jazz
peter.quinn
Take the sounds of New Orleans brass, Prince-style funk, hip-hop beats and power chord axe-riffing. Stir them all together, add in an assortment of high-profile guests, and you produce the genre-defying greatness that is For True.At an age when most kids are developing a taste for solid food, Troy “Trombone Shorty” Andrews was lugging his horn around the Tremé district of New Orleans, where he was born and raised. This follow-up to last year's Grammy-nominated Backatown from the horn player and his wonderfully monikered Orleans Avenue band – Michael “Bass” Ballard (on, er, bass), Pete “Freaky Read more ...
Kieron Tyler
Harmonies, psychedelia and soul were meant to go together. Chicago’s’ Rotary Connection realised this and pumped out what were later recognised as classics like "Memory Band" and "I am The Black Gold of The Sun". On their debut album, Brooklyn’s The Stepkids step up, taking the sound apart and restitching it patchwork-quilt style. They are, to their inspirations, what Sharon Jones and the Dap Kings are to their funk and soul roots.The Stepkids coalesced in 2009 after singer/guitarist Jeff Gitelman and drummer Tim Walsh began building a studio in Bridgeport, Connecticut. They’re completed by Read more ...
bruce.dessau
This was always going to garner heaps of publicity. Tony Bennett is not just a legend, but a legend who has outlived his rivals. With Sinatra long gone Bennett, 85, is the capo di tutti capi of living crooners. It will also attract attention because it is the sequel to his excellent 2006 team effort, Duets: American Classics. Most of all, Duets II, featuring new versions of old Bennett hits, will notch up column feet because it features the final official recording of Amy Winehouse, who accompanied Anthony Dominick Benedetto on “Body and Soul” at Abbey Road in March.With 17 tracks there Read more ...
philip radcliffe
This is not exactly Edward II the musical. There’s no singing, but music plays a leading role. It is the food of love of the sort that dared not speak its name – and there is excess of it for my taste. The idiom is jazz of the edgy sort fashionable in Paris in the 1950s, reflecting pretty boy Piers Gaveston’s exile there, where he has been banished by Edward I for getting too close to his wayward son.Director Toby Frow chooses to move Marlowe’s play nearly 650 years on to the 1950s, notable amongst other things for the newsworthiness of homosexual causes célèbres, as the timeline diagram in Read more ...
peter.quinn
While the physical and mechanical elements of its production are common to all, the sound of a person's voice is as individual as a fingerprint. Launching her Brazilian-themed solo album Lágrimas de um pássaro (Tears of a Bird) in the intimate surroundings of Soho's Pizza Express Jazz Club, Heidi Vogel's extraordinarily rich and complex vocal timbre proved capable of completely seducing the senses.You sensed from the very opening bars of Tom Jobim's “Modinha” that the material, musicians and audience were in perfect harmony. A singer who is as naturally sympathetic to the Brazilian idiom as Read more ...
peter.quinn
Rooted in the New Orleans brass band tradition, but updating it for the 21st century with elements of funk, R&B, hip hop, reggae and half-sung, half-rapped lyrics, this disc will blow clean out of the water any preconceptions you might have of what a brass band sounds like.Through a combination of utterly seductive grooves, powerful soloing and über-catchy melodies, the eight-piece Soul Rebels Brass Band possess an unbridled energy that enables Unlock Your Mind to achieve dramatic lift-off from the get-go. Featured in the Season One finale of the acclaimed HBO TV series Treme, the band's Read more ...
Peter Culshaw
It’s the new(ish) big jazz venue, and it’s in, of all places, the wilds of Canary Wharf. It's curious, and encouraging, that anyone has the nerve to open a large new jazz venue anywhere, and in the midst of economic gloom, but they have. The venue for music is the size of Ronnie Scott’s but it is more than a mere music venue – it’s a good-quality restaurant with a cigar bar, a terrace (handy for smokers) and a huge whisky bar - an “amber wall of liquid gold” as they charmingly put it, from £5 to £2,500 for a Macallan 1937 double shot.The vibe is determinedly masculinist – stuffed deer heads Read more ...
theartsdesk
It’s competition time again. Last month we featured ELF’s Reflections, a new release on Nimbus showcasing the unusual and possibly even unique combination of horn, piano and flute. We have a number of copies of the CD to give away. All you need to do is answer the questions correctly and your name will go into the hat.Reflections was reviewed by Graham Rickson as part of his regular Classical CDs Weekly column, but it is stretching it to describe the music as classical. In their interview with Jasper Rees the component members of ELF – pianist Geoff Eales, horn player Dave Lee and flautist Read more ...
Kieron Tyler
In a black dress, Caro Emerald is playing her UK debut. Behind her, an eight-piece band is squeezed onto the Jazz Café’s small stage. Snappy and pin sharp, they’re in black suits, white shirts and black ties. Except the guitarist, who’s jacket-free. Three brass players are ranged behind music stands. Nothing is overstated. Emerald races through her jazz-grounded pop, the rumba-ish “A Night Like This” ending a set that filters filmic swing through a current pop sensibility.By this time last year - to the week - Caro Emerald’s Deleted Scenes From the Cutting Room Floor had been at the top of Read more ...
theartsdesk
If the cards had fallen differently Luke Haines might have been as big as Blur. As frontman of The Auteurs he was briefly tipped for Britpop greatness, so it is no surprise that he likes the idea of alternative histories. This special show, The North Sea Scrolls, was all about them, as Haines, former Microdisney linchpin Cathal Coughlan, writer Andrew Mueller and cellist Audrey Riley mixed spoken word with punchy lo-fi melodies.According to this bizarro version of the past, narrated by Mueller while Coughlan and Haines shared vocals, record producer Joe Meek was once minister of culture, Read more ...
Kieron Tyler
It opens quietly, with swelling strings that evoke Mendelssohn's Fingal's Cave. After they give way to a jazzy percussion and wordless vocal interplay, Carlyle declares, “I used to sleep/ Too many secrets to keep”. Floreat itself was almost a secret, almost not released. Thankfully, this dream of an album is now coming out. Seamlessly roaming across jazz, Cajun music, English classicism, show-tune styles and electronica, Floreat is one of this year’s benchmark releases.Floreat was originally meant to be issued in 2008 by EMI under the title Nuzzle. It was shelved and it's taken until now for Read more ...
Jasper Rees
Some things just don’t seem to belong in a pairing. The flute and the French horn both have their distinct sonic personality. It wouldn’t be going out on a limb to suggest that the average listener tends to lean towards one or the other. Even Mozart wrote for the horn out of love but trotted out his flute compositions for money. But opposites can and do attract and so it once more proves in a new recording featuring the horn and the flute and, discreetly chaperoning the pair of them, the piano.The musicians responsible for this newly formed ensemble are horn player Dave Lee, flautist Andy Read more ...