grime
Thomas H. Green
Wiley, master of both grime and pop
Wiley, Electric Boogaloo (Back Yard) Erratic and spiky where his old mucker Dizzee Rascal has been slick and unerring in his rise to the top, East Londoner Richard "Wiley" Cowie has managed several massive pop-dance hits while remaining thoroughly entangled in the edgier, more aggro grime music scene which he helped to invent. This is very much on the pop-dance side of his output, with every mid-1990s club-energising trick in the book thrown into the mix - but it is done with huge élan, and there is enough of Wiley's wildcard persona audible in his raps about getting stuck into the Read more ...
joe.muggs
The cover of Rinse FM's first compilation CD featuring station founder Geeneus
Today Rinse FM, London's leading pirate radio station, announced it has been granted a legal broadcast licence after 16 years of illicit transmissions. It's almost impossible to overstate how potentially momentous this event is for the UK's most vibrant and promising music scenes, and what opportunities it presents for artists, personalities and record labels ranging from the deep and experimental to the most flagrantly commercial. From the rumbustuous, teen-friendly fun of Scratcha's breakfast show to the experimental electronic jazz and funk of Alex Nut at Saturday lunchtime to various hard Read more ...
joe.muggs
A little revolution is taking place at the top of the pop charts. UK artist Tinie Tempah's rap track “Pass Out” has had two weeks at number one, and at the time of writing looks very much like it may successfully fight off Lady Gaga & Beyonce's spectacularly-hyped “Telephone Thing” to make it a third week on top.Now this might not seem revolutionary in itself: over the last year or two it has become commonplace to see black British rappers from the formerly underground grime scene in the “proper” charts. However up until now, with the exception of Dizzee Rascal – who has always been a one Read more ...
joe.muggs
Two London clubs currently appear to be under threat. The Ministry of Sound, one of the most successful brands in club music's history, is kicking up a fuss because new housing block planned opposite it may make it vulnerable to noise complaints. Meanwhile, rumours have flown around over the last 48 hours that police are lobbying Hackney Council against Plastic People in Shoreditch whose licence is currently under review for reasons of “prevention of crime and disorder and public nuisance basis”.It's funny that these two have become news at the same time, as you could not find two more Read more ...
joe.muggs
Grime rapper Jammer, one of hundreds of artists involved with Rave For Haiti
Amongst all the musical benefits for the victims of the Haiti earthquake, one club event which took place on Wednesday night in London stands out as a small, but powerful, beacon of hope. Not because it could rival Jay Z and U2 for levels of funds raised, but because it represented levels of commitment, self-motivation and unity among the capital's multi-ethnic youth subcultures that flies in the face of scare stories about gang violence, drugs, educational failure and all the rest of it. Raising well over £10,000 for Haitians, the entire event on Wednesday night at the club Den/Centro was Read more ...
joe.muggs
The received opinion is that the music of the 2000s has been characterised by fragmentation, discontinuity, faddishness and a lack of coherent identity. And while that perhaps is true on a macro scale, within underground music completely the opposite has been the case: throughout the decade dance and electronic music underwent a process of consolidation, of putting down roots, and sounds new and old have been establishing or re-establishing themselves as fixtures on the cultural landscape.The decade began inauspiciously – the late-1990s explosion of superstar DJs and “superclubs” in a state Read more ...