Mexico
Jenny Gilbert
She does indeed persist, that remarkable Tamara Rojo. Dismayed by the fact that, in 20 years as a dancer, she had never performed a ballet made by a woman, she mounted a triple bill called She Said, featuring only work by and about women. That 2016 conversation is resumed in English National Ballet’s current spring showing at Sadler’s Wells which revives the best of those commissions – Broken Wings, a phantasmagorical tour through the life of the artist Frida Kahlo – along with a sell-out hit from two years ago, the Pina Bausch version of The Rite of Spring. There’s a new work too, a dance Read more ...
Katherine Waters
We've all been there. The disappointing fling. The gently shattered illusions. The abortive holiday eliding languor and boredom. Teenage ennui. Revels peopled by runaways. Talking animals. Talking animals? Well, fine. Not quite.Sea Monsters is Chloe Aridjis’s third novel. It is the story of seventeen year old Luisa’s escape to the Oaxaca coast. She’s a clever girl with foreign university on the horizon and a vague sense that there’s more to life than the cycle of exams and gay goth nightclubs that characterise her existence in Mexico City.With the object of her romantic affections — Read more ...
Katherine Waters
When in 2004 Frida Kahlo’s bedroom – sealed on the command of her husband Diego Rivera for 50 years from her death – was opened, a trove of clothes and personal items was discovered. They shed new light on the life of this iconic Mexican painter and female artist, who, born in 1907 to a German father and Indian-Spanish mother, lived through the Mexican Revolution, the emergence of Communism and the accession of America to the position of world power. In the V&A’s exhibition, these personal effects act as a prism through which to understand how she placed herself within this Read more ...
Adam Sweeting
The issue of immigrants being smuggled across the Mexican border into the USA is currently live and inflammatory, and this second instalment of the feds-versus-drugs cartels saga hurls us right into the centre of it. This explosive thriller is frequently shocking in its explicit violence, and its cynical view of power, crime and politics verges on the nihilistic, but it’s difficult to get its brutal imagery out of your mind.The original Sicario from 2015 had Emily Blunt on board as FBI agent Kate Macer, who provided a kind of startled audience’s-eye-view of the hardcore tactics of drug Read more ...
Marina Vaizey
“Oh say, can you see, by the dawn’s early light” was a vision of the American flag, that star-spangled banner, riding proud from Francis Scott Key’s patriotic poem of 1814 based on an episode in the War of 1812. His sentiments were decades later rather improbably set to the tune of a popular drinking song from a London gentlemen’s club, metamorphosing into the official American national anthem by Act of Congress in 1931 – you couldn’t make it up.That was just one of the unexpected facts in Waldemar Januszczak’s three-part foray into the special nature, as he sees it, of American art: as in Read more ...
graham.rickson
The brightness and colour are deceptive; at its heart, Lee Unkrich and Adrian Molina’s Coco is an affecting reflection on death, remembrance and the redemptive power of music, dressed up as a frenetic and gag-stuffed Disney comedy. I’d place it above recent hits such as Frozen and Moana; here, the music is integral to the film’s plot, and the closing scenes have an emotional impact comparable with the montage which opens Pixar’s Up. Have a box of tissues on hand, in other words, especially if you’ve had to deal with memory loss in an elderly relative.Set during the Mexican Día de los Muertos Read more ...
mark.kidel
How many albums today feature a sorceress on the harp, an instrument more often played by winged angels? "La Bruja de Texcoco", a practising witch and healer, is one of several Mexican musicians who join Sonido Gallo Negro in their latest and very danceable exploration of Afro-American rhythms.Packaged with a handsome sleeve covered in esoteric hieroglyphics from Dr Alderete, this is music that offers healing energies to the listener. Drawing from the rich mix of traditional Indian and African influences that bathe the Caribbean, with lilting beats and a good deal of soul, the group continue Read more ...
Katherine Waters
The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine — concentrated salt water five times denser than seawater — it is succumbing to toxic shock. As biomatter on the sea floor of the Gulf of Mexico decomposes, brine and methane are produced, and where these saline pockets collect, nothing grows. Dead creatures drop into it; live creatures that linger in it die. In this lifeless zone their bodies float preserved, a rich and dangerous larder for scavengers such as the giant mussels fringing its edges and Read more ...
Adam Sweeting
An American TV show about drugs and drug dealers? How frightfully novel. At least The Deuce (showing now on Sky Atlantic) is about pornography instead.Anyhow Snowfall has been created by John Singleton, of Boyz n the Hood fame, and whisks us back to Los Angeles in 1983, where a crack cocaine epidemic is about to erupt and unleash all kinds of lawless, gang-warfare hell. For the time being though, South Central LA is presented as a prelapsarian demi-paradise, a friendly, sunlit neighbourhood where the only thing folks shoot is the breeze, under brilliant blue skies. The most memorable shot in Read more ...
Thomas H. Green
The name Mexrrissey may be unfamiliar, but the concept of a Mexican band playing mariachi-style versions of songs by Morrissey and The Smiths has brought out a decent-sized audience on a freezing January night. Their set is uneven and musically sloppy upon occasion, but at its peak, delivers an irresistible joyfulness, a curious development, given the source material’s notorious moping.For instance, Mexrrissey’s euphoric ska-tinted take on The Smiths’ 1986 single “Bigmouth Strikes Again”, boosted by the swooping fiesta trumpet of Alex Escobar, is wonderful. Jay De La Cuerva, who looks like Read more ...
David Nice
Second and third times lucky: after the migraine-inducing multimedia overload of Peter Sellars's premiere production of El Niño, first seen in London in 2003 and subsequently excoriated in eloquent prose by the composer himself, John Adams's layered masterpiece has had two further performances here proving that the drama is all in the music. Vladimir Jurowski's 2013 Festival Hall interpretation literally had the edge, in its razor-sharp focus, on last night. But it's always good to see the composer as conductor make light of his rhythmic complexity as he nears his 70th birthday, and we also Read more ...
Matt Wolf
Forty-one years since Jaws chomped its way into celluloid history comes a new addition to the shark film genre with The Shallows, in which Gossip Girl star Blake Lively plays a Texan surfer who goes mano a mano with a hungry fish. How much more does one really need to know? Not a whole lot beyond the inevitable truism that trouble starts brewing from the very moment our plucky heroine tells some new-found friends that she's "gonna be all right". At which point, cue the gradual isolation of the grieving Nancy, who has recently lost her mum, once an innocent swim in a remote corner of Read more ...