disco
david.cheal
The Hertfordshire market town of St Albans has not hitherto been renowned for its buzzing music scene: its hall of fame contains but a handful of names from the pop pantheon, most notably Enter Shikari and Lowgold (unless you count the fact that David Essex lives there). It’s not exactly Chicago in the 1950s or Liverpool in the 1960s. But now the citizens of this former Roman stronghold can hold their heads high, thanks to the emergence of Friendly Fires. The band’s three core members met at St Albans School in their early teens, and whatever they were playing and listening to in their Read more ...
Kieron Tyler
By 1977, disco was a cliché to be mocked. But a few years earlier, before its ubiquity, disco was a liberating music uniting minorities on the dance floor. Funk, too, became a cliché, little more than a reductive musical cypher. Two new reissues celebrate these genres when both were still vital, still able to surprise. Disco Gold: Scepter Records & The Birth of Disco is exactly what its title says it is, while Darondo’s Listen to My Song: The Music City Sessions collects A-grade funk that had languished in the vaults until now.Disco wasn’t just the place to dance, but the music, too: a Read more ...
joe.muggs
“Huxley! Electra!” called a plummy mummy to a couple of dawdling children. “Hurry up or you'll miss the BMX display!” Thursday night and Camp Bestival was, to a rather comical degree, looking like a playground for slightly funky middle-class families. Not that I was complaining – with an 18-month-old not so much in tow as leading the charge, I was extremely grateful for the regimented, relatively quiet campsite and the untold entertainments and comforts that CB provides. This was my first experience of a festival with said inquisitive toddler, and the experience of having to abide by his Read more ...
Kieron Tyler
Pop music was virtually eradicated from Iran in 1979 after the deposition of the Shah and arrival of Ayatollah Khomeini in power. Before then, the thriving scene supported many stars that drew on both local traditions and Kurdish music. Googoosh was a huge star, but she stayed in Iran after 1979 and was unable to record. Moving to Los Angeles in 2000 allowed her to perform and begin recording again. The arrival of a new British compilation covering 1970 to 1975 is fascinating. It includes some incredible, head-turning music too.Pre-1979 Iranian pop is largely unfamiliar outside the country Read more ...
Kieron Tyler
The French national holiday of 14 July might be marked by parades and fly-pasts in Paris, but here on the Atlantic coast it’s the central date for Francofolies, the annual festival dedicated to French music. La Rochelle hosted its first Francofolies in 1985. Twenty-six years on, the festival remains the premier showcase for Francophone music. This year the bill took in David Guetta’s dance-floor cheesiness, Gotan Project's overhauled tango, actress Mélanie Laurent plugging her recent album and all points in between. A window like no other on the French mainstream, it also showcases up-and- Read more ...
joe.muggs
This is where the delirium kicks in. Tired but happy, the attendees started the third day of Sónar festival slightly boggled by how to pick and choose from the strange delights on offer. Saturday was when the true musical variety of the festival was displayed: straight-up hip hop to eye-popping South African tribal dance displays, balmy ambient revivalism to apocalyptic techno, heartbroken electronica to deranged prog rock: it was all on offer...If day one was a warm-up, and day two when the energy levels peaked, this was where we just got swept along in the sheer diversity of the festival Read more ...
joe.muggs
Thursday was gentle – an easing into the festival experience – but yesterday is when Sónar Festival really kicked into gear. With tapas and Estrella coursing round their veins, the audience was thoroughly drawn into Barcelona's bohemianism and ready to go from the beginning of the day. Which is a good thing, as shameless, in-your-face rave music seemed to be the order of the day.The SonarDome stage throughout the weekend has entirely featured alumni from the Red Bull Music Academy, and while the yearly Academy has built a reputation for nurturing sophisticated and intricate electronica, it Read more ...
matilda.battersby
Following in the stilettoed footsteps of Lady Gaga’s extended-play reissue of her platinum-selling The Fame, Take That’s Progressed is a two-disc repackaging of the November 2010 Progress album featuring eight additional tracks. With its menacing disco beats and penetrating falsetto vocals, it is an evolution to be proud of.Released to coincide with the band’s first tour with Robbie Williams since 1995, the eight new songs are a happy extended narrative of Progress which acknowledges the well-publicised falling outs, carefully mixed in with a hefty dollop of science fiction. Not a combination Read more ...
joe.muggs
This series of albums is the sound of one of the most epochally important producers in soul and dance music history reworking his magic. The closest analogy I can think of that non-dance music fans would appreciate is The Beatles' Love album in which George Martin went back to the master tapes and not so much remixed as recreated their work, but there is none of the whiff of superfluous tinkering here that that project had.Tom Moulton was one of the men who invented the 12-inch remix – not simply extending a song, but remaking it from the ground up with entirely new production styles Read more ...
joe.muggs
If, as the cliché goes, hardship begets soulfulness, then given her life story between her 2008 debut and this (Wikipedia can provide the details if you're feeling ghoulish), Jennifer Hudson should now be the new Aretha. As it goes, she wasn't short of raw soul talent before: she veritably shone as an American Idol contestant in 2004, and her turn in the movie Dreamgirls has become a watchword for stop-you-in-your-tracks expressive vocal power as well as comic acting talent – ironically, her performance in that film of the song “And I'm Telling You I'm Not Going” has since spawned 10,000 Read more ...
david.cheal
Frothier than a zero-gravity cappuccino, camper than a gay pride march through Brighton, cheesier than all the fromageries in France, and with almost as many beats per minute as a hummingbird’s heart: Kylie is back with a brand new show, and it’s quite something. Others will doubtless have rolled out the statistics – that it cost £530 million to stage, is built and staffed by a crew of 7,000, and requires a fleet of trucks that would stretch from London to Luton to keep it on the road. Or something. Whatever: it’s big, it’s spectacular, it’s silly, it’s kinky, it’s utterly inconsequential, Read more ...
joe.muggs
The Sónar festival occupies a very special place in the New Music calendar – and is this year expanding outwards temporally and geographically, with new franchises in Tokyo and A Coruña, Galicia. Now into its 17th year, the parent festival in Barcelona serves as a vital meeting point for those of all stripes who refuse to acknowledge the polarisation of avant-garde and populism, or of club culture and the mainstream music industry. With 10 or more main stages and untold off-piste club events around the city, it would be impossible to condense even a single day and night of Sónar Barcelona Read more ...