New music
Thomas H. Green
Pop Will Eat Itself deserve to be more celebrated. The Stourbridge outfit were one of the first 1980s bands to realise the potential of smashing punky indie-rockin’ into hip hop and electronic dance.They had hits, many great songs, and covered the same territory that later gave The Prodigy mega-success (Delete Everything contains a rackety reimagining of the two groups' 1994 collaboration, "Their Law"). Unfortunately, a combination of their major label stabbing them in the back, and being perceived by some critics as cartoonishly adolescent, faded them out in the mid-Nineties. But they Read more ...
Kieron Tyler
The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-marks review from NME on its 2004 release – and widespread praise in general – it is not an album instantly shouting “cult item.” Nonetheless, as the reissue and a tie-in reformation of the band show, there is a residual affection.Playing These Were The Earlies confirms why. From its opening seconds, it sets itself up as top-notch modern psychedelia, with references – some overt, some subtle – to The Beach Boys, Love and, more contemporaneously, Mercury Rev. A Read more ...
joe.muggs
It’s funny: people say a lot online that what you’re allowed to like and dislike in music is bounded by age, gender and so forth. “It’s not FOR you,” they say. And in many ways, when it comes to Taylor Swift, that’s fair enough.There are certainly quite a lot too many heterosexual men in their 50s opining on her in ways that are a bit off: angry that she’s not Joni Mitchell, or that she’s a bit full of herself, or that her melodies are simple… Angry with a passion they can’t find for any other pop music. And no, sir, this music IS not for you. However, for those of us that do care about pop Read more ...
Tim Cumming
This is quite a tale: Shooter, son of Waylon Jennings, discovers a tranche of his father’s personal multitrack tapes from the analogue years, dating between 1973 – when he wrestled artistic control from RCA – and 1984, when he had quit cocaine, joined The Outlaws and digital technology took over everything.The tapes were shelved for 40 years, until Shooter took them down, opened them up and brought them to Sunset Sound in 2024. He started digging through them, and found that rather than the demos he expected, many of these "lost" recordings were fully fledged tracks waiting for an album to Read more ...
Thomas H. Green
The backscreens pop alive. A wall of photographer’s flashguns. On cyberpunk crutches, Lady Gaga stumbles jerkily towards us. She sings her 2009 global smash “Paparazzi”, her arms clad in armour, on her head a metallic skullcap. Her corseted dress has a train that extends, diaphanous, floating back behind her the entire length of the long catwalk into the audience. It disappears into the darkness of an arch.Theatre, yes, but Gaga is committed. Her eyes on the big screen above aren’t smirky or cool. They have a performative, deranged intensity. Lady Gaga is a proper pop star, haemorrhaging Read more ...
Kieron Tyler
The 16-minute album opener “Between the Fingers the Drops of Tomorrow's Dawn” coalesces at the 12-minute point, when clattering percussion meshes with what sounds like a sitar to fashion a hypnotic, repetitive whole. It’s as if Slovenia’s Širom have used the time so far to work themselves into a trance-like state. Iztok Koren, Ana Kravanja and Samo Kutin have surrendered to the drone.In the Wind of Night, Hard-Fallen Incantations Whisper is Širom’s fifth album. Not only does it bear a characteristically mysterious cover image and title, it is also long. Over 74 minutes, there are just seven Read more ...
Tom Carr
In the age of streaming, it’s never been less clear knowing when you can safely say an artist is well known in the mainstream. But for the rising star of Olivia Dean, the neo-soul Londoner, if Spotify streams count for anything then with over 20 million listeners, you could argue she is arriving on centre stage.On her debut album, 2023’s Messy, Dean provided a respectful and worthwhile offering of a vintage sound with lo-fi stylings: horn arrangements, slightly de-tuned piano chords, and soulful ballds. There was also mega-hit, “Dive”, Read more ...
Kieron Tyler
“It's a Happening Thing,” January 1967’s debut single from California’s Peanut Butter Conspiracy, is one of the year’s best. Driving, with a full sound, a psychedelic edge, soaring vocal and immediate tune, it sounds like a hit.However, despite being issued by major label Columbia, it wasn’t. As it’s put in the booklet coming with The Most Up Till Now – A History 1966-1970 box set, the single “barely scraped into Billboard’s Hot 100, peaking at the number 93 slot.”The band’s next 45, March 1967’s "Dark on You Now” was as great. But, this time, no chart action at all. Their debut album, the Read more ...
Thomas H. Green
Doja Cat is a fascinating one-off. She’s a rap-centric Californian artist whose background dips into everything from new age philosophy to skate culture. She’s the epitome of a 2020s singer who’s as much a social media phenomenon as a pop star (and has also been featured artist on tunes by almost everyone). Unafraid of quirk and wacky throwaway humour, it’s taken her a while to convince the dubious that she’s more than an amusing flash-in-the-pan. Unfortunately, while her latest album initially contains interest, it settles to a set of samey slow-jams.The recent single “Jealous Type” is Read more ...
joe.muggs
One of the great moments of Private Eye magazine’s fustiness in recent years was putting Mariah Carey in Pseud’s Corner, for the quote about how she deals with the ageing process: “I do not acknowledge time.” That quip is of course in no way pseudo-intellectual, and in every way fabulous, as anyone with the slightest knowledge of Carey or pop culture would grasp immediately. Of any major star, she is the one who has most comfortably inhabited the diva role in the 21st century, her dry-as-a-bone “I don’t know her” put-down of Jennifer Lopez from 2003 now meme-ified into immortality as the allt Read more ...
Guy Oddy
Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats and trippy lyrics, their sophomore album Live Freaky! Die Freaky! exudes a wild-eyed exuberance that echoes the 1990s’ marrying of electronic dance music and floppy-haired indie tunes.Their opening salvo of singles may hark back to a time when indie kids finally plucked up the courage to get onto the dancefloor and shake a tailfeather, but they are tasty and engaging with a spirit of their own. “Time Waits for No One” and “Set the Night on Fire” are Read more ...
Kieron Tyler
“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused electropop, Night Tapes make the case that they’re the real deal.Up to this point, their pop-inclined electronica has embraced motorik (opening track “Enter”), breakbeat-infused chillwave (“Television”), vaporous quasi-new wave pop (“Swordsman”) and trip-hop (“Babygirl (Like No1 Else”). With so much going on stylistically, it is tough getting a handle on Night Tapes.The trio are Max Doohan, Sam Richards and Iiris Vesik. Their material is jointly composed, though main vocalist Read more ...