mental health
Joseph Walsh
Zeina Durra’s sophomore feature arrives on our screens a decade on from her debut, The Imperialists Are Still Alive! It was worth the wait. Luxor is a subtle, low-key drama that possesses an atmosphere of meditative calm, exploring a life that has seen too much pain and is desperate to find a way to heal. “Do you ever worry about opening up places that have been laid to rest?” asks Hana (Andrea Riseborough) to her one-time lover and archaeologist, Sultan (Karim Saleh). It goes without saying that it’s a loaded question. Until recently, Hana has been working as a doctor on the Jordanian- Read more ...
Graham Fuller
The bleak power of the Australian horror movie Relic, Natalie Erika James’s feature debut, derives from its masterful use of a simple metaphor. The creepy house wherein Kay (Emily Mortimer) and her daughter Sam (Bella Heathcote) first seek and are then stalked by Kay’s enraged elderly mother Edna (Robyn Nevin) is an externalization of Edna’s waning cognitive skills. Many haunted houses in movies can be considered the manifestations of damaged psyches; few have literalized so terrifyingly the division between mental acuity and the void many people fall into before they die.Having learned Read more ...
Joseph Walsh
Unsurprisingly, there’s a lot of pleasure to be had watching Stanley Tucci and Colin Firth as a mature couple pootling around the UK in their humble camper van. They bicker about the satnav voice, argue the merits of the shipping forecast, and both give such convincing performances that you’d think they’d been together for decades. While this might all sound as comfy as an old sweater, director/writer Harry Macqueen’s (Hinterland) sophomore feature is anything but, being a tender, heartfelt drama concerning love and loss, and tackling the tough subject of dementia. Tucci is Tusker, a Read more ...
joe.muggs
Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the well-meaning to outright grifters.All too rarely does any of this speak to people’s lived experience of mental suffering, and that goes double in the music world, where perpetual insecurity has increased exponentially with the collapse of the live performance industry and the future looks particularly bleak right now. One new book, however, is Read more ...
Demetrios Matheou
It only takes a few seconds of Saint Maud – dripping blood, a dead body contorted on a gurney, a young woman’s deranged face staring at an insect on the ceiling, an industrial clamour more likely to score the gates of hell than the pearly ones – to make us realise that the film’s title is a tad ironic. That irony will become even sharper, and mordantly witty, when we find that for the eponymous hospital nurse turned private carer (references no doubt fudged for the private sector), sainthood would be most welcome. “What’s the plan?” she asks of God, with whom she Read more ...
Owen Richards
Barring a few outliers, British indies tend to follow the same formula: serious subjects told seriously. Whether it’s a council estate, a rural farm, or a seaside town, you can always rely on that trademark tension and realism we Brits do so well. What a shock to the system Eternal Beauty is then, filled with more imagination than almost anything else out this year.Sally Hawkins stars as Jane, a woman struggling to keep a grasp of her mental health. Her issues are compounded by her sociopathic mother (Penelope Wilton), narcissistic sister (Billie Piper), and a fiancée that dumped her at the Read more ...
Matt Wolf
"Getting dark," or so comments Irene Ruddock (a pitch-perfect Imelda Staunton) in passing midway through A Lady of Letters, and, boy, ain't that the truth? Both this monologue, and the one that precedes it (Playing Sandwiches, featuring the mighty Lucian Msamati), find Alan Bennett in fearlessly penetrating, ever-darkening mode. The Bridge Theatre's invaluable series of Talking Heads double bills enters its final phase of openings this week (the closing pair with Tamsin Greig and Maxine Peake has its press night this evening), and no praise is too high for the astonishing array of actors Read more ...
Daniel Baksi
Roughly two years since “the posh mums are boxing in the square” scooped first place in the 2018 National Poetry Competition, Wayne Holloway-Smith returns with Love Minus Love, his second full-length collection. The follow-up to Alarum (2017) includes that competition winner, which describes the magical revival of a cancer-stricken mother, sent into the boxing ring against the very tumour that threatens her life. Now, it is but one of many standout poems in this highly personal exploration of anxiety, broken families, and masculine fraility.If the voice of “the posh mums” performed its Read more ...
Adam Sweeting
Apart from her acting abilities, the qualities which made Sheridan Smith a star were her authenticity and lack of pretension. Both shone brightly from ITV's affecting documentary, in which Smith assessed how her success affected her mental health and how she desperately wants the arrival of her new baby to open a fresh chapter in her life.Perhaps director Tanya Stephan took it for granted that the audience would already know about her longer-than-your-arm list of stage and screen credits (comedy, TV drama, stage musicals and even a bit of Ibsen and Shakespeare), because hardly any of it was Read more ...
Adam Sweeting
Allergic to that word “influencer”? Afraid that social media is the death of civilisation as we’ve known it? Then this movie may be for you.Despite its overt absurdity and compulsive over-the-topness, director Eugene Wobble Palace Kotlyarenko has delivered a cortex-frazzling alarm about the hazards of living a life wholly defined by touchscreens, emojis, tweets, selfies and narcissistic self-obsession. Goofy, floppy-haired Kurt Kunkle (Stranger Things’ Joe Keery) drives a cab for the Uber-like service Spree, and meanwhile has been failing miserably to build himself an online following as @ Read more ...
Sarah Collins
TW: This article discusses suicide, suicidal ideation, antidepressants and self-harm We first meet Nora Seed, “nineteen years before she decides to die”, as she plays chess in the school library with Mrs Elm, the matter-of-fact school librarian. Nora, who is treated ‘like a mistake in need of correction by her mother”, seeks comfort and kindness from Ms Elm, after finding out her father has died. Nineteen years later, after a series of painful events, including the loss of her job and the death of her cat, Nora feels that the world would simply be better off without her. She ruminates on Read more ...
Adam Sweeting
We knew that Michael Sheen was a skilful and versatile actor, but lately he’s been getting dangerously good. Last year he roared into the third season of The Good Fight as the outrageous drug-fuelled lawyer Roland Blum, like an explosive fusion of his fellow-Welshmen Richard Burton and Anthony Hopkins. Now, after wickedly impersonating Chris Tarrant in ITV’s Quiz and indulging in some comical actor-baiting in the BBC’s Staged, he arrives in Sky 1’s new US import Prodigal Son as the brilliant Dr Martin Whitly.But behind his suave and charming exterior, Dr Whitly is a profoundly deranged serial Read more ...