There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing forms constantly reveal lines of shared thought, explicitly, yet purveying an abiding sense of wonder. Intellect – and there is plenty of that – is matched here with the fire of inspiration and the thrill of constant surprise.There are so many facets to the lucid dreaming that’s played out by these three exceptional musicians – Felix Moseholm on bass and Jorge Rossy on drums, and the maestro himself. There’s no end to the thrill of intimate Read more ...

VINYL OF THE MONTHFrank From Blue Velvet I Am Frank (Property of the Lost) + Column258 Interloper (The Workshop Sessions, Volume One) (Property of the Lost)Hastings label Property of the Lost has grown into a potent force, its stable of artists impressive, usually attached to a US-indebted garage aesthetic. Local band Frank From Blue Velvet’s eponymous 2022 debut was a tasty amalgam of southern gothic country filtered through punk sensibilities, its stand-out song, “Church of Prosperity” a deathless hit at Theartsdesk on Vinyl Mansions. I Am Frank steps forward and sideways, offering a Read more ...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour create sweeping vistas of rolling hills and valleys whose suggestive curves create a sexual frisson.Take Valley and River, Northumberland 1972 (pictured below right), for instance. A spring emerges from a fold in green hills that resemble limbs. The landscape doubles as a body, with an inviting recess nestling between parted thighs.These pastoral Read more ...

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first time her playing really leaps out on her new album is during second cut “Carved Form,” where it weaves through the arrangement. A guitar solo arrives just over a minute in: precise yet slippery, it complements the early space-age feel of the Pocket Piano synthesiser she also contributes to the track.The album’s cover image aptly captures the interplay defining About Ghosts. Just as the ghosts in the illustration slip through each other, each player Read more ...

VINYL OF THE MONTHEmily Saunders Moon Shifts Oceans (The Mix Sounds)It’s de rigeur nowadays, if you love music, to love Joni Mitchell. She is, of course, a great soul, but her music never connected here. That said, I have a favourite Joni Mitchell song. It’s the 1975 number “The Dry Cleaner From Des Moines”. I also have a soft spot for the parent album, Mingus. Mitchell was accompanied on it by Herbie Hancock, Wayne Shorter and Jaco Pastorius. A red hot line-up. Jazz fusion usually goes down like cold sick round here but Mitchell's foray is the exception to the rule. A decade ago Emily Read more ...

Songlines Encounters is your round-the-world ticket to great world music and performances, a chance to travel widely in music and culture without the burden of check-ins, passport control, flight delays, or transfers. All you need do is get to Kings Place over this weekend for a festival of world music that encompasses Mali in West Africa, with Rokia Kone from the striking and sensational Amazones d’Afrique on Friday night’s menu, paired in Hall 2 with Kurdish-Anatolian singer Olcay Bahir, who mixes her own songs with Anatolian folk songs.To open on Thursday, audiences had a pairing of Read more ...

London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album nothing – his fifth album and third on Brainfeeder. This one-night-only performance, featuring Cole on drums and keys with an orchestra conducted by Jules Buckley, delivered electrifying musicianship, fascinating stylistic mash-ups, and melodies that imprinted themselves on your consciousness.Released last August to critical adulation, nothing presented something far more ambitious than an orchestral rehash of greatest hits. The LA-based composer, multi- Read more ...

It would have been hard to pick up a copy of the album credited to and titled 1001 Est Crémazie in 1975. Just 500 copies were pressed. It didn’t reach shops but was circulated amongst the musicians playing on it, their friends, families and fellow students at Montréal’s Collège André-Grasset, the school at which those on the album were pupils.As is the way with these types of thing, the privately pressed album was found by collectors and became sought after. The album’s final track “Bright Moments” reappeared on a DJ-targeted bootleg single in 2000 and then on 2002’s grey-area France and Read more ...

VINYL OF THE MONTHRattle Encircle (Upset! The Rhythm)Rattle are an unusual band. Consisting of Nottingham duo Katharine Eira Brown and Theresa Wrigley, their set-up is two drum kits, with which they build simple hypnotic patterns then add repetitive vocals over the top. They don’t sound like anyone else. Well, perhaps a little like the more outré work of femme-centric post-punk bands such as The Raincoats, The Slits, The Au Pairs, and ESG. It’s not music that most will put on to chill out to or bounce around to – it’s too spooked and odd for either – but it also has a weird power, almost like Read more ...

The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of Art Blakey’s Jazz Messengers, the launching-pad for scores of talented young musicians.Influenced by the harmonic freedom pioneered by John Coltrane, he’s one of those post- hard bop instrumentalists who reached out towards various kinds of fusion, bringing jazz back to its more danceable roots and leaning heavily towards a sound that sold well in the market-place.No surprise then that Kenny Garrett’s recent set at Ronnie Scott’s consisted of two elements: Read more ...

Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by what was credited as the “Sun Shine Music Shop,” an enterprise which seems to have left no additional imprint. No further “Sun Shine Music Shop” albums are known.In contrast, Ibex Band, the outfit which recorded Stereo Instrumental Music, had a lineage outstripping that of the label which released the album. In 1975, they had issued an album and four related singles where they backed established vocalist Mahmoud Ahmed. They also backed Aster Aweke on one of her early albums Read more ...

Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too long). Wynton Marsalis is a great man, but his Fourth, “The Jungle”, is no masterpiece, not even a symphony – a dance suite, maybe, with enough bold textures to recall wandering attentions. We needed less of this, and more of the Duke Ellington selections superbly played by the 15-strong Jazz at Lincoln Center Orchestra in the first half.Right at the start, clarinettists Sherman Irby and Alexa Tarantino blew us away in "The Mooch". Trumpet solos flamed; the saxophones had Read more ...