BBC Three
gerard.gilbert
Far more than gay men, lesbians are one of the great invisible minorities of British TV drama – British TV generally, in fact. Sure, there have been the milestone moments – the Brookside kiss that titillated the nation back in 1994 and was the making of the then 18-year-old Anna Friel, or Jeanette Winterson’s terrific 1989 adaptation of her own novel, Oranges Are Not the Only Fruit. Both featured lesbianism as an issue or a problem rather than a well-adjusted sexual orientation.More recent dramas have set the Sapphism in the past, with the likes of Fingersmith, Tipping the Velvet or The Read more ...
gerard.gilbert
It's not that I feel like a middle-aged fuddy duddy exactly - although I was even almost too old for The Word and I'm clearly not the target audience for BBC Three. But if I were still in the 16-34 age group - even at its most juvenile end - frankly I’d be insulted by a show like The King is Dead. Is it a valid criticism of a BBC Three show to call it puerile? Perhaps not, but unfunny is unfunny.Created, written and produced by Simon Bird, which must be some sort of reward for starring in the Bafta-winning (and genuinely funny) E4 sitcom The Inbetweeners, The King is Dead comes in that by now Read more ...
Ismene Brown
As a journalist with a sense of pride about what we reptiles can achieve, sometimes I shudder at the awfulness of what passes for journalism. The licence fee in theory confers on the BBC some moral purpose higher than that of the base commercial stations, doesn’t it? (Given that it implies Commercial = Bad, Public Service = Good.) So a BBC Three documentary on shoplifting should probably be an example of higher journalism? Maybe something that rams home deeper truths either about the distinction between good and bad, or about disturbed individuals?Look, I know what BBC Three fare is. Just Read more ...
fisun.guner
We know the format: take a bunch of posh, privileged types - held up as examples of cluelessness when it comes to how “ordinary” people live by privileged, overpaid TV executives - and plonk them down in the middle of some dodgy council estate. Remove their credit cards and give them £6.50 to last a week. Watch as they baulk at the amount of cash their new, jobless neighbour manages to spend on fags, kebabs and the occasional drug habit. Watch as they wonder how to react to the plight of a harassed single mother in a mouldy one-bed flat who’s railing against immigrant families being given“ Read more ...
gerard.gilbert
Call me a grumpy old man if you like, but on an average week it can be hard to see the point of BBC Three - unless the point is for an overly expansionist state broadcaster to patronise the nation’s youth as a generation of weight- and Wag-obsessed delinquents with an unhealthy taste for autism and Asperger’s. But then on rare good weeks – or perhaps even years - along comes an original show like Little Britain, Being Human or Blood, Sweat and T-Shirts which suggest that maybe, just maybe, all that investment has been worthwhile. Pulse, the pilot for a potential new hospital horror series, Read more ...
Jasper Rees
Something decidedly odd happened at one of last year’s Proms. In a night celebrating the golden age of the MGM musicals, one of the performers was Seth MacFarlane. The average Prommer wouldn’t have known MacFarlane from a poached egg. And even his devotees wouldn’t necessarily be too familiar with the face. But when in the course of the evening he started singing in a voice for which he is better known, the picture became clear. To some of the audience, anyway: MacFarlane is the genius behind Stewie Griffin.Family Guy needs no introduction. Or if it does, it won’t be getting one here. After a Read more ...
graeme.thomson
“Marc Wootton is playing characters in real situations with real people” read the message that followed the opening credits of La La Land, as though Wootton were a comedic Archimedes unveiling his Eureka moment, rather than simply the latest “provocative” British wit to go panning for comedy gold in the murky waters of American embarrassment. La La Land premiered in January on US channel Showtime to fair-to-middling reviews and a thumbs-up from Larry David, and has now been given an Anglicised voiceover by Mighty Boosh star Julian Barratt and sent out to battle on BBC Three.The six-parter Read more ...
Jasper Rees
Let’s be honest, you never expect much sense from BBC Three. You don’t count on it for, say, depth of perspective. The channel which each week spews fresh torrents of hectic DayGlo entertainment in the specific direction of a desensitised demographic tends to steer clear of the big subjects. War and such. Girls on the Frontline, therefore, did not inspire much hope. That title. On any other BBC channel, it would have been women, not girls. Still, a camera crew was allowed to follow several women on a six-month tour in Helmand province. And either the British Army press office had the channel Read more ...
Adam Sweeting
Is Eddie Izzard running a lot of marathons really worth three hour-long documentaries? No, but it was worth watching this first one. Having seen close personal friends gearing up to run the London Marathon, a process involving months of training sessions and muscle-group-specific workouts, it was barely believable to see a patently un-honed Izzard strolling into the Olympic Medical Institute in Eddie Izzard: Marathon Man, confessing that “I’ve run before, mainly for buses,” and proposing to run 1,100 miles round the UK in a month’s time. Specifically, he aimed to run 43 marathons in 51 days Read more ...
Ismene Brown
There were some odd sights in Christmas Day viewing but none more discomfiting, I’d bet, than seeing a ballerina lying on a physio’s couch having a leg dragged quickly up to touch the side of her head while the other leg lay perfectly still pointing downwards. Can the body really do that? Another weird sight - dozens of people in full 18th-century French costume and wigs dancing in 40-degree heat on a Cuban stage. Meanwhile coachloads of dancers were going down with swine flu and a 45-year-old retired dancer was flown in from Germany to take the part of a 20-year-old. Surely nothing is as Read more ...
Jasper Rees
When is enough? The template usually cited as the perfectly proportioned lifetime for sitcom is Fawlty Towers. It ran for two series, 12 episodes - in and out, no mucking about. The Office deliberately kept the same hours, give or take the odd Christmas special and an entire American remake. Disappearing off the other end of the scale was Only Fools and Horses, which adopted the opposite tack of keeping faith with its characters as the contours of their lives changed. Gavin and Stacey, whose creators Ruth Jones and James Corden are knowledgeable students of the genre, has always had the look Read more ...