Bernstein
graham.rickson
Bernstein: West Side Story Alexandra Silber, Cheyenne Jackson, San Francisco Symphony/Michael Tilson Thomas (SFS Media)Bernstein's West Side Story has been patchily served on disc. The original cast version has the freshest vocals but is heavily cut. The film soundtrack reordered the songs, with Sondheim's lyrics softened. Michael Tilson Thomas's new, live San Francisco version offers the best of all worlds. This two-disc set presents the show virtually complete. It's well sung and the playing is magnificent. Sid Ramin and Irv Kostal orchestrated the show from Bernstein's piano score, Read more ...
David Benedict
How do you solve a problem like...no, not Maria, Candide? Musicals are loved for their scores – and Leonard Bernstein’s one for this really is a cracker – but they’re held together by their books, i.e. the script/dramatic context that makes audiences care about the characters and plot. Filled to bursting with good intentions, Matthew White’s exuberantly rough’n’tumble new Menier production does its damnedest but there’s no disguising the fact that Lillian Hellman’s adaptation of Voltaire’s satire of inexhaustible optimism remains tension-free. The gulf between the score’s strength and Read more ...
David Nice
Anyone who saw or attended this year’s Last Night of the Proms will know that Marin Alsop is a born communicator with a wry sense of humour. Another of those youthful crowds The Rest is Noise festival keeps attracting gave her a hero’s welcome last night, and she responded with easy compering. As a conductor she’s good, with clear, strong gestures plus a bit of shoulder acting – though if we have to talk top women interpreters, as opposed to animateurs, in the profession, my money’s still on Finn Susanna Mälkki - and she has a good orchestra at her disposal, too, the Brazilian first team of Read more ...
Claudia Pritchard
They called Rita Moreno the triple threat – she could dance, act and sing. But even her spirited performance as Anita in West Side Story could not satisfy United Artists: the doomy low notes of "A Boy Like That" were considered out of her range, and the number was ghosted by Betty Wand, one of the scores of unknown singers who rescued on-stage stars from ignominy.Fifty years on, Moreno, interviewed in Secret Voices of Hollywood, is still unhappy about this. She thinks Wand’s rounder notes lack the passion that Moreno had invested in furious Anita. But at least Moreno did not turn up at the Read more ...
graham.rickson
John Cage: As Is Alexei Lubimov (piano, prepared piano), Natalia Pschenitschnikova (voice) (ECM)One of the few avant-garde composers whose name is widely known, thanks to the infamous 4’33”, John Cage’s reputation as a fungus-collecting prankster can overshadow the fact that he was also a deeply serious, highly intelligent composer. 2012 is his centenary year, and new Cage discs have been slipping out imperceptibly, as you’d suspect he would have wanted. Pianist Alexei Lubimov’s account of Cage’s 1988 visit to the USSR is a joy to read, accompanied by a wonderful selection of Read more ...
alexandra.coghlan
Why so many empty seats at last night’s Prom? Bringing together several choruses, a percussion-augmented orchestra, dancers, actors, rock-band and children’s choir, Leonard Bernstein’s Mass is surely a Proms dream – a genuinely eclectic work with something for just about everybody. But even as some 11 different Welsh ensembles sung, jived, clapped and shouted for our entertainment yesterday, there was no getting away from the issues with Bernstein’s ageing, mongrel score.Part oratorio, part music-theatre, part liturgical rite, Mass is an awkward work to assimilate, let alone stage. Unlike the Read more ...
alexandra.coghlan
Brigham Young University in Utah is the largest private university in America, and is probably best known for its affiliation with The Church of Jesus Christ of Latter-day Saints, AKA the Mormons. What’s less commonly known is that the university also has a choir (four different choirs, in fact) that is among the finest collegiate ensembles in the US. Rounding off their three-week tour of England and Wales, the mixed-voice BYU Singers last night offered the audience of St John Smith Square a lively guided tour through the history of American choral music, with just a little bit of God thrown Read more ...
philip radcliffe
The cultural triumvirate of the Hallé Orchestra, the Royal Exchange Theatre and The Lowry have joined forces for this new production of the 1953 hit musical Wonderful Town. Leonard Bernstein would surely have been a happy man to hear his score, dashed off in a mere five weeks at short notice, played by the 65-strong Hallé Orchestra conducted by Sir Mark Elder, who has been nursing the ambition to do the show here since he saw the 2004 Broadway production. Fisher has pizzazz and a gift for comedyOn The Town or West Side Story, written either side of it, it is not, but the rich score has Read more ...
Matt Wolf
When West Side Story won 10 Academy Awards, that was back in a Hollywood era during which movie musicals regularly garnered such acclaim. Gigi, My Fair Lady, The Sound of Music and Oliver! all bookended the 1961 film adaptation of the landmark Broadway show when it came to copping the Best Picture Oscar; indeed, songs from the musicals that became films were part of the Hit Parade of that particular time to a degree that is unthinkable nowadays - though the popularity of TV phenomena such as Glee has done much to push the (comparative) marginalia of Broadway back toward the mainstream.West Read more ...
graham.rickson
This week we’ve some pioneering, trailblazing Mahler with a dramatic twist, courtesy of a conductor who mentored Leonard Bernstein. Elsewhere, there are some disconcerting, dark sounds from a youthful German composer, and a supremely entertaining disc of highly theatrical vocal works courtesy of Paul Hillier’s immaculately drilled Theatre of Voices. Turn on, tune in and drop out while listening to Cathy Berberian’s cartoon-inspired Stripsody, and consider the very question of what constitutes music.Mahler: Symphony No 3, Debussy: La Mer Kölner Rundfunk-Sinfonie Orchester/Dimitri Mitropoulos ( Read more ...
alexandra.coghlan
It was Leonard Bernstein who declared of English music that it was “too much organ voluntary in Lincoln Cathedral, too much Coronation in Westminster Abbey, too much lark ascending, too much clodhopping on the fucking village green”. Fey, whimsical and faintly patterned with chintz – English music doesn’t always get the best press. In the hands of the Britten Sinfonia however, it defies any notion of pastel prettiness, stepping out in only the feistiest and most glorious Technicolor.Any half-decent orchestra can start a note convincingly – just watch your local amateur symphony in action of a Read more ...
igor.toronyilalic
There had been murmurings that his star had dimmed. That Gustavo Dudamel's partnership with the Los Angeles Philharmonic (greeted with such fanfare in 2009) had yet to set the West Coast on fire. Had this Icarus flown too high? Would their debut visit to the Barbican last night resemble Breughel's fall, Latino legs flailing in an orchestral sea? Not a bit of it.Admittedly, we had to wait until the second half for something truly special to happen. The first half didn't really give Dudamel much chance to show off any of his many talents. In the John Adams opener, Slonimsky's Earbox (1995), Read more ...