England
Adam Sweeting
And the killer is... No, that would be telling, and you might not have watched it on catch-up yet. But was the revelation worth the wait?We often complain about the way British TV dramas are often squeezed into three or four (or two) parts, when an American series would stretch to 16 or 22 episodes. Hats off, then, to ITV and Broadchurch writer Chris Chibnall for picking up the baton to create an eight-parter designed to depict the impact of a boy's murder on a small, tightly-knit seaside town (Oskar McNamara as murder victim Danny Latimer, pictured below). Hats partly back on again, Read more ...
David Nice
Brave old world, that has so much unheard music in it. Not exactly the words of Shakespeare’s Miranda, I know, but that’s how I feel having experienced great things in the concert hall for the first time recently: Tippett’s Second Symphony from Martyn Brabbins and the BBC Symphony Orchestra last night, and earlier in the week more self-styled “musical toys” from overnight sensation as Newcomer of the Year at the BBC Music Magazine 2013 Awards Mei Yi Foo: a gallimaufry of piano miniatures by Bartók, Benjamin, Fujikura, Lachenmann and Unsuk Chin.You’ll note no inclusion there for the London Read more ...
Adam Sweeting
Three years after Jonathan Creek's last one-off special, tellies across the land resounded once again to the strains of Saint-Saëns's Danse Macabre, a theme tune cunningly chosen to reflect the show's mix of menace, wit and whimsy. Nor had writer David Renwick stinted on the bizarre quirks and fiendish sleights of hand, in a tale featuring a vanishing corpse and an unsolved supernatural mystery from the past, amid a herd of gambolling old thesps having a whale of a time.Chief among these were Nigel Planer and Joanna Lumley as polymath and TV producer Franklin Tartikoff and his Read more ...
David Benedict
Faced with an unfamiliar play, it’s usually hard to spot exactly where the writer stopped and the director started. Not here. This is one of those occasions where a director’s voice is considerably and almost constantly louder than the playwright’s. You might think you’re seeing Rodney Ackland’s Before The Party but what you’re getting is Matthew Dunster’s assault upon it.Ackland’s 1949 adaptation of Somerset Maugham’s short story is a subtle evisceration of upper-middle-class manners. Living in post-war comfort, the highly respectable Skinner family are dressing for a local garden Read more ...
Nick Hasted
This is a fairy tale which may send children to sleep before the good bits, then wake them up screaming at the first glimpse of loping, bestial giants. Splicing Jack the Giant-Killer (subject of a 1962 kids’ monster movie which gave me nightmares) and the more familiar Jack and the Beanstalk, it has farmboy Jack (Nicholas Hoult) spilling the magic beans, and following mildly rebellious princess Isabelle (Eleanor Tomlinson) up the resultant beanstalk to a stone kingdom of giants above the clouds.Along for the ride are king’s men Elmont (Ewan McGregor, unfeasibly youthful and dashing) and Read more ...
Tom Birchenough
He may have been lampooned in his lifetime as the man who kept a pet wasp, but Britain owes much to John Lubbock, the Victorian MP whose legislation gave the country its first bank holiday. His Ancient Monuments bill of 1882 (nicknamed the “monumentally ancient bill" for how long it took to get through Parliament) was even more far-seeing, paving the way for the Heritage movement as we know it.It would be hard to imagine Britain today without the National Trust, English Heritage and the other crusading organizations whose representatives people BBC Four’s thoughtful three-parter Heritage! The Read more ...
Matt Wolf
"I'm so worn out with it," a character remarks in a different context well into Rufus Norris's film Broken, to which one is tempted to respond, "Ain't that the truth!" A dissection of so-called "broken Britain" in all its jagged disarray, stage director Norris's debut film wants to be excoriating but is instead mainly exhausting and feels infinitely longer than its briefish running time. Norris gets good performances out of a notable cast, and it's interesting (to put it mildly) to see certain actors cast defiantly against type, but the material suffers from being a continuous, non-stop Read more ...
Adam Sweeting
It looks as if Broadchurch will reveal itself as a "town-with-murky-secrets" story, but on the evidence of this first episode we can expect it to be done with a skilful touch and a fine eye for detail. The trigger for the action is the death of 11-year-old Danny Latimer, but writer Chris Chibnall is focusing on the effect this has on family and friends as much as on the grim event itself.Broadchurch is a small seaside town in Dorset where violent crime is largely unheard of. When Danny's body is first discovered on the beach, suicide or an accident are canvassed as possible causes. Then Read more ...
Adam Sweeting
The generational time-bomb is a popular dramatic device - ITV were at it only a couple of months ago with The Poison Tree - and new five-parter Lightfields boldly sprawls itself across three separate eras (1944, 1975 and 2012). Binding it all together is the titular location, a farmhouse in Suffolk, through which the different generations of characters pass.The rapid cutting between three separate periods featuring three different casts was hardly a guarantee of intelligibility, though you could more or less gather the gist of it as it whirled along. During the wartime period, 17-year- Read more ...
james.woodall
In 1973 certain world events carved themselves, a bit like the faces on Mount Rushmore, deep into the landscape of the late 20th century. No sooner had Richard Nixon begun to end the Vietnam War than Watergate broke. In the autumn Allende was overthrown by Pinochet in Chile; Egypt and Syria’s attack on Israel ignited the Yom Kippur war. A global oil crisis was to leave western economies strapped.In Britain industrial unrest forced a tottering Heath government towards the Three Day Week. The IRA began bombing London. It wasn’t, really, a happy epoch; but young, mainly male, slightly self- Read more ...
David Nice
You don’t have to live under a totalitarian regime to write music of profound anguish. I was driven to argue the point at a Shostakovich symposium when an audience quizzer took issue with my assertion that Britten could go just as deep as the Russian. Much as the works of the two composers in this programme, Shostakovich’s Second Piano Concerto and Britten’s Spring Symphony, revealed their lighter sides to varying degrees, it was our anniversary composer who scored highest with his darker undercurrents. Conductor Edward Gardner’s further touch of class was to avoid giving one of what will Read more ...
Matt Wolf
When's the last time you encountered a play with a hissable anti-hero and a young heroine who radiates charity, decency, and all things good? Those polarities are on full-throttle view in The Stepmother, the all-but-unknown Githa Sowerby play from 1924 that makes up in its vigorous appeal to the jugular what it may lack in dimension and subtlety (Chekhov this ain't.) And if the opening night is any gauge, Sowerby's tale of a young wife and her unctuous, much older rapscallion of a husband has a demonstrable capacity for evoking responses from the crowd. Panto season aside, I haven't Read more ...