disco
joe.muggs
Two London clubs currently appear to be under threat. The Ministry of Sound, one of the most successful brands in club music's history, is kicking up a fuss because new housing block planned opposite it may make it vulnerable to noise complaints. Meanwhile, rumours have flown around over the last 48 hours that police are lobbying Hackney Council against Plastic People in Shoreditch whose licence is currently under review for reasons of “prevention of crime and disorder and public nuisance basis”.It's funny that these two have become news at the same time, as you could not find two more Read more ...
joe.muggs
The received opinion is that the music of the 2000s has been characterised by fragmentation, discontinuity, faddishness and a lack of coherent identity. And while that perhaps is true on a macro scale, within underground music completely the opposite has been the case: throughout the decade dance and electronic music underwent a process of consolidation, of putting down roots, and sounds new and old have been establishing or re-establishing themselves as fixtures on the cultural landscape.The decade began inauspiciously – the late-1990s explosion of superstar DJs and “superclubs” in a state Read more ...
joe.muggs
Tim Lawrence is an author and academic, whose musical studies have led him from the dance scene of the 1990s to researching New York's disco scene – his Love Saves the Day was the first and remains the definitive history of the music, history and politics of disco – and then to the singular figure of Arthur Russell. A cellist, singer, songwriter, producer, composer and electronic artist, Russell existed both within and without disco and many other scenes in a period of cultural ferment in New York when many of the sounds that form the fabric of popular culture were being first created.Russell Read more ...
joe.muggs
Linked to Joe Muggs' interview with Tim Lawrence on theartsdesk, this is extracted from the introduction of Hold On To Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992.
Arthur Russell hailed from the Midwest, yet felt at home in downtown New York. Outwardly normal to those who observed his checkered shirt and acne-scarred face, he trod the maze-like streets that ran from the battered tenements of the East Village to the abandoned piers on the West Side Highway for hours at a time, and on a daily basis.The labyrinthine infrastructure and contrasting neighborhoods of lower Read more ...