obituary
sue.steward
I’m no folky but I fell for the songs of Kate and Anna McGarrigle the moment I first heard their album Dancer with Bruised Knees, and it’s remained a companion ever since. It never struck me that their songs and the eclectic backing music was "folk", as it was often categorised; the tag presumably arose from Kate’s accordion and banjo playing, their acoustic guitars and, of course, the French-Canadian chansons they sang at home as children - and thankfully introduced to the rest of us.But regardless of definitions, when Kate sat at the piano and Anna played guitar, or they swapped places and Read more ...
Peter Culshaw
The singer Lhasa de Sela passed away from breast cancer in her Montreal home on 1 January just before midnight, at the age of 37. Since this news emerged my email box has had numerous messages about this tragic loss, including from theartsdesk critic Robert Sandall who wrote about her “extraordinary talent, amazing life… a total original, a real artist”, and adds a note below this article. Howard Male said, “The Living Road is one of the truly great albums in any genre, in my opinion.” While never forming a conventional career, her three albums La Llorona, The Living Road and the self- Read more ...
william.ward
“Guarda, è come se fosse morta la regina Elisabetta, sai?” I didn’t really need the comparison with the hypothetical demise of our own beloved monarch to be spelled out for me by my partner, a somewhat reserved professor of Paediatric Neurology at one of Rome’s leading hospitals, in order to drive home the deep shock engendered by the sudden death of Italy’s best-loved veteran TV compère on the collective psyche of a nation.True to his quietly heroic and endlessly energetic persona, Mike Bongiorno did not die what our Anglo-Saxon warrior forebears used to call a “cow’s death” – ie in bed, or Read more ...
Ismene Brown
Antonio Gades, who died on 20 July 2004 in Madrid aged 67, was a giant of modern flamenco, a magnetic dancer and theatrical director who gained an international audience for flamenco while guarding its unique and complex character. His dance films and flamenco theatre productions, notably Blood Wedding and Carmen, trod the difficult line between modern innovations and ancient traditions, pleasing millions around the world while also being acclaimed by flamenco's purist cognoscenti. He himself despised many of flamenco's modernisers, particularly at the showbusiness and pop-culture end, Read more ...