CD: Baxter Dury – Happy Soup

The son also rises: Ian's big lad comes of age

First things first. Baxter Dury is the son of Ian Dury and from the moment Happy Soup kicks in with his cockney monotone on the ska-flecked "Isabel" there is no court in the land that would deny the vocal DNA. But that does not mean that Dury Junior's third album is disappointing. Happy Soup might lack the exquisite verbal gymnastics of his father's work, but it makes up for it with a gentle, electro wistfulness and a keen sense of yearning.

Happy Soup is one of those quintessentially English pop gems that anyone who loves the holy trinity of The Kinks, Madness and Blur should immediately grab. The pocket-sized musical stories speak of life in the city, from the wheezy fairground pop of "Hotel in Brixton" to "Trellic", a love song set around the west-London tower block that has gone from sink estate to chintzy des res in recent years.

Dury's tissue-soft vocals waft by while guitars tinkle and bass lines gently groove. There is more than a hint of early Lily Allen in the way the fiendishly simple melodies have a habit of lodging in your brain. The 10 plinky-plonk tracks might sound as if they were recorded in Dury’s bedroom on a laptop for sixpence, but they are pitch perfect.

It is a shame that this album was released in this strife-torn week. It does not quite chime with the times, preferring to concentrate on the personal rather than the political. Dury is no sports-shop-looting spring chicken, but like all of us he is clearly trying to make sense in his own way of this increasingly messy world. It might be a startlingly familiar one to pub-rock fans, but Happy Soup is the album where Baxter Dury has truly found his voice.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Young composer and esoteric veteran achieve alchemical reaction in endless reverberations
Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production