feminism
Markie Robson-Scott
Meg Wolitzer’s 10th novel has been hailed as a breakthrough, a feminist blockbuster, an embodiment of the zeitgeist. (Nicole Kidman has bought the film rights, which goes to show.) But in all her fiction, she deftly explores motherhood, career, misogyny, feminism, the domestic detail within the bigger picture, with a very American, affectionate wit – she’s particularly good at awkward teenagers – though sometimes there’s a feeling of skill at the expense of substance. Wolitzer's previous (too long) book The Interestings deals with the successes and failures over decades of a group of New York Read more ...
Thomas H. Green
Here to be Heard, made by US film-maker and punk rocker William E Badgley, has such a juicy, pertinent story to tell that it never palls. Over 84 minutes, contemporary interviews and old footage build a two act drama that reveals The Slits to be one of the most underrated bands of their era. Alongside bemusement at music that was ahead of its time, this is mostly down to the fact they’re women. “The reason there are hardly any girl rock’n’roll stars,” says front-woman Ari Up in a decades old interview, “is because most girls are not strong enough in their own minds.” Facing the raw sexism of Read more ...
Katherine Waters
A body can be pushed to the brink, to the point where thoughts flatten to a line of light, and come back from death, but the heart is complex and the damage it wreaks barely controllable. For Grace, Lia and Sky, the three sisters of Sophie Mackintosh’s debut novel The Water Cure, living by a discipline which tames their bodies and emotions to strict rituals is more than a matter of self-control – it is a matter of survival.They’ve been brought up by Mother and King, their father, in a sprawling dilapidated island hotel, away from the mainland where a toxic scourge to which men are Read more ...
Katherine Waters
Hot on the heels of International Women’s Day come three monologues written, directed and produced by women showing at Hoxton Hall. It’s kind of a treat, and kind of not.The current laser focus on gender risks the unwanted side-effect of alienating rather than including, and when an issue becomes so hot it’s hip, surface buzz easily takes over at the expense of meaningful action. Important voices registering dissent, noting difference, flagging up granularity and raising objections are not heard. But the balance between revolution and evolution is perennial and intractable, and the thing Read more ...
Marina Vaizey
Essay collections are happily mainstream now, from Zadie Smith to Oliver Sacks, with more and more bits and bobs coming from unexpected quarters. These patchwork quilts from remarkable writers can be significant, nowhere more so than with those from Ursula K Le Guin that are collected here as her “Selected Non-Fiction”.Le Guin died in January, aged 88, and this latest selection was especially chosen for a British readership, comprising reprinted speeches and short essays from 1972 to 2014. All are underlined and anchored by her paradoxical and hard-won success which, however, never soothed Read more ...
Katherine Waters
Lila had breast implants at the age of eight. Karen, her mother, is required to take psychotherapy sessions on account of the fact that she arranged for the operation. Tessa (played by Monica Dolan, pictured top and below) is a psychotherapist who is treating Karen.In the course of The B*easts, a tight hour-long monologue written and performed by Dolan, Tessa lounges in an easy chair and drinks and puffs, occasionally fielding calls from her mobile. She is frustrated and wired (possibly through fatigue) as she relates Lila and Karen’s case history, which emerges as a prism through which to Read more ...
Katherine Waters
“Pussy is pussy” and “bitches are bitches” but Jen Silverman’s Collective Rage at Southwark Playhouse smashes tautologies with roguish comedy in a tight five-hander smartly directed by Charlie Parham.The play is set in New York and follows the ad hoc and long-standing relationships that develop between five women (two of whom are queer) called Betty over the course of a series of rehearsals for a skew-whiff rendition of the play-within-a-play Pyramus and Thisbe in A Midsummer Night’s Dream that Betty 3 (Beatriz Romilly) decides to put on after going on a date to “The Thea-tah” with a posh Read more ...
theartsdesk
It was both astonishing and depressingly unsurprising that Suffragette, Sarah Gavron’s feature about the insurgent foot soldiers of the campaign for women’s suffrage, was the first fictionalised film specifically about the movement. There are more films about the miners’ strike – which clearly tells us something.It’s no surprise that literature has fared far better, since, in the words of Virginia Woolf, all one needs is a “room of one’s own” in order to think and to write. Often we see the movement featured as a side story of a male-focused storyline, such as the television adaptation of Read more ...
Saskia Baron
In Between didn’t get nearly enough attention on its cinema release in the UK last autumn, hampered perhaps by its nothingy title and a synopsis that can make it sound like it will be a worthy evening out when in fact it’s anything but. One of the liveliest debut features of 2017, it follows three twenty-something Palestinian women who share a flat in Tel Aviv. It’s sharp, funny and eye-opening.Director Maysaloun Hamoud draws on her experience as an Arab film-maker living in Israel to create a wholly fresh take on sexual and cultural politics. Imagine Girls and Sex in the City but without the Read more ...
Guy Oddy
It’s hard to be sure if Rakal, Bella and Alice from Dream Wife are a rock’n’roll band or a girl gang with guitars. Either way, their debut album has got some cracking Riot Grrrl-flavoured tunes and a stridently feminist, in-your-face attitude. There is nothing demure about this trio and they really don’t care what your thoughts on that might be.Like Blondie on rocket fuel or Bikini Kill with better songs, Dream Wife is a set of thrilling tunes of raw guitar from Alice Go and the harpy-like vocals Rakel Mjöll. “Hey Heartbreaker” comes on like turbo-powered glam rock and a kick in the nuts, Read more ...
Marina Vaizey
One of the much-hyped jewels in the crown of the family-friendly BBC holiday season is this new three-episode adaptation of Louisa May Alcott's much loved novel by Heidi Thomas, the writer of Call the Midwife. We started in the New England winter – a simulacrum of Concord, Massachusetts, where Alcott lived with her three sisters, in circumstances of genteel poverty that she lightly fictionalised in her best-selling novel.An American classic since its publication, and never out of print, Little Women has already made it into half a dozen films, several television adaptations, a piece of Read more ...
Jasper Rees
This is a heartbreaking week for women’s tennis. The death from cancer of Jana Novotna at only 49 evokes memories of one of Wimbledon’s more charming fairytales. Novotna was a lissome athlete who flunked what looked like her best shot at greatness, tossing away a third-set lead in the 1993 women’s final and then crumpling on the shoulder of the Duchess of Kent. Five years later she eventually became the oldest first-time champion. It would make a lovely Hollywood movie.Instead this year’s second tennis film is Battle of the Sexes. Like Borg/McEnroe, it spirits us back to the 1970s, that Read more ...