England
Matt Wolf
As lockdown continues, National Theatre at Home has announced its final sequence of plays, and several of the very best are being saved for last. That certainly applies to this week's offering, Small Island, whose dissection of Britain's racist past couldn't be timelier. Broadway's Lincoln Center Theater, meanwhile, mined a bygone theatrical period in the comparably epic Act One, whilst the week's offerings also accommodate in-the-moment protest theatre, an acclaimed West African Hamlet, and a recent Olivier Award-winning actor playing a peacock, as you do. For more on the latest amalgam of Read more ...
Matt Wolf
The government may occupy shifting sands when it comes to handling Covid-19, but the arts thank heavens continue to step up to the plate with a dizzying array of online options. This week's output mixes a soul musical from 1970s Broadway alongside a major revival of a play by Alan Bennett whose enquiry into the psychological well-being of those in charge will doubtless resonate anew today.Not to be forgotten is a tiny west London venue that consistently punches above its weight, alongside a slice of something more radical coming soon to a continent near you. This quartet represents just the Read more ...
Rachel Halliburton
There is a line of argument that – unfairly – blames playwright James Graham for Dominic Cummings. Would Cummings, some might ask, have achieved the influence he has now if it hadn’t been for his depiction in Graham’s brilliant TV drama Brexit: The Uncivil War in which he was played as an obsessive genius by Benedict Cumberbatch? The question’s unfair not least because Graham himself is horrified by the phenomenon of Cummings-driven politics and all it represents. A more interesting question is how a then 36-year-old had the insight to identify the impact and ascendancy of a Read more ...
Billy Bragg in support of The Leadmill, Facebook Live review - a fundraising success of a lounge act
Liz Thomson
On Saturday there was a stark choice: BBC TV’s not-the-Eurovision special or Billy Bragg live on Facebook in support of The Leadmill’s campaign to raise vital funds for both the iconic Sheffield venue, 40 years old this year, and the Music Venue Trust Crisis Fund. So no choice at all, the canning of Eurovision being one of the few plus-points of lockdown.As Bragg later observed, his job will be one of the last to come back “so now I’ve worked out how to do this perhaps I’ll do a few more down the line.” He reminded everyone to hang on to their tickets because he’d be back next year for sure. Read more ...
Adam Sweeting
Meanwhile back in the Dark Ages, Uhtred (son of Uhtred) is still seeking to reclaim his ancestral seat of Bebbanburg and manoeuvre through the treacherous currents of Saxon politics. The big question was, how would this fourth season manage in the aftermath of the death of King Alfred?The king’s death has not only deprived us of David Dawson’s superb performance, but removes the yin and yang of the Alfred-Uhtred struggle which was one of the main drivers for the first three seasons. The exasperatingly pious and unforgiving Alfred was very difficult to like, and he could hardly stand up Read more ...
Sam Yates
I am fortunate to have worked as a director in theatre, film, television and radio, and so it was hugely intriguing to be invited to direct an online reading of Tom Stoppard’s beautiful 1964 play, A Separate Peace.Here was a new form which could certainly borrow from existing forms, and I soon realised the question we should be asking was not, “What is an online reading?”, but “What could it be?”Limitation, like desperation, can be the mother of invention. In the theatre, we can’t afford 20 actors, so we must figure out how to do the play with eight. In film, a location flooded Read more ...
Tim Cumming
Back in April 2018, English fiddler player and member of BBC Radio 2 Folk Award-nominated folk band Pilgrim’s Way embarked on an 18-month busking tour of England. He walked out of his home in Manchester to explore the country, from Berwick to Braintree, from Deal to Darlington, playing and picking up tunes, and writing his Busking England blog (which is now coming out as a book from Scratching Shed). This set of tunes was recorded high up in the Staffordshire peaks at the 19th-century Danebridge Methodist Chapel, with guest players including Norway’s Marit Falt (from female trio Vamm) on Read more ...
Tom Birchenough
If ever there was a “play for today”, it’s surely this. Nina Raine’s 2011 A&E drama follows hospital staff – doctors senior and junior, surgeons, registrars, consultants, nurses – as they confront, individually and collectively, the stress of a routine that is rarely less than rushed, often simply frantic. Raine undertook considerable research for the piece, its portrayal of life within the NHS acclaimed at the time as authentic by those inside the system, while the cuts that austerity has brought over the last decade can only have intensified the tribulations depicted here.What it’s like Read more ...
Matt Wolf
Twelfth Night is rarely long-absent from the British stage and nor is it in our current climate of streaming aplenty. This 2017 production for the RSC from the director Christopher Luscombe will soon be followed online by the National Theatre’s gender-flipped version, with Tamsin Greig as Malvolia, which actually preceded this Stratford production at the time.What kind of Twelfth Night is this? Conceptually busy and ingenious, to be sure, and arguably too much so: one feels on occasion that the inventive Luscombe has thrown every possible idea into the mix while stinting at times on the Read more ...
Matt Wolf
The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily apposite remarks to be found in Wonderland, the Beth Steel drama set in the early 1980s that marks the second in the Hampstead Theatre’s sequence of three productions streamed across as many weeks: Howard Brenton’s Drawing the Line comes next, and last.And what a pleasure it is to be reacquainted with the muscular drama – the author’s second-ever play – that brought Steel a 2014 Evening Standard Theatre Award for Most Promising Playwright. The Read more ...
Joseph Walsh
With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and divorce. In 2012, in something of a detour from the rest of her work, she wrote a sequel of sorts to E. Nesbit’s beloved magical children’s classic, Five Children and It. Nesbit’s book has been adapted a myriad of times, including the charming 1990s BBC version and the less successful 2004 take with Eddie Izzard. It’s a familiar Read more ...
Jill Chuah Masters
“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit up the evidence of a past drug addiction. It smoulders in the background while she smoulders in the front.This scene is Feel Good in miniature: it encapsulates Martin's brand of vulnerable, quirky comedy, pinned to her appeal as a character and a creator. The series is easy to watch and easy to like. Still, Feel Good has a hindrance. For a Read more ...