psychedelia
Kieron Tyler
In 1966, David Warner assumed the title role in Karel Reisz’s satire Morgan – A Suitable Case for Treatment. The film’s Morgan Delt was a fantasist with a communist family background married to the posh Leonie, played by Vanessa Redgrave. When she seeks a divorce, he campaigns to win her back but ends up in an asylum where she reveals she is pregnant with his child. As a depiction of class clashes, thwarted aspirations and unmediated behaviour, it was a very Sixties confection.Phase Zero is the second album by a California native who has assumed the name Morgan Delt. Fittingly, it is shot- Read more ...
Barney Harsent
The weight of expectation can be a terrible thing to bear. When Since I Left You, The Avalanches’ patchwork party debut, was released in 2000, there was no sense of how long it had taken to make, just a collective intake of breath at the dense layers and intricate detail. Plundering anything and everything in their bid to create this delightful decoupage, it was the sheer scale of the band’s collective imagination that thrilled. How could any follow-up possibly compare?Listening to their long-awaited comeback Wildflower, which has been 16 years in the making, it sounds like they've not given Read more ...
Kieron Tyler
Pictured above is the label of an exceptionally important Pink Floyd record issued last November. Only a thousand people bought a copy. That was the amount that hit shops. Pink Floyd 1965: Their First Recordings was a double seven-inch set with a historic importance inversely proportionate to its availability. It was the first ever outing for the earliest recordings by the band and, as such, the earliest compositions for them by its prime songwriter Syd Barrett. He died on 7 July 2006 at age 60, and a look at this hard-to-find yet significant release is a tribute to his memory.The band is the Read more ...
Adam Sweeting
"Sunshine came softly through my window today..." How fortuitous that veteran Scottish tunestrel Donovan should have picked London's glorious first day of summer to stage his "Beat Cafe" event at the Palladium. The plan was to rove across his back catalogue to celebrate his 70th birthday (which actually falls on Tuesday) as well as his half-century in the music business.The cavernous Palladium space wasn't packed out, but the loquacious and ever-exuberant troubadour didn't seem to have noticed as he bustled about the stage like a small pixie with an outsized guitar. He clearly has a healthy Read more ...
Kieron Tyler
The figures are approximate, but the Yardbirds’ first studio album has been issued on CD at least 12 separate times. With The Move, their debut album and its follow-up Shazam have each had a comparatively paltry eight outings on CD. As for vinyl editions, setting aside the UK originals in mono and stereo and contemporaneous worldwide pressings, similar quantities of reissues of the three albums have hit shops from the mid-Seventies onwards. The Move have not been afforded au courant hipster vinyl editions, but a few versions of the Yardbirds’ set have been issued over the past six or so years Read more ...
Barney Harsent
Without wishing to repeat myself, small venues almost always work best. The intimacy they offer heightens emotion and increases impact while breaking down the barrier between artist and audience. There's a mathematical consideration, too – fewer people means fewer antisocial arseholes no matter which way you divide it. And so I find myself back in East Kent’s best venue, among some of Ramsgate's most upstanding, to see the swirling, melodic storm of Berlin/London duo The KVB. First though, there’s the surprisingly engaging prospect of support band M!R!M.Also a duo, M!R!M create a haunting Read more ...
Barney Harsent
So the Coral have hit their eighth studio album, Distance Inbetween. This is, I’m ashamed to say, news to me. It’s like realizing that a show you used to really like transferred to Sky Atlantic and you’ve failed to keep up and extend your subscription. The question then is how will it be, jumping in now, so far down the line? Particularly when their last offering – 2014’s release of "lost" album, The Curse of Love – comprised an extended flashback sequence that received a mixed response. This is, I’m assuming, the first time that the Coral will have found themselves compared to the ‘85-‘86 Read more ...
Russ Coffey
Kula Shaker first tasted success in 1996, with the monster hit K. While the album was a commercial success,  their Eastern-hippy image meant some of the guys - especially singer Crispin Mills - found it hard to be taken seriously. In 1999, Mills put the band on hold while he tried his hand at other projects. Some years later Kula Shaker was reformed. They have been slowly chugging along, millimetres under the radar, ever since. K2.0 aims to be a a straight return to the old, 'classic', formula: sitars communing with guitars whilst karmic words float over the top. The Read more ...
Kieron Tyler
The nature of Europe, its administration, institutions and its porousness are hot topics. Sectors of Britain’s media and political class hyperventilate over trumped-up concerns while real issues which are just about impossible to address remain unresolved. In this climate, the European Border Breakers Awards are ripe for misinterpretation. Instead of being for those devising the shrewdest ways to slip in and out of countries, they are an annual European Union-sponsored award presented to pop musicians achieving success beyond their own borders.There are rules in this contest, one which no one Read more ...
Kieron Tyler
Head straight for Disc 2, Track 4. A drum thumps while spring-loaded guitar feedback pulses. Suddenly, a wall of cascading guitar hurtles forth like an electric hare pursued by greyhounds. A distorted, amelodic guitar solo contrasts with the sweet melody carried by a female vocal. The energy level is extraordinary. The whole has a lightness of touch. Then, abruptly, it stops.This beautiful, wonderful performance is “Crystal Eyes”, a 1990 single by the Dutch band Nightblooms (pictured below left). My Bloody Valentine were clearly inspirational, but the track sounds as fresh as if it were Read more ...
Kieron Tyler
Though Soft Machine were the first band to suggest Canterbury could be musically noteworthy, the appearance of Caravan’s debut album in late 1968, Kevin Ayers' post-Soft Machine solo outing two years later, and the subsequent arrivals of Gong, Matching Mole, Hatfield & the North and the solo Robert Wyatt confirmed the city had a fertile scene. It was a fluid environment where musicians from one band played with others. The mutability was captured in one of the most entangled of Pete Frame’s celebrated Rock Family Trees.And at its top: The Wilde Flowers. The band formed in 1963 and Read more ...
Barney Harsent
Originally available on cassette only, Odd Nosdam's Trish has now become the producer and former member of hip-hop pioneers cLOUDDEAD's first release for the Sonic Cathedral label. With six tracks coming in at just under half an hour, it falls into the hinterland between EP and album – a kind of musical novella. This means that there are certain constraints at play here, yet the shortened format is, in reality, a strength. It allows for a particular continuity of style and a cohesive tone, which lends the songs a tangible story arc – something that feels entirely fitting for a work in Read more ...