Canada
james.woodall
French-Canadian Robert Lepage is a clever theatre inventor and tireless dramatist. This includes film, though with much less frequency than his stage pieces. The latter have refined themselves into films that are not going to get people running off the street but which are never less than thoughtful – and that is part of the problem. His stage imagination, so flexibly at work in The Dragons’ Trilogy and The Far Side of the Moon (which also became a film), wreaks endless visual and sonic surprises, and also allows itself to probe, three-dimensionally, philosophically. The screen can flatten Read more ...
William Drew
Canadian playwright Matthew Edison's award-winning 2003 play The Domino Heart receives its European premiere in rather reduced circumstances. As a Sunday to Tuesday production at the Finborough (directed by Jane Jeffery), it takes place on the set of another play (Chris Thompson's Carthage). Luckily the play itself is essentially a shared act of storytelling. Three characters deliver monologues to the audience while the others read, write, doodle and generally act as if they're not hearing one another. In the world of the play, they're in different geographical locations and different moments Read more ...
Heather Neill
Award-winning Toronto-born playwright Claudia Dey is also an advice columnist and here she presents us with three wildly off-the-wall case studies. The twin Ducharme sisters, who share an isolated house in Tumbler Ridge, British Columbia, are famous for having a shared life marked by tragedy: their triplet died in the birth canal, their mother succumbed to a fever on their twentieth birthday and their father was split in two by lightning on the same day. Grace, who works in a garbage dump, is outgoing and enjoys posing for the local catalogues and billboards, while Sugar is mousier, hasn't Read more ...
Lisa-Marie Ferla
There’s something in the vocal delivery that calls for comparison to countrywoman Leslie Feist - a subtlety, an unreal-ness - but on her third, self-titled album Canadian songwriter Hannah Georgas has honed a sound of her own. What could easily have been your run-of-the-mill, heart-on-sleeve singer-songwriter material spent a little time in the studio with Graham Walsh of Toronto-based electronica act Holy Fuck and came out with its soul intact, but with just enough bite to make these songs stand out.I confess to writing Georgas off a little last year, while she was opening for, and Read more ...
theartsdesk
Of all the rock pantheon, Joni is the one who has evaded definition and over-determination better than anyone. The seemingly ethereal folkstress who partied with the most grizzled rockers and left them weeping for their mothers; the lover of the rock'n'roll life who can sing jazz standards and stand with the very greatest; the musical maestro who prefers to see herself as a painter - for all the reams of text written about her, the depths of armchair psychoanalysis attempted on her, Joni is always something other, and something more than anything you might expect. That is why, as much as any Read more ...
David Nice
French-Canadian pianist Hamelin has the technique and the stamina to play anything, which is why the note-crazy, obsessive “Night Wind” Sonata of Nikolay Medtner buzzed around at the heart of his recital. But between the proud resonance of its many climaxes and the distant voices he showcased so effectively in his own Barcarolle – three movements rather than one, unexplained in a note which simply ignored it – there’s little delicacy in the middle ground.That made much of Ravel’s Gaspard de la nuit less than phantasmagorical. “Ondine” should be the plaintive water-nymph, billowing to gusts of Read more ...
Lisa-Marie Ferla
It’s taken Avril Lavigne more than a decade to release a self-titled album, but in some ways it’s appropriate: after all, the Canadian singer’s best music still sounds exactly like what she was releasing as a teenager. The difference is that when she first burst onto the scene, all sweatbands and heavy eyeliner, Lavigne was a breath of fresh air - but now, on her new album, she seems to be taking her cues from the women she blazed the trail for.What she ends up with is the fun pop hits Katy Perry didn’t have room for in her spiritual new direction (“Sippin’ on Sunshine”, “Rock ‘n’ Roll”); Read more ...
Harriet Smith
There are few more beautiful places in the world to make music than Banff, the arts community founded in 1933, originally to teach drama. From small beginnings it became a name uttered with a certain reverence among the music world. And that is still true today, despite the fact that the centre is now as populated by conference attendees and "leaders of the future" as musicians, dancers, writers and artists. It rather nattily describes itself as a "creativity incubator" and, unless you have agoraphobia, it's impossible not to find inspiration and peace in the Canadian Rockies in which it Read more ...
Veronica Lee
Carey Marx, Gilded Balloon **** Carey Marx couldn't come to the Fringe last year, because of the small matter of having a heart attack. But, looking on the bright side, the experience has given him his new show, Intensive Carey, in which the comic tells his story without a trace of self-pity and with a keen sense of the absurd.He's wonderfully honest about the lifestyle that led to the illness – during which we learn another use for a pair of socks when staying in hotel rooms – and the effects the procedures and medications may have had on his sex life (although he managed to masturbate Read more ...
Nick Hasted
Schoolchildren drowning under a frozen lake in their crashed bus is the image most people still associate with Atom Egoyan. The Sweet Hereafter (1997), which pivots on that scene (the ill-fated bus is pictured below), gained him Oscar nominations as director and screenwriter, and reinforced the breakthrough made by Exotica (1994), in which a man harbouring an awful secret you dread being revealed keeps coming back to a strip-club’s schoolgirl-costumed dancer.Egoyan’s most financially successful and worst-reviewed film was Chloe (2007), in which Julianne Moore, Liam Neeson and Amanda Seyfried Read more ...
emma.simmonds
"When you are in the middle of a story it isn't a story at all, but only a confusion," writes Margaret Atwood in Alias Grace, and it's these words that open Stories We Tell, fellow Canadian Sarah Polley's fourth film. This is Polley's first documentary - although it hardly does it justice to call it that. It starts by telling a family story - a story Polley herself is indeed smack bang in the middle of - which requires her to be both director and detective, and presents her with the seemingly impossible task of distancing herself. Yet as it progresses Stories We Tell evolves into something Read more ...
Thomas H. Green
Katie Stelmanis of Austra has a voice that will send many listeners running to the hills. It is at once precocious and pretentious, running the gamut from quavering through a mouthful of marbles to operatic to cutesy, like the mutant offspring of La Roux, Paloma Faith and Knife/Fever Ray front woman Karin Dreijer Andersson. However, although it might take a moment or 10, once the ear has adjusted to her warbling theatrical style, there’s much to enjoy in Austra’s music.The Toronto six-piece is Stelmanis’s vehicle, and includes her longterm band-mate, percussionist Mary Postepski, as well as Read more ...