TV drama
Jasper Rees
Those of a certain age have certain memories (very certain) of Farrah Fawcett-Majors, wife of the Bionic Man and not exactly unbionic herself, especially in that poster of her in the red one-piece with Seventies enormohair and fluorescent American Dream gnashers. There were a couple of others in Charlie’s Angels. One forgets their names, and indeed faces. (Feel free, scholars of the era, to write in on this.) It was revolutionary at the time: girls had been high-heeling men in the schnoz since The Avengers, but only one lady at a time. Now three bra-burners, Aaron Spelling’s fantasy answer to Read more ...
Thomas H. Green
One of the great revelations of the decade-long HBO TV invasion is that so many of their series take everything at a truly leisurely pace. Their groundbreaking MO is not to rush, as pre-millennial TV shows usually did, but to give the plot space to breathe in a way that matches how we now watch TV - at our own pace, in our own time. In the case of Mildred Pierce, film director Todd Haynes’s beautiful-looking, Emmy-winning five-episode adaptation of the 1941 James M Cain novel, this sometimes backfires. The narrative has almost too much space to spread out, with five and a half hours viewing Read more ...
Kieron Tyler
People speak to her. It could be her mother. It could be a colleague. But she doesn’t react, continues what she’s doing. Which, usually, is leaving. It’s welcome back to Sarah Lund, whose watchability is in inverse proportion to her demonstrativeness. As recalcitrant detective Lund, in the second series of Denmark’s The Killing, Sofie Gråbøl is as magnetic as the first time around, whatever she’s wearing. Sweaters be damned, these two opening episodes were up there with the BAFTA-winning first series.After the lash-ups of the first series – the killing of her detective partner, serial Read more ...
Adam Sweeting
This is a very odd series. Even the BBC seem to be wondering what on earth they're supposed to be doing with it, since after the Wednesday night airing of these first two episodes Pan Am is moving to Saturday evening, with a Thursday repeat. Effectively it's a giant posthumous commercial for the glory years of America's most famous airline, rendered as a mixture of tacky corporate promo film and feather-brained soap with patently fake sets. It's 1963, and we zero in on a group of wonderfully glamorous Pan Am hostesses in their figure-hugging blue uniforms as they prepare to fly out of Read more ...
Jasper Rees
Garrow’s Law, which returned last night for a third series, would seem to be entirely about the foreign country that is Georgian England. One of its progenitors is Tony Marchant who, give or take the odd adaptation of Dickens or Dostoevsky, has spent his packed writing life in the modern day. But they don’t seem to make his kind of searing contemporary drama any more, the type that hunts for the root cause of moral failure in individuals and society. So in order to hold a mirror up to his audience, he has turned to the 1700s. Profitably.The shrewdness of Garrow’s Law is that it has a foot in Read more ...
Adam Sweeting
In TV's seasonal rush of Spooks, Downton etc, we must also hail the sterling (if gruesome) work going on at the FX channel. Alongside series two of The Walking Dead, they've thrown in the additional delights of gory French cop thriller Braquo and, last night, we saw the debut of the weird and scary American Horror Story.You'll like Braquo if you were enamoured of stuff like Training Day or The Shield, while it's less multilayered but even more visceral than Spiral (or Engrenages), its stable mate at French network Canal+. It's about a thuggish squad of Paris-based detectives who live in their Read more ...
Jasper Rees
Apart from voting, there is only one duty the United Kingdom asks of its residents: if, or less likely when, it comes, to answer the summons to sit and listen to evidence in a criminal court and, with 11 other randomly selected individuals, reach a collective decision about the guilt or innocence of the accused. Trial by jury is rightly held to be one of the more unimpeachable achievements of civilised society.The jurors being emblematically the nice guys in this national success story, they are also the colourless guys. Which is why legal dramas – and there have been perhaps a dozen of them Read more ...
Adam Sweeting
One striking fact about Ronan Bennett's punishing four-part East End gang drama is that, so far, there hasn't been any sign of a policeman. No scruffy, down-at-heel detective with a chip on his shoulder, no thuggish Flying Squad heavies, and certainly no Wagner-loving aesthete who goes around quoting Elizabeth Barrett Browning.Instead, Top Boy exists exclusively in its own sealed environment of violence, fear and dog-eat-dog ambition, where being sucked into gangland drug-dealing is the only option that bears any resemblance to a career ladder. Let's face it, how many kids can hope to get Read more ...
Adam Sweeting
Many commentators have professed bafflement at the tangled layers of Hidden, as it probed into a sick and murky past while apparently dead characters came back to haunt the present. Right to the end, writer Ronan Bennett kept his cards carefully concealed, so we still don't know who was really behind the sinister "Helpdesk" and its slick dial-a-killer operating system. Or at least it was slick at killing everybody except protagonists Harry (Phil Glenister) and Gina (Thekla Reuten), who somehow managed to wriggle away from their pursuers on a record-breaking number of occasions.But Hidden Read more ...
Adam Sweeting
You'd think a lengthy shoot on the Caribbean island of Guadeloupe would be any actor's dream, but apparently Ben Miller found making Death in Paradise too hot and uncomfortable. That means he's perfectly cast as DI Richard Poole, a detective from the Metropolitan Police sent (as the drama would have it) to Saint-Marie, a fictional small island near Guadeloupe, to investigate the murder of a fellow British cop, Charlie Hulme.Poole can't stand the Caribbean either, because the light's too bright, the sand is too sandy, and he feels the heat especially acutely because his luggage hasn't arrived Read more ...
Adam Sweeting
At the end of the first series, we left our bedraggled band of survivors in Atlanta, their expectations dashed that they might be able to find some glimmer of hope at the Center for Disease Control. Instead, all they'd discovered was a lone, slightly deranged scientist who had failed to find a cure for the zombie plague. Then the generators ran out of fuel, fail-safe devices kicked in and the CDC blew up.Back to the drawing board. Sheriff Rick Grimes (an increasingly haggard and stubbly Andrew Lincoln) is now leading his tattered troupe towards the army outpost at Fort Benning, where there Read more ...
ash.smyth
Since he hit the ground limping, seven years back, diagnostic genius Gregory House, MD, has been shot, drugged, trapped under a collapsing building, exposed to deadly viruses (his own doing), prosecuted, fired, committed to a psychiatric unit, and generally killed off and resurrected in many and variously cunning ways. He has never (yet) been pushed over Niagara Falls (we don't have to go into the whole House/Holmes thing, right?), but when the last season culminated with House driving a suburban saloon through his boss's living-room window, it did seem like the show might Read more ...