary history. Congratulations to producer Alice Fraser, director Pamela Gordon, and composer Alexandra Harwood for very fitting and emotive music (for once). Perhaps it has taken a female team to produce this portrait, warts and all, without a hint of the condescension still evidenced even now by a significant number of Margaret Thatcher’s male contemporaries.Some of the best known survivors of her government delivered their highly personal views with astonishing frankness Read more ...
David Nice
Shoving a child-eating drag-queen witch into an oven can't be good for any kid's psyche. Director Timothy Sheader doesn't let us forget it in a production which nevertheless treads a fine line between the darkness of the Grimm story and the fairytale incandescence which is a given of this masterly opera. There's deep magic in an amphitheatre of real trees complete with birdsong – the onstage wood is made of witches' planted broomsticks – with performances of a uniformly high standard from the first of two casts, and bewitching sounds from select players of the English National Opera Orchestra Read more ...
Katherine Waters
According to their mother, Luda (played by Madeleine Worrall, pictured below), each of the three sisters (pictured top) in Napoli, Brooklyn, bears one of their father’s admirable traits. Tina (Mona Goodwin), the oldest, who left school early to earn money for the family in a factory job, has his strength. Vita (Georgia May Foote), who is smart but has been banished to a convent school for crossing her father, has his tongue. Francesca (Hannah Bristow), who by cutting her hair short precipitated the violent row, has his spirit. But really, the attributes Luda is describing belong to her, Read more ...
Miranda Heggie
Having played their first concert just four years ago, the Chineke! Orchestra gave a rousing, exuberant performance for an ensemble still in its infancy. It’s a young orchestra, not just in the sense of only being founded a few years ago, but one that comprises many young players too. Though its youthful passion and energy was very much to the fore, there were some points in Edvard Grieg’s Peer Gynt Suite No 1 when a lack of experience let them down. The violins’ tone in the opening of the third movement, "Anitra’s Dance", was a little coarse, and a distinct disconnect between the bassoons Read more ...
Veronica Lee
Frank Skinner walks onstage without introduction and a man in the audience gives him a friendly heckle by way of greeting. Skinner is straight on it, engaging him in a brief conversation; his responses are amiable enough but have a few barbs too.That's a Skinner hallmark: his smiley demeanour suggests a bloke you might have a nice chat with, but he doesn't suffer fools. And if the comic does less stand-up than broadcasting these days (his last new show was four years ago), he hasn't lost the art of the sly putdown.This hour-long set is a sort of preamble to his longer touring show, Showbiz, Read more ...