crime
Kieron Tyler
Swedish cop drama Arne Dahl snugly fits BBC Four’s Saturday-evening slot for continental European TV imports, but it also suggests that the well might be running dry. Based on the opening episode there’s not much intrinsically wrong with it, but it’s not distinctive and – beyond Irene Lindh’s forceful portrayal of lead detective Jenny Hultin – lacks any characteristically Scandinavian markers. Things may change as the series finds its feet but, for now, Arne Dahl could have sprung from anywhere in Europe. The stock types making up Hultin’s team further that impression.Sweden’s top businessman Read more ...
Matt Wolf
Sigh: here's not much of anything for anyone, actually, to indulge a self-evident riff on the title of yet another in a seemingly ceaseless parade of subpar Brit-gangster films, this one from first-time writer/director George Isaac, who produced the Kidulthood/Adulthood celluloid duo. Notable largely for casting some rather rarefied actors deliberately violently against type, the film is best seen as the pay cheque that has helped allow at least two of its three leads to take on less lucrative theatre work of late. For that largesse, after a fashion: one star. Otherwise, well, you stand Read more ...
aleks.sierz
Ruth Ellis, the last woman to be hanged in Britain, is a cultural icon, the image of the peroxide blonde who spells big trouble. An influence on Diana Dors in the 1956 film Yield to the Night, she was played by Miranda Richardson in Dance with a Stranger in 1985. Last year, a new biography, Carol Anne Lee’s A Fine Day for a Hanging, was published. Now, playwright Amanda Whittington tracks down this fraught and troubling figure.First the facts: by the time Ellis met the racing driver David Blakely in 1953, she already had a young kid, born when she was 17, and had quit a violent marriage to an Read more ...
Amanda Whittington
"Why write about Ruth Ellis?" It’s a question I’ve been asked many times in the run-up to The Thrill of Love and it’s a good one. I’d like to know the answer, too. Three years ago, I was commissioned by the New Vic Theatre in Newcastle-under-Lyme to write a play which I suspect is some 30 years in the making. I can trace its beginnings to the mid-Eighties, when I was 17 years old and on high-alert for the kind of gritty icons who graced the singles covers of The Smiths. I discovered Ruth Ellis at the cinema, played so vividly by Miranda Richardson in Dance with a Stranger. Read more ...
Adam Sweeting
Three years after Jonathan Creek's last one-off special, tellies across the land resounded once again to the strains of Saint-Saëns's Danse Macabre, a theme tune cunningly chosen to reflect the show's mix of menace, wit and whimsy. Nor had writer David Renwick stinted on the bizarre quirks and fiendish sleights of hand, in a tale featuring a vanishing corpse and an unsolved supernatural mystery from the past, amid a herd of gambolling old thesps having a whale of a time.Chief among these were Nigel Planer and Joanna Lumley as polymath and TV producer Franklin Tartikoff and his Read more ...
emma.simmonds
Pulsating and cinematically proud with an opulent urban palette, Trance positively storms onto the screen. Fast becoming a national treasure (if he hasn't broken through that particular ceiling yet) Danny Boyle is also one of the few directors with the visual chutzpah to make a film this bombastically exciting set in the UK. A heist thriller located in a so-chic-it's-barely-recognisable London, Trance features the handsome trio of James McAvoy, Rosario Dawson and Vincent Cassel. Whilst not quite the mind-fuck it purports to be, it nevertheless challenges you to keep apace with its surging Read more ...
emma.simmonds
You wait years for another interesting Nicole Kidman film and then two come along at once. Two weeks ago it was the elegantly malevolent Stoker and now here's sweaty, shameless noir The Paperboy. It's a film that takes Zac Efron's squeaky clean reputation and quite literally pisses all over it. Or more accurately Kidman does, since Lee Daniels' follow-up to Precious features a sequence where the Oscar winner urinates on the jellyfish-stung star of High School Musical. A tawdrily entertaining tale, shot through with youthful lust and romantic delusion, The Paperboy might not deserve to be Read more ...
Adam Sweeting
Apparently on a clear day in the Shetlands, you can see Norway and Iceland. And from about halfway through the first instalment of this Caledonian murder mystery, you could see all the way to the final reel and take a well-educated guess about who did it.I was reading an opinion somewhere the other day that ITV's Broadchurch was an inferior rip-off of such fashionable Scandinavian fare as The Killing or The Bridge. Can't see it myself. Shetland, on the other hand, was riddled with Nordicisms and fit the bill perfectly. Shetland (the place) was even a Norwegian province back in the Middle Ages Read more ...
Jasper Rees
A drama that opens with the disappearance in the woods of a beautiful blonde teenage girl is going to evoke memories of Nanna Birk Larsen racing away from her murderer in The Killing. A drama set in a rural English village peopled by loamy eccentrics and sozzled toffs is likely to summon thoughts of Midsomer Murders. Put ‘em together and what have you got?Mayday is working a nightly hourlong shift across the week. This is an occasional style of scheduling that works well so long as the story grabs the viewer by the throat and refuses to slacken its hold. Five Daughters, about the murder of Read more ...
emma.simmonds
It's about time the world got to know South Korean director Park Chan-wook. His "vengeance" trilogy (and its middle segment Oldboy in particular) made an indelible impression on many but Stoker, Park's frighteningly meticulous English-language debut starring Nicole Kidman, Mia Wasikowska and Matthew Goode, will considerably broaden his reach. This master of the macabre may have toned it down a tad for his ninth film but the majestic violence and taboo infatuations are pleasingly present and correct. Channelling Winona Ryder's seminally surly teen Lydia Deetz from Beetlejuice, Wasikowska Read more ...
Jasper Rees
It doesn’t look broken from above. Broken City now and then takes to the skies over New York to look down on the splayed conurbation. Grand views of the skyline find silver towers a-shimmer, blue rivers a-glimmer and autumn’s burnished-bronze trees aflame. Wow, you think, could we stay up here way more and spend a little less time down there in the squalor, the corruption and, worst of all, Allen Hughes’ risible coloured-crayon stylings?You may recall Hughes’s big-screen breakthrough From Hell (2001). Big fan of blood, and the values of the graphic novel. He brings those tropes to an action Read more ...
Karen Krizanovich
Shakespeare’s Julius Caesar, set in an Italian prison, performed by criminals? If it sounds like a gimmick, the Taviani brothers’ Caesar Must Die is anything but. Following a popular tradition of freshening up Shakespeare's works with a shift in setting or location (think 10 Things I Hate About You or Ran), the Tavianis' deft editing creates a lean and intriguing 76 minutes that outstrips three hour epics in meaning and depth.Now in their eighties, the brothers are no strangers to effective cinema, with Padre, Padrone and Night of the Shooting Stars hallmarks of their time. Discovering Julius Read more ...