Jacques Audiard's A Prophet arrives in Britain laden with plaudits (Best Film at the London Film Festival, Grand Jury Prize in Cannes and a fistful of superlative reviews). Here, in the first of a series of illustrated masterclasses, in which leading directors introduce clips from their work, Audiard reveals the secrets of how he shot two of A Prophet's memorable scenes.Audiard has directed just five features in a 15-year career, but they are all provocative, unusual films that it's well worth catching up with (the others are See How They Fall, A Self-Made Hero, Read My Lips and The Beat That Read more ...

Eric Rohmer, who died yesterday in Paris aged 89, was famed for elegant, literate, yet profoundly romantic and erotic dramas such as La Collectionneuse, My Night With Maud and Claire's Knee; and for a style that helped define the French Nouvelle Vague and that he pursued with distinction in some 50 films over the next half century (his last, The Romance of Astrea and Celadon was made two years ago). In this interview, first published in the Daily Telegraph in 1999, the director revealed himself as remarkably clear-eyed and incisive about his films. I offer it here, in a slightly edited form, Read more ...