When the words "commercial" and "art" come together - as they do with the Bolshoi season currently at the Royal Opera House - odds are the glue between them is a three-word phrase "Victor Hochhauser presents". Victor and Lilian Hochhauser are the impresarios behind most Russian ballet seasons UK-wide, and they have a reputation for solid box-office commercial taste, which is easily dismissed as the safe option. But they are in their eighties now, and conservatism is forgivable.
classical music interviews
edward.seckerson
Canadian-born pianist Janina Fialkowska has an extraordinary story to tell: she's battled cancer in the muscle of her left shoulder, endured ground-breaking muscle-replacement surgery, and even, in another bizarre twist of fate, had her work "stolen" in the notorious Joyce Hatto recording scandal.
igor.toronyilalic
Who's the greatest living British exponent of the late Romantic repertoire? Many would say Edinburgh-born conductor Donald Runnicles (b. 1954). Runnicles has spent the last 30 years quietly forging a formidable name for himself abroad, first, as a repetiteur in Mannheim, then as an assistant to Sir Georg Solti at Bayreuth, as guest conductor at the Vienna State Opera and, for the past two decades, musical director of San Francisco Opera. In 2007 the BBC Scottish Symphony Orchestra announced that Runnicles would return home to become their new chief conductor. This week he performs Strauss, Wagner and Mahler in Glasgow, Edinburgh and Aberdeen. He tells me how he came to work with Solti, how opera moulded his style and how a few remarks about how he was considering leaving America if Bush won another election got him into serious hot waters.
Jasper Rees
The career of Simon Russell Beale (b. 1961) needs little introduction.
igor.toronyilalic
George Crumb (b.1929) is one of the great American experimental composers of the 20th century. His delicate scores are characterised by a child-like sense of wonder and an array of instrumentation that appears to have hitched a ride from outer space. Crumb first came to the fore in the 1960s with Songs, Drones and Refrains of Death (1968), Night of the Four Moons (1969), inspired by and composed during the Apollo 11 space flight, the savage string quartet Black Angels (1970) and Ancient Voices of Children (1970). In 1968 he won a Pulitzer for Echoes of Time and the River (1967). On the eve of a BBC Symphony Orchestra survey of his life and work at the Barbican of his life and work on 5 December, George Crumb lets us in on the secrets of his musical world.
igor.toronyilalic
At 84 years of age, Sir Charles Mackerras is one of the best-respected and best-loved operatic conductors working in the world today. He conducts Benjamin Britten's The Turn of the Screw for the English National Opera tonight and, despite bouts of ill health, found time to talk about his friendship - and falling out - with Britten, his time conducting the opera under Britten's watchful eye, his experiences in Prague in 1948 as a witness to the Communist takeover of Czechoslovakia, his pioneering performances of Mozart from the 1960s and his run-ins with Richard Jones and Christopher Alden over their "monstrous" modern productions.
igor.toronyilalic
There is no more extraordinary musical journey than that of Britain's leading living composer, Sir Peter Maxwell Davies (b.1934). In the 1960s, he was Britain's Stravinsky, at the heart and head of the modernist musical rebellion, provoking audience walkouts, outraging the musical powers that be and occasionally even hitting the news headlines. Today, as a Knight of the realm and a Master of the Queen’s Music, he finds himself in the very bosom of the British establishment.
robert.sandall
It’s pretty well understood that talent, good looks and hard work are not enough to guarantee you safe passage through the celebrity jungle nowadays. But for five years it looked as though they might be enough for Katherine Jenkins. Until recently the general view of Jenkins held that she was a nice, polite, touchingly naive, and unaffected young woman from Neath in South Wales, who just happened to be the most popular classically trained singer to emerge here in this century.