Lost Harmony is the third album from Norwich to London transplants Sennen. Although they’re pretty much an under the radar band, it’s been made with David M Allen, The Cure’s long-term producer. Their songs have been heard on the soundtracks of One Tree Hill and True Blood. Obviously, they’re doing something right. Steeped in melancholy, Lost Harmony is defined by the insistent “Vultures”, which is about Nikolai Kondratiev, the Russian economist who evolved the concept that capitalist economies are defined by cycles of boom and bust.That the best entry point into Lost Harmony is “Vultures”, Read more ...

 The Human League: Dare (Deluxe Edition)Thomas H GreenLast year, when I interviewed The Human League for theartsdesk, singer Susan Sulley said of Leonard Cohen, “He’s got a personality voice. It’s not a voice that’s going to pass the auditions on The X Factor but you wouldn’t mistake him for anyone else on the radio.”You would never mistake The Human League for anyone else either, a unique band born of Sheffield, punk and a love of Kraftwerk. It’s hard to credit that their hugest song, “Don’t You Want Me”, and its massively successful parent album Dare, were put together with little Read more ...

If you’re not French, there are probably two things you know about Claude François: that he wrote “My Way” and that he died from electrocution when fiddling with a lighting fixture while in the bath. In France, however, he’s been part of pop-cultural furniture since the mid-Sixties and has remained so since his death in 1978. He’s even more ubiquitous right now due to a biopic, DVD box set and TV specials dedicated to the constantly dancing dynamo known as “Cloclo”. Posters for Cloclo line Paris’s streets.Unlike Serge Gainsbourg, François has remained a local delicacy. It’s unlikely the film Read more ...

“If James Bond actually worked in MI6 today,” said “Anna”, “he’d spend a large amount of time behind a desk.” Fair enough, since he’d also be about 110. And besides, the days of the Oxbridge “tap” having gone the way of Bernard Lee, most of 007’s work has long been outsourced to Johnny Foreigner.In the age of Homeland, Spooks, Rubicon, Tinker Tailor... (again), and Ben Macintyre, it seemed unlikely that much more needed to be said about the role (and/or importance) of spies in our world. But Peter Taylor’s Modern Spies (BBC Two) deserves credit for being made at all – a first, apparently: Read more ...

If there was a holy trinity of rock'n'roll iconography, it would be guitars by Fender and Gibson, plugged into amplifiers bearing the unmistakeable Marshall logo. Merely to be seen using Marshall amps and loudspeakers became an obligatory badge of rockingness, to the extent that many acts just did it for show."Jimi Hendrix used three 100-watt amps and three stacks," Marshall supremo Jim Marshall commented. "KISS go a lot further, but most of the cabinets and amps you see on stage are dummies. We once built 80 dummy cabinets for Bon Jovi. They all do it - it's just backdrop."Jim Marshall, who Read more ...

The Queen's given everyone an extra bank holiday, so while you rest up over the Easter holidays, start planning your next downtime with theartsdesk's definitive clickable festival guide for the summer. We have headline listings and links for all the UK festivals this year, from rock by the lochs to DJs in London parks, and catching classical and opera on the way. Due to the London Olympics' snatch on Britain's stocks of portable toilets and police, as well as the economic downturn, some festivals have been suspended this year, including Sonisphere Knebworth and Glastonbury (but registration Read more ...

It began with a warning. Opening the fourth Tallinn Music Week, Estonia’s President Toomas Hendrik Ilves cautioned, “In a free society, it’s risk-free. In an un-free society, it’s not risk-free. It’s not all fun.” From behind a hotel conference room lectern, he then began rolling a video of Russia’s Pussy Riot being arrested in Moscow a few days earlier. Not everyone can make their point, make their music, choose how they want to get it across.The contrast between Pussy Riot’s fate and a festival that celebrates new music in all its forms, held in a country bordering Russia, was marked by Read more ...

On Tell Tales's opening cut, The Cornshed Sisters declare “If bombs were love, then you could call mine Dresden”. Their debut is allusive, with literary leanings. But the emphasis on the words doesn’t drown out the music, a slinky confection that’s not too far down the road from Dory Previn, Tom Rush, Kate and Anna McGarrigle and even Brian Protheroe.Tell Tales isn’t folk – it’s a folk-influenced singer-songwriter album with a distinct whiff of 1972 to 1975. Sunderland’s Liz Corney, Marie Nixon, Jennie Redmond and Cath Stephens harmonise like a dream and have more on their mind than the Read more ...

Last year, Kylie Minogue's Aphrodite World Tour took in 77 shows across five continents and grossed over $50m. It was a typically lavish production featuring a bespoke mechanical stage, costumes designed by Dolce & Gabbana and high-impact jets requiring 25,000 litres of recycled water; gig-goers in the designated "Splash Zone" were even given towels and ponchos with their tickets.Tonight's show at Hammersmith Apollo is a little bit different. It's the last of three UK dates on the singer's so-called Anti Tour, which is billed as "small, intimate and unexpected, featuring a stripped back Read more ...

Low don’t really look as though they’re given to ostentatious display. With their black shirts, polished footwear and sensible haircuts, they could be waiting staff in a formal restaurant. One with a lot of dark wood and banquettes. The Hendrix-like squall that preceded last night’s set opener “Nothing But Heart” quickly subsided. These flashes are enough to show how intensely Low’s hidden fires burn.On “Drugs”, Sparhawk sang “I was a child, I was on fire, I stayed alive while all else died”. The fundamental tension at the heart of Low is a battle between intensity and their self-defined Read more ...

Ever since he walked out on the Sex Pistols in January ’78, John Lydon’s music has divided opinion. In the shadow of reductive three-chord punk, his first incarnation of Public Image Ltd was fabulously exploratory and musical, blending fathoms-deep reggae bass, Krautrock and disco into its gnarly, alienated soundworld. After that line-up fragmented, he has touched on much else besides – electro, heavy metal, house, even forward-looking, upscale pop – never settling long enough in one parish to unite critical or popular consensus.What must now finally be beyond dispute is that the line-up he Read more ...