TV drama
Adam Sweeting
This is how Steven Knight pictured Peaky Blinders when he first set about creating it. “I was very keen not to do a traditional British period drama, especially where it comes to depictions of working class people. Where the impulse is to say ‘it’s a shame, it’s a pity, isn’t it awful, wasn’t everything terrible for women’.“The Shelbys are a family that completely controlled their own destiny, and also coming from that background myself I wasn’t surrounded by people walking around saying ‘poor me, isn’t it terrible’. They were enjoying life and making the most of it, glamourising it, and that Read more ...
Adam Sweeting
In the final instalment of Dominic Savage’s trilogy of stand-alone dramas for Channel 4, Gemma Chan took the title role of a single woman in her mid-thirties, struggling with awkward choices about motherhood, relationships and settling down. Her mother, despairing of ever having grandchildren, was urging Hannah to “make a plan and stick to it.”That’s all very well, but how? Hannah experimented with online dating, but she felt like a fish out of water and it only confirmed her worst fears. One guy made it plain that he only wanted one thing, and he had no time for Hannah’s ditherings. “I don’t Read more ...
Adam Sweeting
Being a teenager used to be fun, allegedly, but for the young cast of HBO’s controversial new hit series Euphoria it looks more like a nightmare ride through a theme park of bad trips. Filmed in various Los Angeles locations, Euphoria (showing on Sky Atlantic) follows the interconnected stories of a group of teens battling with issues including drugs, sex, gender and family breakdown.Anyone expecting lightweight escapism should look away now. Euphoria pulls no punches in its depiction of drug abuse, and its graphic, brutal sex sequences (episode one even shows an erect penis) have already Read more ...
Adam Sweeting
It was a year ago that BBC One scored a smash hit with the first series of Keeping Faith, but as series two opens 18 months have passed since Faith Howells’s husband Evan (Bradley Freegard) disappeared and triggered a traumatic chain reaction of events. Apparently the patriarch of a close and loving family, with himself and Faith both working in the family law firm, Evan had become embroiled in all sorts of murky stuff (bribery, corruption, perverting the course of justice etc). Was this really the devoted husband and father that Faith had known?All will be revealed across these six new Read more ...
Adam Sweeting
It’s a topical idea, at least. Isaac Mensah, a child actor from a working-class family in London, has been cast in a Hollywood sci-fi blockbuster, and when he returns home his family and friends are agog to find out what his amazing movie experience was like. But the sky falls in when Isaac (Max Fincham) plays his parents a video he shot on his phone, containing evidence that he was abused by the film’s all-powerful producer, Jotham Starr, the boss of Yonder Starr Productions.Somehow though, the parts add up to less than a whole, with neither characters nor action feeling especially plausible Read more ...
Joseph Bullman
The Left Behind is a television drama marinated in real-world research. It tells the story of a young man unable to break free from his bullshit job, zero-hour existence, thrown out of his family home when the council decide that as a single man with no dependents he isn’t a housing priority. He is seduced by a far-right, anti-migrant explanation for his plight and eventually drawn into a sickening hate crime. But very unusually our film takes the perspective of the perpetrator of the hate crime. And this is why we felt we had to hear this side of the story.Last year we made Killed Read more ...
Owen Richards
It sometimes feels like an age between Stranger Things seasons. Blame Netflix. The binge-watching trend that it helped solidify means that most people consume all eight hours of content in a single weekend. It comes and goes in a flash. But don’t let that fool you into thinking it’s a disposable snack, the TV equivalent of those famous Eggo pancakes. Stranger Things 3 is blockbuster television, full of the laughs, jumps and exaggerated nostalgia that made it such a hit in 2016.After a mixed-bag second season, creators The Duffer Brothers have returned to their winning formula. Gone are the Read more ...
Jasper Rees
Not too long ago it would have been unthinkable for a BBC One Sunday-night period drama series to tell of one woman’s love for another. Whatever anyone thought of it – and not everyone bade it the hearty welcome it merited – Gentleman Jack has shifted the dial.Was it a coincidence that it completed its run the day after a reported one and a half million people in London turned out to celebrate the freedom to love whoever you choose? (And the day the mauve-maned Megan Rapinoe completed her apotheosis as a gay icon in the final of the Women's World Cup?) Anne Lister, so cussed and crotchety in Read more ...
Adam Sweeting
As Russell T Davies’s doomsday odyssey reached its endgame on BBC One, feisty grandma Muriel (played by indestructible Anne Reid) got to deliver the moral of the story. With the Lyons clan gathered round that now-familiar dining table, she spelt it out for them. “It’s all your fault,” she scolded, reminding them how they’d all twiddled their thumbs and done nothing while everyone was ripped off by the banks, let themselves be seduced by dirt-cheap globalised manufacturing, and let the evil Vivienne Rook become Prime Minister. “This is the world we built,” she jeered. “Congratulations!”This Read more ...
Adam Sweeting
In the Yorkshire town of Ackley Bridge, education is like war conducted by other means. As series three of the drama begins on Channel 4, we see that everything has changed at Ackley Bridge school since Valley Trust took it over. Most of the staff have been sacked, leaving head teacher Mandy Carter (Jo Joyner) stuck with a last-chance-saloon bunch of under-motivated replacements.With the exception of Deputy Head Mr Evershed, played by Downton’s Robert James-Collier suddenly looking a bit cool and groovy, the staff aren’t interested in engaging with the countless multicultural issues that come Read more ...
Adam Sweeting
Does every generation suffer its own form of doomsday paranoia? In Stephen Poliakoff’s BBC Two drama Summer of Rockets, it’s the late 1950s and everybody’s convinced they’re about to perish in a nuclear holocaust. In this penultimate episode of Russell T Davies’s Years and Years (BBC One), the near-ish future was being sucked into a hideous vortex of Biblical plagues (power blackouts and 80 days of rain), terrorist bombings and a global wave of fascistic governments.Davies is an ingenious weaver of narrative spells, and as the series peaks he’s escalating the shocks and terrifying revelations Read more ...
Jasper Rees
It helps to be of a certain vintage to appreciate the first impact of Tales of the City. Armistead Maupin’s column, begun in the San Francisco Chronicle in 1978 as a frank and joyous portrayal of gay culture, became a series of half a dozen cult novels. These started appearing in the UK from the mid-1980s. It was a British broadcaster, Channel 4, which began the project of adapting them as dramas in 1993, joined for the second series by Showtime who did the third on their own in 2001.The next three novels, which culminated in the departure from San Francisco of its female protagonist Mary Ann Read more ...