mental health
Gary Naylor
You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s Miss Julie. There’s a plain wooden table, a few utensils on it, wooden chairs and a small cabinet – not much, but, we’re smack inside this 19th century country house kitchen, uncomfortably close to discomfiting passions. It may be the longest day outside, but we're in a dark, claustrophobic space in more senses than one.The cook, Christine, hair tied back ferociously, is cooking up poison to effect an abortion for the house dog, but there are sounds of revelry in the Read more ...
Gary Naylor
We open on one of those grim, grim training rooms that all offices have – the apologetic sofa, the single electric kettle, the instant coffee. The lighting is too harsh, the chairs too hard, the atmosphere already post-lunch on Wednesday and it’s only 10am on Monday. We’ve all been there – designer, Rosie Elnile certainly has. Where we haven’t been is a war zone which is where our keen, but wary trio, marshalled by a slightly on-edge facilitator are heading. It’s a Médecins Sans Frontières type NGO doing good work within a White Saviour framework, somewhere in the Arabic- Read more ...
Gary Naylor
Lockdown feels more like a dream now: empty streets; bright, scarless skies; pan-banging at 8pm. Did it all happen? One part of our brains insists that it did; another resists such an overthrowing of what it means to be human. Try recalling events of 2019, 2020 and 2021, and you’ll find them hazy, ill-defined and you reach for a phrase I say more often than I ought, “I don’t know whether it was before or after the pandemic…”Spencer Jones didn’t find it easy and upped sticks for The Sticks, moving home and family to Devon for those oft-cited reasons - nearer to Mum, better for the kids and a Read more ...
Veronica Lee
Pierre Novellie opens his show by telling how his latest show, Why Are You Laughing?, came into being. It started, he says, when he was heckled at a previous show by someone shouting out: “I have Asperger's and I think you have it too.” It's an arresting start but Novellie doesn't mention it again until the final section of the show.Instead he offers us diversions by way of biography, starting with his name and upbringing, which covers a few countries across two continents, from South Africa to the Isle of Man via France and Italy. Novellie then describes some of the worst gigs he has played Read more ...
Gary Naylor
You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you out, replace your soul with a void. It happened to me at Auschwitz and it’s happening to Samuel at Cape Coast Castle, Ghana.Not at first. We meet him as our host, full of bonhomie, not just reading his script, but revelling in communicating his love of history to the tourists who come to the last staging post for slaves before the dreadful Middle Passage to the Americas. Disillusion sets in. Some visitors are ticking off a bucket list, others Read more ...
Kathryn Reilly
Indie national treasure Nadine Shah is back, which is excellent news. Not least because it might not have happened. She lands, this time, with extra baggage – divorce, rehab, death and near-death flavour this, her fifth album. It’s not an easy listen but it’s certainly a visceral and moving one.In the three years since the release of Kitchen Sink, a lot has changed in the music scene, particularly around women (see Self Esteem). Does she still have a place? Abso-bloody-lutely. Beguiling opener “Even Light” demonstrates her new higher register and the way she’s stretching her magnificent Read more ...
Gary Naylor
Detective Chief Inspector Othello leads a quasi-paramilitary team of Metropolitan Police officers investigating gang activity in Docklands. With a chequered past now behind him, he has reformed and has the respect of both the team he leads and his superior officers. But his secret marriage to Commander Brabantio’s daughter, Desdemona, unleashes a stream of racist invective from her father, triggering memories of abuse that are never far from the surface. Meanwhile his Detective Sergeant, Iago, lurks in the shadows, plotting revenge for his slight in being overlooked for promotion. Ola Ince’s Read more ...
Gary Naylor
It is no surprise that the phrase “Witch Hunt” is Donald Trump’s favoured term to describe his legal travails. Leaving aside its connotations of a malevolent state going after an innocent victim whilst in the throes of a self-serving moral panic, it plays into a founding psychodrama of the USA - the Salem Witch Trials of 1692. Arthur Miller’s play based on those events, The Crucible, is now embedded in the high school curriculum keeping the flame alive, so it makes sense for Talene Monahon to write a prequel from a feminist perspective and, after a run in New York, it has reached the Read more ...
Thomas H. Green
Some years there’s no obvious Album of the Year. 2023 is not such a year. Any one of five albums could have been my choice. I chose Kesha from that esteemed selection because her fifth album bombed commercially, and I want to BIG IT RIGHT UP.The album I’ve listened to most all year is Iggy Pop’s Every Loser. Partly this is because it came out in January, so I really did listen to it all year. But mostly it’s because, after years of often interesting albums which I cherry-picked, the great proto-punk survivor came up with a whole set that worked, a straightforward rock album, with hooks that Read more ...
Gary Naylor
We’re in Moscow (we hear that quite a lot) where an ageing woman on a rare trip out of her apartment block catches sight of an advert in a bank’s window. She is soon inside and subjected to a sales pitch by a keen young bank "manager", torn between his understanding of her dementia and the career-boost the loan will bring. Five months later, she’s in her little flat with a debt collector, a man even more ruthless in pursuit of his objectives – and events take an unexpected turn.Theatre503 continues to find highly promising playwrights through its International Playwriting Award scheme, Read more ...
Saskia Baron
On the Adamant is an endearing documentary by the French director Nicolas Philibert, best known here for his 2003 film, Être et Avoir, a portrait of a single-room school in the Auvergne.This time around, Philbert has placed his camera on the Adamant, a purpose-built barge permanently moored on the Seine in Paris. It’s a drop in centre for city dwellers battling with mental illness – a place where sessions of art therapy, communal cooking and mediated group discussions help troubled people from falling further into despair. Philbert’s style is to eschew Read more ...
Gary Naylor
The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on Artificial Intelligence, but the advertising break intervened, so I switched to Times Radio. Sure enough, at 12.11pm in a report on an apology issued by the Cabinet Office to journalist, Julia Hartley-Brewer, Big Brother Watch was mentioned as the organisation that animated the complaint. It was not felt necessary to explain much about its purpose Read more ...