New music
Sebastian Scotney
Start with the biggest gig of this year’s EFG London Jazz Festival: Angélique Kidjo’s Royal Albert Hall show definitely stays in the mind. Part of the story is the earth-shaking power and resonance of the voice of the "Queen of African music" which transforms the Royal Albert Hall magically into an intimate space.But there is more. Kidjo’s power is also in her advocacy, her activism, her optimism, her message of compassion and of inclusion. She had involved a host of guests (Youssou N’Dour, Ibrahim Maalouf, Laura Mvula) and also Chi-Chi Nwanoku’s Chineke Orchestra. The energy level started Read more ...
Liz Thomson
Well, wow. Just wow. At a time when there are fewer and fewer people I’m desperate to see live and so many of them are then disappointing, the celebration by Dave Stewart and friends of the Eurythmics catalogue, 40 years – 40 years! – after “Sweet Dreams Are Made of This” was thrilling. An exhilarating two hours of high-level musicianship brilliantly produced.Only the presence onstage of Annie Lennox – with whom Stewart was last year inducted into the Rock'n’Roll Hall of Fame – would have improved it. Lennox, who no longer goes on the road, gave her blessing to the tour, which began Read more ...
Ellie Roberts
Back to Moon Beach is a collection of new, reworked and covered songs that feels like a gift from Kurt Vile for his fans to dissect. He jokingly refers to the EP, which is just under an hour long, as “a KV comp”, an appropriate description given the varied history of the tracks.It’s not long before the first single “Another Good Year for the Roses” is momentarily forgotten in favour of Vile’s take on Bob Dylan’s Christmas song “It Must Be Santa”, which in turn is left behind for the reworked version of his 2022 track “Cool Water”.Although not unified in the way one might expect had this been Read more ...
Kieron Tyler
High Tide were one of many late Sixties and early Seventies British bands unearthed in the early Eighties by record collectors digging into what came after psychedelia. The bands didn’t have similar musical styles but were united by their obscurity and having sold barely any copies of their albums. All were largely forgotten until their rediscovery. Ben, Gracious!, Pussy, Red Dirt, T2, more. Who were these bands? Who were High Tide?As is the way, collector interest and the sharply rising prices of original pressings resulted in digging for information and reissues. High Tide had released two Read more ...
peter.quinn
This UK premiere of the award-winning, Dublin-born vocalist and composer Christine Tobin’s latest project, Returning Weather, presented an otherworldly ode to finding home – casting multiple perspectives on our yearning for connection and human warmth.Commissioned by The Dock, a multidisciplinary arts centre in Carrick-on-Shannon, Co Leitrim, the song cycle sees Tobin working for the first time with both traditional Irish musicians and jazz improvisers. As Tobin noted, it was also possibly the first time ever that uilleann pipes have featured as part of the EFG London Jazz Festival.The piper Read more ...
Guy Oddy
Andrew Eldritch, vocalist and convent leader of the Sisters of Mercy, is a famously obtuse character. This may have made him seem somewhat mysterious over the years, but it has also meant that he has missed a few open goals too.The Sisters haven’t put out an album of original material in 30 years, but they still keep writing and performing new material. This means that their set now consists of about 50% familiar tunes and 50% of material that has never seen the inside of a recording studio. So, if you want to keep up with the new stuff, live recordings of varying sound quality on YouTube is Read more ...
Kathryn Reilly
I usually find it useful to listen to the music before I tackle the often bile-inducing press release that generally taints each launch. Admittedly, it's a hard job to sell music without veering into hyperbole and very few achieve it. Why am I telling you this? Because, if I had have read the accompanying notes, rather than thinking "this is very good but it does sound like background music", I would have known it was, in actual fact, background music.Written as a collaboration with the library music label KPM, these 11 tracks (each coming in at the three-minute mark or thereabouts) Read more ...
Mark Kidel
Combine four super-talents, masters of their instrument, and you might well expect a battle of egos or a clash of modi operandi. Not least, as in the case of Les Égarés, a quartet made up from two seasoned duos – the virtuoso jazzers Vincent Peirani (accordeon) and Émile Parisien (soprano sax) on the one hand, and the entrancing creative partnership of Ballaké Sissoko (kora) and Vincent Ségal (cello) on the other. And yet…In a glorious show, part of the London Jazz Festival, these four engage in the most captivating conversation – sometimes with humour, at other times with Read more ...
Liz Thomson
When Dolly Parton was nominated for induction into the Rock & Roll Hall of Fame, she requested that her name be withdrawn.She was "flattered and grateful" for the honour but "I don't feel I have earned that right," she wrote. "It kind of would be like putting AC/DC in the Country Music Hall of Fame. That just felt a little out of place for me.” Officials responded, saying they respected the star's "thoughtful note” and saying that "in addition to her incredible talent as an artist, her humility is another reason Dolly is a beloved icon by millions of fans around the world." A few weeks Read more ...
Guy Oddy
The Cult may have only really hit paydirt in the late Eighties when they started worshipping at the altar of the Rawk Gods of more than a decade before and welcomed Rick Rubin and Bob Rock to toughen up their sound on albums like Electric and Sonic Temple. However, there are clearly many people who still look back wistfully on their post-punk years – to the Dreamtime album, to Death Cult and even further, to vocalist Ian Astbury’s first band, Southern Death Cult.Sure, Astbury and Duffy still play “She Sells Sanctuary” and “Rain” in their live set, but they are mere morsels of a time long gone Read more ...
Cheri Amour
On a Friday morning under the Dom Tower, the tallest church spire in the Netherlands, our enthusiastic guide explains that we’re standing on 2000 years of history. Formed on the frontier of the Roman Empire, Utrecht originally bordered the river Rhine. But forward-thinking festival Le Guess Who?’s quarter-century rein proves that the city is no longer fenced in. The longstanding Dutch weekender consistently champions a far-flung programme affording you time and space to explore and discover. In a world that’s bowing under the weight of political and social conflict, LGW? happily boasts Read more ...
Kieron Tyler
That's What Remained is the aural equivalent of being pulled into a maelstrom and then surrendering to this powerful natural force. Initially, it does not seem safe. But it soon becomes apparent that submission isn’t a problem. It will be fine. Emerging from this experience is accompanied by a shakiness. But that’s OK too.It’s not necessary to know anything about Lucidvox to be knocked for six by That's What Remained, their second album. Over its eight tracks and 33 minutes it effortlessly accommodates the hard edge of shoegazing – the sensibility sustaining My Bloody Valentine’s “You Made me Read more ...