sitcom
Owen Richards
When first announced, Derry Girls seemed a strange prospect. Derry during The Troubles wasn’t an obvious choice for a sitcom; neither was writer Lisa McGee, whose only previous comedy outing London Irish was slammed for negative stereotyping. Not many would have predicted one of the funniest new shows of the year, but that’s what we got.In last night’s final episode, Erin seized control of the school’s magazine after the editor was struck down by illness. Abandoned by the team for her brazen opportunism (and basic lack of decency), she formed a ragtag editorship from the Read more ...
Jasper Rees
In 11 seasons of Frasier, John Mahoney played Marty Crane, a cussed blue-collar ex-cop who couldn’t quite understand how his loins came to produce two prissily cultured psychiatrists. His ally in straight-talking was his physiotherapist Daphne, whose fish-out-of-water flat-cap vowels were apparently the result of a gap in the scriptwriters’ field of knowledge. “When they wrote that Daphne is a working girl from Manchester," explained Mahoney, "they had no idea what that meant. The accent really threw them." It wasn't apparent from his Midwestern growl, but Mahoney was the one who was able to Read more ...
Barney Harsent
As Motherland settles down into its first series proper after last year’s pilot, it still seems to be going at a fair gallop. For those of you who haven’t seen it, the sitcom, written by Graham Linehan and Sharon Horgan along with Helen Linehan and Holly Walsh, deals in the pitfalls of parenthood and the primary politics of the school gates, combining smart one liners with slapstick, painfully embarrassing resolutions and a small smattering of farce.What it also manages to do – and quite brilliantly – is to come up with ideal situations on which to hang the comedy. Having already addressed Read more ...
Barney Harsent
Repetition can help clarity. It emphasises significance, and shines a light more directly onto something hidden. It can guide us gently into an area we might have otherwise circumvented, and urge us to stare at something for long enough to see beyond, and transcend previous, long-held opinions. It can also, of course, become very tired very fast and that was, sadly, the case with the third series of John Morton’s BBC mockumentary sitcom. It was, to be honest, struggling to find new things to say as early as series two.The joke, and there really has only ever been one, is the doublespeak and Read more ...
Jasper Rees
That the countryside is a dump where all good things come to a dead end is hardly a new punchline. There are plenty of novels and memoirs, and indeed newspaper columns, about trading the toxic metropolis for the green and unpleasant pastures of the rural life. The joke is it’s mainly horrible for a narrow spectrum of predictable reasons. It’s muddy, petrol costs a bomb, bored kids are forever after lifts, and as for the people…Now Jack Dee is in on the joke. Bad Move, which he has co-written with Pete Sinclair, finds Steve and his wife Nicky (Kerry Godliman), who seem to be Read more ...
Veronica Lee
It has been a long, long time since Dick Clement and Ian La Frenais wrote a new sitcom; in their heyday they created The Likely Lads and its sequel, Whatever Happened to the Likely Lads?, Porridge and Auf Wiedersehen, Pet, all of which have become classics of the genre. The duo went to live in Los Angeles some decades ago to work in both film and TV, but now return with a new sitcom, set in the fictional but contemporary court of King Henry IX.Henry IX follows in the writers' familiar territory of having their characters confined by circumstance. Likely Lads Bob and Terry were hemmed in by Read more ...
Jasper Rees
In the beginning it was about good catastrophes. A shotgun pregnancy after a hot hook-up. A dysfunctional transatlantic romance in which opposites attract. The boredom of looking after babies. The boredom of being a wage slave. Catastrophe was created out of an unlikely sitcom scenario that managed somehow to stay funny through two series on Channel 4.The third series, in which avid fans probably expected more of the same good thing, has struggled to land on a robust and coherent through-line. There have still been wonderful laughs. Sharon and Rob carried on amusing each other: she guffawed Read more ...
Veronica Lee
The main attraction of this new US sitcom for a UK audience is that two British actors - Stephen Fry and Susannah Fielding – appear in it. The basic premise is that Jack Gordon, a famed reporter, has led a thrilling outdoorsman life, writing about his adventures for the magazine Outdoor Limits. But then his editor, Roland (Fry), recalls him to the office in downtown Chicago and tells him the publication is going web-only, and that he will now be writing about the great outdoors from, well, the not-so-great indoors.Jack (Joel McHale, pictured below with Fry) is, in best sitcom fashion, a fish Read more ...
Jasper Rees
Divorce opened on Sarah Jessica Parker inspecting the work of time in the mirror. Goodbye Carrie, hello Frances, upstate New Yorker, mother of two and wife to a man who demands equal time in the bathroom. “I was forced to take a shit in this coffee can in the garage,” hollered Robert through the door before barging in to reveal an abysmal moustache.In Divorce, ubiquitous relationship analyst Sharon Horgan continues her long uninterrupted series of home runs. Like Pulling and Motherland and even Catastrophe, it announces its zone of interest in a one-word title. The difference is that this Read more ...
Jasper Rees
Carla Lane, who has died at the age of 87, was the first from Liverpool. Before Alan Bleasdale and Willy Russell, long before Jimmy McGovern, hers was the loudest Liverpudlian voice on television portraying ordinary working people's lives. From The Liver Birds to Bread, from Butterflies to Solo, her comedies covered the waterfront of womanhood: husband-hunters, divorcees, matriarchal grandmothers, unhappy wives, mistresses.Later in her life she became at least as famous for her animal sanctuary in Sussex, situated on the grounds of a vast manor. When I visited her there in 2000, we talked in Read more ...
Jasper Rees
Football seeps into every cranny of British culture, but it's hard to name a great comedy or drama about the game of two halves. The history of fictionalised football is mainly a catalogue of failure. The liveliest portraits of the game have come at it from the female perspective – The Manageress, or Footballers’ Wives, or Bend It Like Beckham – or at an oblique angle such as Ken Loach’s Looking for Eric, or from another source altogether in the case of David Peace’s novel The Damned United. Mostly they’re just crap.In this underpopulated sub-genre, Rovers jogs onto a boggy pitch with reduced Read more ...
Jasper Rees
The comedy of widowhood is the brave territory of Mum. Lesley Manville plays Cathy, whom we meet on the day she is burying her husband Dave – although not literally doing it herself, as has to be explained to the nice but dim new girlfriend of her stay-at-home son Jason (Sam Swainsbury). As the mourners gather at her Chingford semi, each fresh arrival proves more grotesque than the last, and poor Cathy’s face becomes a little more pinched as her heroic reserves of tolerance run almost dry.First there’s Kelly (Lisa McGrillis, pictured below) who arrives in a short red dress, needing to borrow Read more ...