Manchester
Marianka Swain
The advantage of basing drama on real events, particularly emotive ones like the 2005 London bombings, is that they have inbuilt resonance; the disadvantage, all too apparent in 2013 play Warde Street, is that it can be challenging to articulate a revelatory view. Familiarity with the arguments and sentiments expressed in this 80-minute piece vastly lessens its impact, and a burst of late tension (chiefly earned via the shortcut of a firearm) is further diminished by dubious use of reverse chronology. It’s a short play with grand ambition, sadly unfulfilled.Writer Damien Tracey focuses not on Read more ...
Russ Coffey
According to Johnny Marr people with gigantic egos are generally miserable. Jokes about Morrissey aside, it follows Marr must be a pretty contented guy. For what other guitarist with his reputation would have put vanity aside to spend 20-odd years as a gun for hire? Now, however, it seems the affable muso finally wants to be a solo artist. Last year he released the interesting, if patchy, The Messenger. Now he’s back with Playland. So what’s it like?In interview, Marr says it sounds just like “where he’s from”, and it’s true that some of the album feels like rain on gray Read more ...
Matthew Wright
A mental blur of airports, stations and dangly cardboard air freshener, minicab-driving has always seemed vulnerable to cliché. The problem facing Vince McKee, David Morrissey‘s driver protagonist in BBC One’s new three-parter, is that the rest of his life is even more dull. His job as a cabbie, involving copious urine, vomit, and a stiletto heel to the neck before he gets tangled up in a criminal gang, is action-packed by contrast. The problem facing the viewer is that despite a decent performance from Morrissey himself and some low comedy from the villains, the mechanics of plot and Read more ...
Thomas H. Green
There was a time, around 25 years ago, when Inspiral Carpets’ psyche-eyed cow logo, accompanied by the motto “Cool as Fuck”, was ubiquitous on tee-shirts. Along with the Charlatans, they represented the second tier of the “Madchester” movement, trailing behind Happy Mondays and The Stone Roses. Unlike the preposterously revered Roses, however, Inspiral Carpets’ music has drifted out of the radio-played heritage rock canon.This is a shame. Inspiral Carpets touted a rather different sound from Manchester’s slew of “baggy” also-rans. Not for them a pastiche of Clyde Stubblefield’s “Funky Drummer Read more ...
philip radcliffe
Having been put to the fiddle at the age of five, Nicola Benedetti appreciates the value of making music at an early age. She is fiercely committed to music education and developing new talent. So it was a joy to see her playing enthusiastically with 30 primary school children as a pre-concert curtain raiser to the start of Manchester Camerata’s new season.It was all part of the laudable “In Harmony” project, which aims “to use music as a tool to increase aspirations, enthuse, unite and inspire the community”. It was started in two less-than-privileged schools, Old Park Primary, Telford, and Read more ...
philip radcliffe
Instead of that small well-worn stone balcony in that courtyard in Verona, picture an extended well-worn cast-iron balcony in the Victoria Baths in Manchester. The young lovers have ample room to move in the labyrinthine interior of the old building, with its three disused tiled swimming pools and ecclesiastical stained glass windows. Romeo is the length of a cricket pitch away as he addresses Juliet on the balcony and, for some reason, is moved to do a take on “Love Me Do”.The old changing cubicles are still there, crumbling away, but providing hidey-holes for the warring gangs of Montagues Read more ...
Veronica Lee
One of the oddities about theatre is that there can be a gripping performance at the heart of an underwhelming production – and so is the case with Maxine Peake’s Hamlet, directed by Sarah Frankcom. This was a much anticipated production – Peake going home, as it were. She started acting at the Royal Exchange Youth Group and is now an associate artist at the theatre, and has recently been seen giving a towering performance in The Village on BBC One. Frankcom’s production, meanwhile, is described in the press release as a “radical reimagining” of the play.Peake’s interpretation has much to Read more ...
Mark Sheerin
When Ryan Gander’s wife wanted a designer lamp, the versatile artist knocked one up from junk. She was so impressed he sold it as an artwork and by now has made 55 in his garden shed. Three are here in Manchester, made from foil food trays, a guitar stand and concrete. These pieces are quite unrepresentative of the rest of this highly conceptual show, but in a diverse, major survey there appears to be no truly representative way in.What most visitors first come across, in the 19th-century foyer of Manchester Art Gallery, is a short bronze ballerina. Degas, you might think, rather than Read more ...
Kieron Tyler
Oasis: Definitely Maybe“His onstage presence is supernatural, a good looking boy exuding primal sexual allure while standing stock still, hands behind his back, all effort going into his big chested, raw throated pure and essential singing.” The beyond-hyperbolic liner notes to Deluxe Box Set edition of the 20th-anniversy reissue of Definitely Maybe, the first Oasis album, read like a parody. Liam Gallagher may be many things. But supernatural?Elsewhere, they gush that “the holy grail of British pop music is surely a bunch of longhaired boys with guitars playing swaggering, melodic rock Read more ...
Adam Sweeting
There's a bit of Gene Hunt revisited in Peter Bowker's new three-part drama. Philip Glenister returns to the Manchester stomping grounds he patrolled in Life on Mars, and he even drives an Audi (though it isn't Hunt's celebrated Quattro). But this time he's not a cop.It's 15 June 1996, the Euro 96 football championships are just swinging into action, and the Stone Roses and New Order are on the soundtrack. Glenister plays successful businessman Daniel Cotton, doing his best to patch up a poisonous family rift between his father Samuel (Bernard Hill, pictured below) and wayward, wastrel Read more ...
philip radcliffe
By picking his way through Homer’s Iliad and Odyssey, and Virgil’s Aeneid - written 600 years later - Simon Armitage has it all, including the horse and Helen, each of whom in their way enable the hordes to breach Troy’s gates. What with that and the mingling of mortals and gods, not to mention the 100,000 troops that Agamemnon leads across the Aegean to rescue Helen, there’s a lot to attempt to pack into this theatre’s intimate space in three hours. Rather too much as it turns out.In order to accommodate the action, director Nick Bagnall has moved slightly away from the usual in-the-round Read more ...
Adam Sweeting
"Policeman wrongly accused of murder" is possibly not history's most original story idea, but in Prey, writer (and TV debutant) Chris Lunt has turned it into a platform for a skilfully-controlled thriller that keeps your brow sweaty and your breath coming in short panicky gasps. It's greatly assisted by having John Simm playing the lead role of Manchester-based DS Marcus Farrow, since there's nobody better when you want a bit of earthy-but-sincere, with added soulfulness.Though we first met Farrow in the aftermath of a road accident, when he was trapped in the back of an upside-down police Read more ...