Reviews
ellin.stein
If Errol Morris lived in Middle Earth he’d make a documentary about Sauron. If he taught at Hogwarts, he’d be turning his cameras on Voldemort. You get the idea. Morris is drawn to Dark Overlords, powerful men of steely ambition and ego, convinced of their own rightness even after events have proven that their wrong-headed ideas have demonstrably contributed to the sum of human misery.He can also claim to be the only person to have made documentaries about not one but two former U.S. Defense Secretaries (Ministers), the pinnacle of the Pentagon. The first was 2003’s Oscar-winning The Fog of Read more ...
Kieron Tyler
Various Artists: Lou Adler – A Musical HistoryLou Adler is more than a stitch in rock’s rich tapestry. Akin to a whole spool of yarn, he helped Carole King realise the monumental Tapestry, was integral to making 1967’s epochal Monterey Festival happen, brought The Mamas & The Papas to the world and co-wrote Sam Cooke’s “Wonderful World”. Adler is a towering figure in music. Lou Adler – A Musical History is an overview, collecting records he masterminded. A reminder that the achievements did not spring from nowhere, the disc frames this man within the world he operated in.Many names Read more ...
Sebastian Scotney
The core pulse of Tudor polyphony is often deliciously slow. It gets down to a mesmeric pace of about 30 beats per minute. The listener just has to succumb to it, and the experience, even in the virtually unheated Cambridge College chapel where The Sixteen began its 2014 Choral Pilgrimage last night, was pure pleasure.The names of the three composers whose work form the Sixteen's programme for the concerts of this year's Pilgrimage will be unfamiliar, but Davy, Sheppard and Mundy are all important precursors of Byrd and Tallis, and the sequence of works has been meticulously prepared to Read more ...
Matthew Wright
The miscellany, a varied collection of works on different topics, was originally a Renaissance concept, an opportunity to bulk up a single volume with a diverse assortment of topics. The concept kept coming back to me, watching this peculiar programme, in places coherent and persuasive, in others curiously perverse, as if form and content had been devised by different people. The concept of a miniseries about the arrival of the Renaissance in Britain and its effect on our damp archipelago is most worthwhile, and presenter Dr James Fox, a young Cambridge don who already has a BAFTA nomination Read more ...
alexandra.coghlan
Turning every concert into a party, baroque ensemble L’Arpeggiata are performers in the truest sense. Too often early musicians get away with being shy or downright awkward, visibly uncomfortable when forced to introduce an encore. Not so with these European virtuosi, whose signature improvisations give each member (yes, even the percussionist) the chance to step into a starring role. And don’t get me started on the baroque rap that concluded the group’s most recent London concert…For the second of their three-concert residency at the Wigmore Hall, Christina Pluhar and L’Arpeggiata moved away Read more ...
graham.rickson
Prokofiev: Piano Concertos 1-5 Jean-Efflam Bavouzet, BBC Philharmonic/Gianandrea Noseda (Chandos)Two of Prokofiev's five piano concertos are so well-embedded in the repertoire that they tend to dwarf the other three. So it's great to have the whole lot squeezed comfortably onto a pair of discs. I've long enjoyed Ashkenazy's 1970s accounts, accompanied by a beefy LSO under André Previn. Jean-Efflam Bavouzet's playing is rather different; he realises that there's more to Prokofiev than pure brawn. Not that these performances are lightweight in any sense – the remorseless cadenza in the Read more ...
Tom Birchenough
“You can never embarrass politicians by giving them publicity.” Michael Heseltine’s verdict on Spitting Image – he claimed, of course, he never watched it – was surely one of the truer things said in last night's Arena memorial Whatever Happened to Spitting Image?, marking the 30th anniversary of the beginning of the satirical puppet show. It certainly seemed balanced when set alongside an apoplectic Ted Heath, who accused those behind it of being, basically, a bunch of jealous, irresponsible losers.Antony Wall’s film did achieve a nice sense of balance about a programme that went from Read more ...
Matt Wolf
You'd have to go a long way to find a film as truly, mind-bogglingly bad as A Long Way Down, which trumps A New York Winter's Tale as the worst celluloid entry in this still-young film year and may likely set the bar for some while to come. Adapted from the darkly comic 2005 novel from Nick Hornby, the movie about four suicidal malcontents who find solace in one another's company manages to trivialise and cheapen every aspect of human behaviour that it touches. Amidst the pervasive ineptitude, the astonishing Toni Collette wrings a tonal grace note or two out of the dross around her, which is Read more ...
Simon Munk
Superheroes and videogames should be a match made in heaven – the primary colour characterisations; the non-stop action and combat; the backstories sketched on a napkin, but then gradually filled in over multiple issues; the superpowers, analogous to classic videogame "power-ups". It's strange then, that videogame superheroes have had such a tough time of it in general.It's also strange to see this third edition in the series floundering so badly in the wake of two inventive and original games that flamboyantly and successfully mixed freeroaming city exploration and action reminiscent of the Read more ...
Veronica Lee
Anyone who secretly liked High School Musical or is a fan of Mean Girls or Glee will find something to like in Darren Stein's candy-coloured high-school satire, which detonates some teenage culture bombs (albeit some of them years behind the curve) while giving some hearty laughs.When quiet and unassuming Tanner (Michael J Willett) is outed, suddenly he becomes hot property for the school's clique queens – Mormon princess 'Shley (Andrea Bowen), sassy drama diva Caprice (Xosha Roquemore) and bitchy blonde Fawcett (Sasha Piertse). If they all sound like stereotypes, you're absolutely right Read more ...
Adam Sweeting
If nothing else, this second series of Jed Mercurio's brutalist police thriller has done wonders for Keeley Hawes. Not that she was in much need of a career pick-me-up, but the way her haunted portrayal of the much-abused DI Lindsay Denton has brooded over the story like a funeral shroud deserves to land her a few gongs and is doubtless already bringing in heaps of job offers. Arriving as it has in the midst of continuing revelations about the murky innards of real-world British policing, LoD2's depiction of murder, corruption and conspiracy within the force has gained additional Read more ...
Veronica Lee
If anybody is daft enough to argue that the television licence fee isn't worth it, then just usher them before this superb mockumentary, brought to you by the team behind Twenty Twelve.Now that the Olympics are but a pleasant memory, London 2012 head of deliverance Ian Fletcher (Hugh Bonneville, again mastering the art of suppressed exasperation) has been appointed as head of values at the BBC. It's a job - as David Tennant's languid commentary informs us – that was created in the wake of “recent learning opportunities at the Corporation” (a beautifully subtle reference to the Jimmy Savile Read more ...