feminism
Liz Thomson
In one of the award-winning club’s forays from its Camden Town home, Green Note welcomed International Women’s Day with a special one-off concert exploring and celebrating the many ages and stages of being a woman. Three generations of musicians were on stage at North London’s JW3. The youngest, The Rosellas, an a cappella trio who met at school and who are now making quite a name for themselves, before shortly dispersing (temporarily one hopes) across the country to uni.It was a life-affirming evening enjoyed by an audience that included a healthy Read more ...
Demetrios Matheou
There have been two relatively recent, welcome correctives in what is grandiosely referred to as the “Marvel Cinematic Universe” – a move towards diversity (Black Panther) and a sharp injection of comedy (Guardians of the Galaxy, Thor: Ragnarok). With Captain Marvel the studio combines the two elements, resulting in one of the more breezily enjoyable and emotionally satisfying of the franchise. And in Brie Larson’s Carol Danvers, aka Captain Marvel, it has an actress and a heroine ready to take over from Robert Downey Jr/Tony Stark/Iron Man as the Avenger’s top dog. What a Read more ...
Jo Southerd
Stella Donnelly does not suffer fools gladly. On her debut LP, she calls out all manner of bad behaviours, from crappy bosses to creepy guys, annoying family members to disappointing boyfriends. Donnelly’s very much a part of the new guard of songwriters who aren’t going to sit in silence, and aren’t afraid to stand up for themselves and others. And yet, angry music this is not. There are no pounding drums, no squealing riffs, no hateful growls. Rather, a quiet confidence and self-assuredness defines Beware of the Dogs. Album opener and first single "Old Man" sets the tone with Read more ...
alexandra.coghlan
It’s all there. High kicks and tight corsets; silk and sequins and shenanigans in a broom closet; hot pinks and still hotter can-can girls; waltzing, scheming, sparring, and a bit with a banquet table. There’s even a dancing beaver. So why don’t I feel more elated?English National Opera’s new Merry Widow can’t be faulted for effort. But in comedy, as in seduction or sales, trying too hard can be almost as destructive as not trying at all. Gripping Lehar’s crystal champagne flute of an operetta in a hot fist only leads to spillage and a swift loss of bubbles.Everyone’s had a go at the Widow. Read more ...
Demetrios Matheou
When the world is as crazy as it is right now, its political life dominated by dolts and villains, it needs a new kind of hero. That’s why Americans are embracing an octogenarian woman with more guts and integrity than virtually anyone at her level of public life, and why in quick succession we’ve had two films about her. The Oscar-nominated documentary RBG was released in January and is still available in some cinemas and on streaming platforms. It tells the story of the now 85-year-old Supreme Court justice Ruth Bader Ginsburg, a remarkable woman who in the Read more ...
Thomas H. Green
The striking cover for the Brighton Festival 2019 programme shouts out loud who this year’s Guest Director is. Silhouetted in flowers, in stunning artwork by Simon Prades, is the unmistakeable profile of Malian musician Rokia Traoré. Taking place between 4th and 26th May at a host of south coast venues, this year’s Festival, which launched its schedule of events this morning, looks to be a multi-faceted extravaganza with true international reach. Once again, theartsdesk is proud to be a media partner.“I set out to bring new voices to the city to tell their stories,” Traoré explained, “ Read more ...
Sir Trevor Nunn
So here we are with another edition of IQ, and the subject this week is theatre. Question one: which actor originated several leading roles in the plays of George Bernard Shaw, including Marchbanks in Candida, Dubedat in The Doctor's Dilemma, and Jack Tanner in Man and Superman? Answer: Harley Granville Barker. Question two: which writer originated the use of the Royal Court Theatre in Sloane Square as a home for new plays and rediscovered classics? Answer: Harley Granville Barker. Question three: which activist/essayist campaigned for a National Theatre to be an ensemble playing in Read more ...
Katherine Waters
The heart of the V&A’s sumptuous Christian Dior: Designer of Dreams is a room dedicated to the workmanship of the fashion house’s ateliers. A mirrored ceiling reflects dazzling strip-lit cases which hold the ghosts of ballgowns, slips and jackets — adjusted prototypes, haute couture maquettes — made in white toile by the seamstresses of Dior’s Paris studios before they begin work on the final garment. The pieces tower overhead, stacked in an apparently infinite iteration of shoulders, waists and necklines, cuffs. Over here’s a grouping with jester fastenings, over there, jerkin Read more ...
Marina Vaizey
A one-night stand between a female college student, Margot, whose part-time job is selling snacks at the cinema, and thirtyish Robert, a customer, goes pathetically awry. It was disappointing, uneasy, perhaps more, and memorialised in all its edgy discomfort in Kristen Roupenian’s “Cat Person”, published in the New Yorker in December 2017. The tale hit the #MeToo zeitgeist, charting a deeply unsatisfactory sexual encounter, where the girl just thinks it’s more trouble to stop than continue. The tale went ballistic, with something like four million hits on the net. And now it is the centre Read more ...
Veronica Lee
When it was announced that Cate Blanchett was making her National Theatre debut with Martin's Crimp's new play, When We have Sufficiently Tortured Each Other, its website exploded with people wishing to buy tickets. To those many thousands disappointed, I say: “Well done, you!”The play's subtitle is “Twelve Variations on Samuel Richardson's Pamela”, so it certainly starts from an interesting place. The epistolary novel from 1740, subtitled “Or, Virtue Rewarded”, concerns a young maid, Pamela, whose master, Mr B, makes frequent and unwanted sexual advances to her. After many refusals, he Read more ...
Graham Fuller
Very much a woman of today, the Catholic Stuart heroine (Saoirse Ronan) of Mary Queen of Scots frequently hacks her way out of a thicket of power-hungry males, enjoys it when her English suitor Lord Darnley (Jack Lowden) goes down on her, and is amused when her gay secretary and minstrel David Rizzio (Ismael Cruz Cordova) dresses as a woman while dancing with her gentlewomen in her private quarters. Straining credibility, Mary is even tolerant when, on her wedding night, Darnley takes Rizzio to bed instead of her. She responds, a day or two later, by thumping his chest so hard that he angrily Read more ...
Owen Richards
In a telling scene midway through Colette, our lead is told that rather than get used to marriage, it is “better to make marriage get used to you.” In this retelling of the remarkable Colette’s rise, it is evident she did much more than that; by the time she was done, all of Paris was moulded in her image, and in Keira Knightley's hands, it’s no mystery why.When we first meet Colette, she is a wide-eyed country girl caught in a whirlwind romance with Paris lothario Henry Gauthier-Villars, better known by his penname Willy (Dominic West, pictured below). He’s full of bombast and opinion, never Read more ...