New music
mark.kidel
Bony Biyake, whose vocals grace this delicious soup of ancient and modern sounds, from Europe and the Congo, once sang in a soukous band, and then made his name in collaborations with the French musical magician, the late Hector Zazou. Their most famous collaboration was a 1983 album, Noir et Blanc, which still sounds ahead of its time today.Biyake and his collaborators Guillaume Lozillon and Guillaume Gilles, masters of digital keyboards and programming, and percussionist Gaëlle Salomon weave a rich texture of sounds that speak to each other in musical tongues. This is a kind of sorcery, in Read more ...
Kieron Tyler
“How psychedelic is your pop? This is the demanding question posed to many groups today, struggling for acceptance. It's no longer any good to say: ‘Well, mate, we can play Wilson Pickett, James Brown and all that gear,’ to anybody contemplating booking a band. One has to explain whether one is likely to set fire to the auditorium, or batter the audience’s senses with flame, light and fiendish noises.”When music weekly Melody Maker got to grips with psychedelia in its 14 January 1967 issue, it was noted that Pink Floyd were “originally an R&B blues-type group.” Drummer Nick Mason told the Read more ...
Guy Oddy
It’s always encouraging to a have a musical rallying call in times of political strife. A song for a better future to encourage those on the right side of history not just to march but to dance as well.As Emma Goldman, the Russian-born anarchist of a century or so ago, once said: “A revolution without dancing is a revolution not worth having”, and this is clearly a view shared by Belfast DJ and producer David Holmes. For Blind on a Galloping Horse is no po-faced, muscular call to burn everything down. Instead, it is a compassionate song of hope that praises those “dreamers, misfits, radicals Read more ...
Miranda Heggie
Fresh from winning this year’s Scottish Album of the Year Award – for the third time no less! – Young Fathers gave a spectacular performance on Tuesday night on their home turf, at Edinburgh’s Usher Hall. Sure, it seems odd that a competition that’s only been running ten years has been won three times by a band who’ve released four albums.Listen to the albums though and you’ll get it. See Young Fathers live and you’ll realise why this is one of the most exciting bands making music right now not just in Scotland, nor even the UK, but internationally. This is a group who are always creating Read more ...
Cheri Amour
Just over 30 years ago, avant-pop icons Stereolab released their debut album Peng! establishing the early hallmarks of the English-French band’s sound; 1960s pop harmonies, chorus-laden guitar riffs and a borderless world of analog electrics. Helmed by longstanding members English songwriter and guitarist Tim Gane and French lyricist and vocalist Laetitia Sadier, Stereolab was born from the ashes of 80s indie pop band McCarthy after frontman Malcolm Eden called time on the band at the start of a new decade. Spurred on by their shared stage antics, Gane and Sadier continued their Read more ...
mark.kidel
There is a great deal of sense in transposing electronic music to a symphony orchestra. However beautifully crafted, imaginatively constructed, and creatively programmed, the sounds that come out of synthesisers and other digital tools lack the knife-edge fallibility of music that is produced with the hand or the human breath. Brian Eno’s concert with the Baltic Sea Philharmonic provides compelling evidence that his compositions reveal more of their essence when taken on a trip into the world of strings, brass and other wind instruments, and the chance-prone reality of human moods and Read more ...
Guy Oddy
Los Angeles is a collaboration from ex-Cure man Lol Tolhurst, former Banshee, Creature and Slits’ drummer, Budgie and producer Jacknife Lee, as well as an army of musical mates from Bobby Gillespie and The Edge to LCD Soundsystem’s James Murphy and Starcrawler’s Arrow de Wilde. So, it could easily have descended into a supergroup exercise of backslapping and excessive self-regard by a load of rock stars who haven’t been in the limelight for a while.Not so fast though, despite trading under the rather clunky name of Lol Tolhurst x Budgie x Jacknife Lee, Los Angeles is an unexpected peach of Read more ...
Kieron Tyler
For Finnish composer Osmo Lindeman, the decision to pursue electronic music was made in 1968 during a visit to Poland. He had recently started using graphical notation for the scores of his compositions and was having problems getting conductors and orchestras to follow what he wanted.In Poland, he met composer Andrzej Dobrowolski and visited the Warsaw School of Music’s electronic music studio. He found that Dobrowolski also used graphical notation. With electronic music, Lindeman saw that there no barriers to using any type of score. He had the way forward. He would embrace electronic music Read more ...
Kieron Tyler
Atmospherically and musically, the debut album from Lebanon’s Mayssa Jallad swiftly makes its case. It opens with a drifting, elegiac voice singing a wandering melody over a sound-bed including what sounds like a koto and a droning cello. The language employed is Arabic. On the next track, the meditative spell is punctured by the crack of distant gunfire. As it progresses, Marjaa: The Battle of the Hotels seamlessly fuses folky introspection, orchestrated drama, crackling electronica and field recordings. Sometimes – again, without any incongruity – within the same song.Marjaa: The Battle of Read more ...
Liz Thomson
Who knew! James Blunt has sold 20 million records worldwide. Who to, I wonder? Back to Bedlam, his 2004 debut, was the biggest-selling album of the first decade of the 21st century. Call that progress? When pop was pap – think the Carpenters or Bread – it was at least melodic and well-produced, leaving in its saccharine wake a handful of truly memorable songs that still evoke a pang of nostalgia and happy memories of sixth-form parties. But this kind of stuff is just… meh.Who We Used to Be is Blunt’s seventh album. There are also live albums and a box set, and a greatest hits collection, Read more ...
Cheri Amour
With a name like The Kills, it’s not surprising to hear that the band’s long-awaited sixth album, God Games, is suitably tuned for spooky season. This year marks two decades since the duo – made up of songwriter and vocalist Alison Mosshart and her creative soulmate Jamie Hince – slinked onto the early Noughties scene with their gutsy garage rock debut, Keep Me On Your Mean Side earning them a place on the podium alongside fellow dual-pronged powerhouses Death From Above 1979 and The White Stripes. While their sludge-coloured, super lo-fi sulkiness became synonymous with that Read more ...
Sebastian Scotney
As a cultural destination, Salzburg really is hard to beat. Each year, a million and a half tourists descend on this compact city with its baroque architectural delights, and a population of just 150,000. The city of Mozart and of the Salzburger Festspiele was also once home to Paracelsus, Heinrich Biber, Stefan Zweig, Georg Trakl, and more recently – of course – The Sound of Music and Red Bull.The city’s setting and its skyline are breathtaking. One can marvel at the way buildings more than three centuries old were hewn into the sides of the rocky outcrops. There are churches everywhere; I Read more ...