New music
Thomas H. Green
Of all the nostalgia-fests, of all the retro events, those that involve rave culture have the wildest sense of glee. The atmosphere in the Dome tonight, before a note has even been played – just as when The Prodigy hit this city last year – dials the anticipation levels up to delirious. The crowd is mostly fortysomething and fiftysomething, but many are already dancing as the hall fills, while Peter Hook, ex of New Order, spins quarter century-old dance tunes that once graced the speakers of the long-closed, now-mythical Mancunian club mecca, The Haçienda.From the grins, ecstatic gurns and Read more ...
Adam Sweeting
It was in the long-ago year of 1982 that Martin Fry and ABC released The Lexicon of Love, a feast of addictively lush pop-soul swathed in Anne Dudley's orchestrations and producer Trevor Horn's sparkling electronic innovations. Fry bestrode it like a knowing nouveau-glam mastermind, treading in the ironic footsteps of Bryan Ferry and David Bowie as he effortlessly juggled camp, kitsch and sardonic wit. The album's multi-million-selling success was underpinned by vintage songs like "Poison Arrow", "The Look of Love" and "All of My Heart".Yet all things must pass, and Fry spent much of the Read more ...
Guy Oddy
Transmission fades in with “Metal Box”, a droning minimalist soundscape that evolves with a steadily building pulse that is brooding, cinematic and a tasty hint of things to come. Icy European synths dominate the sonic pallet of Death In Vegas’s sixth album, with Richard Fearless and new collaborator, the artist, writer and former porn actor Sasha Grey, dumping the restraints of guitars and song structure and laying down some enthralling electronic sounds and grooves that make for quite a trip.Transmission’s ambience takes the same cues from JG Ballard’s dystopian visions as sonic pioneers Read more ...
Peter Culshaw
Another of Peter Culshaw’s peripatetic global radio shows. Star of this month's show is the Trinidadian Calypso Queen Calypso Rose, whose new album Far From Home, to be released in July, is given a sneak preview here. Then there is the usual wild, eclectic mix ranging from the latest cool jazz releases to cosmic sounds from Cape Verde, rediscovered Prog from Brazil, country blues and deep new African grooves. And Peter Sellers. Enjoy. LISTEN TO THE SHOW BY CLICKING HERE Tracklist:Leave Me Alone - Calypso RoseHareton Salvanini - Eu Hoje Acordei Com A Luz Do Read more ...
Kieron Tyler
“Over the horizon they come; the anniversaries; joyous, arduous, remorseless.” The opening words of Stuart Maconie’s fine, nuanced essay in the book accompanying this 20th-anniversary reissue of Manic Street Preachers’ fourth album acknowledge the inescapable fact that today’s heritage rock industry is indeed largely about anniversaries and their close cousin the reunion. Bands tour to air one of their past albums in track-by-track order. Others reform to run through their catalogue of 20, 30 years ago. These living jukeboxes seek to revitalise music that was frozen in time, so kept fresh Read more ...
Matthew Wright
Beth Orton is generally filed under folktronica, but neither the label, nor the pigeonhole, do such a restless musician any favours. After a gradual transition from the gauzy electronic sound of her 1990s albums towards a more acoustic set-up, this latest outing – which follows her move to California, and emerged from what Orton has described as an intense process of discovery – draws on an intriguing array of electronic effects. But this is not a return to where she started: it shows that Orton has been listening with new ears, as it were, to what the electronic can offer, and is striking Read more ...
Nick Hasted
Brighton Festival’s guest director speaks in a sort of rapid-fire drawl, ideal for her debut as a stand-up comic, which she claims was tonight’s Plan A. This half-century veteran of performance art is more slippery than that, proffering a discursive, unreliable, funny and profound master-class in shaggy-dog philosophy, with the festival’s theme of home at its arguable core.The hit single “O Superman” was Laurie Anderson’s vital calling-card to pop culture, her marriage to Lou Reed a brief downtown New York art nirvana, addressed elsewhere in the festival. But the life she zigzags through Read more ...
Heidi Goldsmith
The foyer of Brighton Dome for Brighton Festival director Laurie Anderson’s Song Conversation would have had a PR executive flummoxed; from punks in their 20s licking the rim of a plastic pint to a hobbling couple clutching programmes. The breadth of audience is surely a testament to Anderson’s unique career of performances combining pop melodies with countercultural performance art. As the seemingly ceaseless passings of pop eccentrics litter our newsfeeds, it’s a relief to see the former NASA artist-in-residence and “O! Superman” composer alive and electronic.The performance is a Read more ...
Thomas H. Green
It’s a foolish game to wonder who might fill the musical void left by Amy Winehouse’s passing. She was a one-off, after all. However, it’s natural to occasionally look about and ponder where there might be talent of a similar ilk. Not all the doomed druggy stuff, just a female singer who does it from the gut rather than X Factor-flavoured fluffing. Ariana Grande, Demi Lovato, Zara Larsson et al seem unlikely to even get their round in; of Winehouse’s immediate peers, Duffy’s disappeared and Adele’s become a theatrical torch singer (albeit a very likeable one), and all those Kate Bushy kooks, Read more ...
mark.kidel
In his latest album, Bob Dylan once again interprets, in his own slightly ironic and yet lovingly respectful way, standards that Sinatra made famous. This is one of those moments when it feels like he's treading water, or perhaps allowing himself to gently sink into sad-eyed resignation, rather than break unexpected new ground as he's periodically done over the decades.There is nothing much really to distinguish Fallen Angels from Shadows in the Night, almost as if the two were parts of a double album. The honeyed tone of the pedal steel, the gentle lull of a standup bass, and a great deal of Read more ...
Lisa-Marie Ferla
There was always something otherworldly about Kate Jackson, the voice of late, great Sheffield rockers The Long Blondes. Guitarist Dorian Cox, whose stroke in 2008 precipitated the premature breakup of the band, may have been its primary songwriter but it was Jackson’s voice – cool, poised, arrestingly strident – that set it apart. That the love child of Sophia Loren and Nico was technically a biological impossibility only added to her mystique.British Road Movies may be Jackson’s solo project, but there’s plenty here for fans of her previous band to devour: the same desolate views of urban Read more ...
Kieron Tyler
“Ladies and gentlemen, in view of the controversy already aroused the producers of this film wish to re-emphasise what is already stated in the film: that there is no established scientific connection between mongolism and psychotic or criminal behaviour”. With these opening words, Twisted Nerve instantly defined itself as a film out to attract attention. Despite this questionable exploitation aspect, the genuinely unsettling 1968 work is ripe for reassessment.Like their predecessor feature The Family Way, Roy and Thomas Boulting’s Twisted Nerve starred Roy’s then wife Hayley Mills. She Read more ...