Mozart
igor.toronyilalic
For all but two of its 30 years in business, Garsington Opera has had Mozart in each and every season. He's the nearest this company gets to a resident composer. While everything else at the seasonal operation is in flux, their Mozart is a constant. And as with any long-running relationship, there is a confidence in the coming together of the two of them that usually makes any new Mozart production at Garsington one of the Summer highlights. This year was no exception. We began the night, however, with a cliche. Like many a director before him, Daniel Slater chose to relocate the 18th- Read more ...
igor.toronyilalic
Lightness. Tenderness. Grace. These are not words you normally associate with Barenboim's pianism - not these days. But they were exactly the thoughts running through my head while listening to his performance of Mozart's C minor piano concerto last night at the Royal Festival Hall. Subtly marshalling his Staatskapelle Berlin from the keyboard, Barenboim was a wholly transformed figure from the ingratiating, lollipop-distributing showman I'd seen at the Tate Modern last year. It wasn't immediately certain that we weren't going to get Barenboim the splashy ringmaster again. The first Read more ...
Ismene Brown
Norman Lebrecht, the seasoned and ever-alert musical commentator, thinks he and his readers may have uncovered someone making a very good stab at being Mozart. Three pieces have been discovered on the internet DIY-video channel being played by a pianist whose face can't be seen, all purporting to be new or obscure works by Mozart, Haydn and Mendelssohn.In a time when lost items are turning up quite regularly now - Vivaldi, Mozart and Beethoven pieces have recently been found in far-flung files and libraries - Lebrecht decided to take the "Ask the Audience" option, by putting the Mozart piece Read more ...
ash.smyth
Attention! Required viewing: Jon Shenk’s Maldivian climate-change documentary, The Island President, starring one Mohamed “Anni” Nasheed in the title role.What might be called a natural sequel - or codicil, anyway - to Al Gore’s An Inconvenient Truth, The Island President tells the story of Nasheed’s long struggle against the dictatorship of Maumoon Abdul Gayoom, his imprisonment, his exile, and his eventual jubilant ascension to the presidency in 2008 - only to discover that his country was sinking into the sea.To lose one island may be considered a misfortune; to lose 2,000… So it’s the run Read more ...
graham.rickson
De Falla: Nights in the Gardens of Spain, The Three-Cornered Hat, Homenajes Jean-Efflaum Bavouzet (piano), Raquel Lojendio (soprano), BBC Philharmonic/Juanjo Mena (Chandos)Spanish conductor Juanjo Mena has recently succeeded Gianandra Noseda as the BBC Philharmonic’s principal conductor. You trust that the choice of repertoire on this release was driven by Mena himself, and this disc has loads to commend it – playing of real verve, and the more-than-decent acoustic of the BBC’s much-maligned Media City in Salford. The Three-Cornered Hat isn’t heard enough in its complete form; Mena’s Read more ...
igor.toronyilalic
To Charles Rosen it was a work of "rarely redeemed dullness". The wife of Emperor Leopold called it "German rubbish". It's pretty obvious why so many have objected to Mozart's final opera La clemenza di Tito. Tunes (memorable ones) are by and large lacking, which is odd for Mozart. The overture is not something you'd want to hear on its own. And the work's great solo arias are unwieldy in form (though fascinatingly so) and tricky to sing and separated by the vast wastes of a notorious recitative. Yet for me what the work lacks, it more than makes up for in dramatic clarity and economy, Read more ...
Jasper Rees
Classical music and sport: should they spend more time together? The idea was posited more than 20 years ago that football and opera made for ideal bedfellows, so long as the football was being played in Italy and the operatic aria was Nessun Dorma, sung by Pavarotti. Since then no major tournament or Olympiad passes by without the BBC making the effort to hoik improving classical sounds into the broadcasting mix.The idea that the emotionalism of sport finds its perfect expression in certain types of music will be put to the test on Friday when the BBC Philharmonic performs a series of tunes Read more ...
David Benedict
When blithe Susanna and not the expected Cherubino emerges from hiding before the astonished Countess and enraged Count, the latter instantly back-pedals on the fury he has been heaping upon his seemingly faithless wife. She rounds on him: “Crudele, più quella non sono!” (“Traitor, I am no longer her”) and everything suddenly stops. It's a tiny two-beat rest that usually goes for nothing except the signal for a key change, but here the moment is charged with drama. The Count shoots apologetic looks to cover his shame and the Countess painfully registers her lost trust. That vivid attention to Read more ...
alexandra.coghlan
Francesca Zambello’s production of Don Giovanni may only be 10 years old, but is already showing signs of decrepitude. Even back in its youth in 2002-3, this staging never had much of a spring in its step, but at least there were some fantastic casts to compensate. Bryn Terfel, Anna Netrebko, Simon Keenlyside and Erwin Schrott have all taken their turn here, but even with Gerald Finley returning in the title role there’s little the current incumbents can do to do rescue this aged and confused attempt at a seduction.Set outside what appears to be a particularly ugly municipal swimming pool Read more ...
Ismene Brown
Popular operatic love stories by Puccini, Wagner and Mozart dominate the regional scene in 2012, but key talents like producer Tim Albery in Leeds, Lothar Koenigs in Cardiff and David McVicar in Glasgow all promise significant stage experiences. Opera NorthHandel’s Giulio Cesare (NEW PRODUCTION), Leeds Grand Theatre 14 Jan-16 Feb 2012; Nottingham Theatre Royal 23 Feb; Salford Quays The Lowry 1 Mar; Newcastle Theatre Royal 9 Mar; Dublin Grand Canal Theatre 14 Mar. The epic love affair between Julius Caesar and Cleopatra, dazzlingly composed for two outstanding female singers. Pamela Helen Read more ...
stephen.walsh
Living and working 150 miles from London, one either clutches at local straws or gets on a train. I’ve done both in 2011, as usual, but in a way the local is more stimulating, not because it’s better (ha!) but because there’s so much less of it. For instance, I got much more of a kick from Siegfried at Longborough in Gloucestershire than from anything at Bayreuth, where everything is in the directors’ favour and they dispense huge sums year in year out on bizarre allegorisations of Wagner’s dramas.Besides being a brilliant piece of music theatre, Weinberg’s Passenger at ENO was superbly Read more ...