history of music
Bernard Hughes
Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the last half-century. He has also always written on music, including a long-standing column in The Spectator, previously publishing two collections of “essays and diversions” (which I confess I haven’t read).Now comes his summa, Music’s Odyssey: An Invitation to Western Classical Music, styled as “an invitation to western classical music”. The first thing to say is: it’s very long. Indeed, the proof copy of 1,216 pages didn’t fit through my letterbox Read more ...
Bernard Hughes
Into the Groove is Justin Lewis’s follow-up to 2023’s Don’t Stop the Music, in which he traced 40 years of pop history by offering bite-sized facts for every day from January 1st to December 31st, jumping randomly from year to year. I noted in my review for theartsdesk that Lewis was particularly strong on the Eighties, so I was pleased this sequel focuses on that decade, with a similar format, this time going month-by-month through the years that were perhaps the very peak of pop.I am firmly in the ideal demographic for Into the Groove: the 1980s: the Ultimate Decade in Music, having Read more ...
Jon Turney
Composers and musicians explore acoustic space. Generally, they have got by with combinations of readily accessible sounds, with occasional novelties as instruments improved, bit by bit.In the 20th century that changed radically. New technologies offered almost unlimited increase in the sounds that could be conjured up on stage or in the studio. And conceptually, the range of sounds some considered musical expanded just as much, abolishing the boundary between music and noise, and even – thanks to John Cage – permitting the composer to propose no sounds at all.Elizabeth Alker dives into this Read more ...
John Carvill
Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the musician and music historian Bob Stanley pointed out, in his 2007 review of Jonathan Gould’s Can’t Buy Me Love, probably the best biography of The Beatles to date, “the subject is pretty much inexhaustible if the writer is good enough.”Gould is more than good enough, and he spent nearly two decades writing his book; whereas Ian Leslie has worked his up from a Covid-era blog post paean to Paul McCartney that went, as they say, viral. Leslie attests to Read more ...
Boyd Tonkin
This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “Mingled with love and then dissolved in sound”. With or without words, music shapes and voices feelings that would otherwise lie beyond expression.Shelley’s high-flying Romantic ideals may feel abstruse but, as the Festival’s opening weekend showed, music’s power not just to charm but to heal and reveal can have striking, and practical, real-world effects. Pianist George Xiaoyuan Fu and mezzo-soprano Lotte Betts-Dean prefaced their “Solitude with Schubert” Read more ...
Boyd Tonkin
Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at St Martin-in-the-Fields in May 2020, after touring to Spain and the US. A lot has happened since. The pandemic scuppered the original timetable, while his own alleged actions – after he reportedly attacked a singer during rehearsals in France last year – have kept the ORR’s founder John Eliot Gardiner off the podium.So last week the period-instrument ensemble arrived at St Martin’s under the baton of Portuguese wunderkind Dinis Sousa. I caught the Read more ...
Bernard Hughes
This splendid book proves that trivia need not be trivial, and that a miscellany of apparently disconnected facts can cohere, if done well. It is in the proud lineage of the “toilet book”, a form sadly in decline in these days of the smartphone. Although modest in its ambitions, it provides entertainment, enlightenment and a sense of serendipity, transcending its bullet-point format to be more than the sum of its parts.Justin Lewis has set out to tell a history of pop music not chronologically, but day by day from 1 January to 31 December, uncovering important – or sometimes delightfully Read more ...
Jon Turney
Have you ever considered the sheer range of sounds? You may think of deliberate human efforts to move the air: music and song, poetry or baby talk, cries and whispers. Other human-made noises come to mind: sirens, bells, fireworks; the hum of the street or the bustle of an army on the move. Animal and bird sounds appeal, of course, along with the music of a landscape – creaking branches, tinkling streams, or whistling winds. And if we are waxing metaphorical, perhaps the “sounds” of the cosmos, such as the echoes of the Big Bang, that still reverberate faintly as fluctuations in the universal Read more ...
Gary Naylor
Ain’t Too Proud? Ain’t too good either, I’m afraid. Which is a shame as there’s plenty of the raw material here that powers juggernaut jukebox musicals around the world, but this production has the feel of a cruise ship show with a much tighter band and better singers. We follow the rise of the Motown megaband, The Temptations, from the dark alleyways of Detroit to the top of the charts, supercharged by hits like “My Girl”, “If You Don’t Know Me By Now” and “Papa Was a Rolling Stone”. Their stock-in-trade comprised power ballads sung in close harmony and stage shows that sold the songs Read more ...
India Lewis
Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a surface-level summary of the seven genres he describes. I was wrong to worry, though: despite its broad coverage, Sanneh’s study is informative and personal, providing overviews of but also covering smaller diversions and developments within rock, R&B, country, punk, hip-hop, dance and pop.Each chapter loops back to the other genres to show their points of divergence, before travelling forward to explore the roads of sub- Read more ...
Tim Cumming
Back in the mid-Eighties, BBC television started broadcasting The Rock'n' Roll Years, one of the first rock music retrospectives. Each half-hour episode focused on a year, with news reports and music intermixed to give a revealing look at the development of rock culture against the context of current affairs.That is more or less the basic template employed by the makers of Apple TV+’s new eight-parter, 1971 - The Year that Music Changed Everything, ballooning that half-hour to around about six hours of great music, incredible footage, and more great music. It’s loosely based on David Read more ...
Jon Turney
Music and time each dwell inside the other. And the more you attend to musical sounds, the more complex their temporal entanglements become. Time structures music, rhythmically and in its implied narratives. From outside, we place it in biographical time, whether cradle songs, serenades to a lover or wakes. Then music sits in history, yet somehow also apart from it, the latest sounds prone to evoke links between sonic effects and emotion that feel inexpressibly ancient. More ancient still, when we muse on bird choruses, animal cries or the thousand mile songs of whales, human music seems to Read more ...